Reading in France

Dormitory, Abbey of Senanque.

The beauty of the world is the mouth of a labyrinth. . . If [the pilgrim] does not lose courage, if he goes on walking, it is absolutely certain that he will arrive at the center of the labyrinth. And there God is waiting to eat him.  

 – Simone Weil

I’m sitting on a terrace overlooking a river in France. Late summer blooms sway in the gentle breeze. The trees resound with birdsong. Back home, my country is in turmoil. What a week to be away! 

The stakes are high in the U.S., and I celebrate the rising of the women and the trembling of the patriarchy. But to be unplugged for a time need not be escape, but renewal. As the Dordogne rolls on placidly below me, I think of a line from William Stafford:

What the river says,
that is what I say.

Dordogne River, La Roque Gageac.

It’s a vacation. And yet, the book here on the table under the umbrella is Robert Coles’ Simone Weil: A Modern Pilgrimage. A reflection on the life and thought of the uncompromising French thinker and radical believer, whose posthumous influence has been so profound, is bound to put the placidity of a pleasant afternoon into question. What is one to do with a voice that says so matter-of-factly, “Salvation is consenting to die”?  

Crucifxion, Abbey of Saint Foy, Conques.

Weil’s life was rooted in renunciation, whether it was rejecting the career path of a brilliant thinker or refusing proper nourishment when she was dying in hospital. “For God to be born is renunciation,” she wrote. “The birth of Christ is already a sacrifice. Christmas ought to be as sad a day as Good Friday.”

That may not be a winning sentiment for church growth, but Weil insisted that the life of faith demands no less than everything. Her image of God waiting to eat us is certainly unsettling. Nevertheless, she believed, it’s all about surrender:

“We must give up everything which is not grace, and not even desire grace.”

Isaiah, priory church of Souillac (12th century)

I did bring some lighter reading as well on this journey, but Weil has been an insistent companion. She will not be ignored. Her rigorous ideas, not just conceived but inhabited, beg the question, “So what are you doing with your life? Are you holding anything back?”

As I’ve read Coles’ book, I’ve discovered that some of the places visited on this trip were associated with Weil: Auxerre and Le Puy, where she taught, the Ardeche region where she worked on a farm, and the garden at her college in Paris, where her fellow students, intimidated by her philosophical brilliance, called her “the Categorical Imperative in skirts.”

So I suppose I’m on a Weil pilgrimage by accident. We’ll see where it leads.

Chapel of St. Michel-d’Aiguille, Le Puy.

My itinerary also coincides with the Camino de Santiago, visiting three of the four starting points for the French portion of that great pilgrimage: Paris, Le Puy, and Arles (Vezelay is the fourth).

I walked a 70-mile segment of the French “Way of St. James” in 2010, and all 500 miles of the “Camino Frances” culminating in northwest Spain in 2014 (you can read about the latter here and here). 

Blessing of pilgrims on Le Chemin de Saint-Jacques, Cathedral of Le Puy

When I watched a band of joyful pilgrims set out last week from Le Puy after being blessed at the cathedral mass, I felt a little wistful to be only a tourist sightseeing by car. I felt a pull to join them. But then I remembered that for the desiring heart, the pilgrimage never ends.

Pilgrimage is the image Coles used for the all-to-brief life of Simone Weil, which ended at 34 in 1943, a bleak and violent year when, in Weil’s words, “it took a special person to be hopeful.” In our own dark and foolish time, Coles’ summation has particular resonance:

Hers was a modern pilgrimage; she entertained all our assumptions, presumptions, and anticipations – her journey is ours. She experienced, in the few years she knew among us, our buoyancy, our optimism, and soon enough, our terrible discouragement and melancholy. She saw Pandora’s box open, revealing its cheap tricks, its deceptions. She saw clear skies cloud up overnight. She saw all the castles we have built in the skies; she entered them, took their measure, and left with tears or anger, bitterness. In the end only one sight was left for her eyes; in the end, that modern pilgrimage so swiftly concluded, she looked upward, affirmed unflinchingly her last hope, the hope of heaven – and died, one suspects glad it last, glad to be hurrying home, to be with God…

Dordogne River, La Roque-Gageac.

 

All photos by Jim Friedrich

Who Is the Real Jesus?

One of the earliest images of a bearded Jesus (Roman catacomb of Comodilla, late 4th century)

I looked for him and did not find him.
I will get up and walk round the city.
and will look for him whom I love with all my soul.

–– Song of Songs 3:1-2

 

When I teach my seminar on “Jesus and the movies,” I show 20 different actors who have played the gospels’ leading man on screen during cinema’s first century. Every actor has his moments, and some of the cinematic Jesuses are very compelling. But something about the role itself invites the critical knives.

Jeffrey Hunter was 33 when he played Jesus in Nicholas Ray’s “King of Kings” (1961).

The casting of teen heartthrob Jeffrey Hunter in King of Kings (1961) caused some to call the film “I Was a Teenage Jesus”. But “to his credit,”one reviewer said, Hunter “plays the Son of God with embarrassment.” In The Greatest Story Ever Told (1965), the Swedish Max von Sydow, whose art-film resume set him apart from the “Hollywood Jesus” stereotype, was nevertheless slammed for “an aphorism-spouting, Confucius-say edge to his speech, an overtone of pomposity.” Another critic added that von Sydow “hardly varies his expression, which is mild suffering, as if he had a pebble in his sandal.”

Ted Neely’s hippie Jesus in Jesus Christ Superstarwas dismissed as “a droopy little fellow with sad eyes and long hair,” while Godspell’s playful Jesus was savaged by Time Magazine as “a teeny-bopper stoned on himself.” Robert Powell’s eyes in Jesus of Nazareth (1977) were just too blue to suit the historical realists. And Willem Dafoe’s uncertain and anxious Jesus in The Last Temptation of Christ (1988) caused the NPR critic to complain that “this Jesus wonders, wonders, wonders who––who wrote the book of love?”

Even positive reviews were tinged with doubt about the viability of portraying the Son of God. Writing about Robert Wilson, who played Jesus in my father’s 1954 film, Day of TriumphNewsweek said that while he doesn’t make Jesus seem “pale or namby-pamby … neither does he make him the red-blooded he-man.”

Interpretive representations of Jesus­—–in theology, painting, and film–– have been the subject of debate from the beginning. Even when he was present in the flesh, people gave very different answers to the question he posed: “Who do you say that I am?” That’s only natural. We humans are a mystery, even to ourselves. Add divinity to the mix, and the interpretive task becomes an endless play of perspectives.

The original “screen version” of Jesus (Hans Memling, St. Veronica, 1475)

I once did a video interview with a young Palestinian woman whose idiomatic phrasing expressed this perfectly. “Jesus is a very big word,” she told me. “You can never get to the end of it.”

When a critic, or one of my students, looks at the screen and thinks, “That’s not Jesus,” it implies that they themselves would recognize Jesus if they saw him. And that guy on the screen just isn’t him!

But if there is no definitive way to play a role so inherently mysterious, then no actor has to be the Jesus. He only has to make us see some things that we may have missed in previous tellings. Painters and preachers will tell you the same thing.

A youthful Christ evoked Resurrection (St. Costanza, Rome, c. 5th century)

Over the centuries, we’ve had Jesus meek and mild, and Jesus the Pantocrator––emperor of the universe. We’ve had the loving Jesus and the angry Jesus. We’ve had the Prince of Peace and the troublemaker, the Man for others and the social revolutionary. We’ve had the Good Shepherd, the Cosmic Victor, the healer, the teacher, the prophet, the mystic, the ascetic, the party animal, the Suffering Servant, the Savior, and the Man of Sorrows.

In 14th-century England, Julian of Norwich pictured Jesus as our nurturing mother. Other cultures have added their own distinct perspectives, seeing Jesus as shaman, medicine man, and exorcist. And what we know these days about Jesus is that he was a feminist, radical, egalitarian, postmodern critic of consumer society.

Revolutionary Jesus (Russia, 20th century)

Martin Scorcese, who directed The Last Temptation of Christ, was savagely criticized for taking liberties with the gospel story. His response?

“You have the choice between my wrong version
and your wrong version
and somebody else’s wrong version.”

Every narrative is fictional, a version from a particular perspective, with some things emphasized and some things left out. There is no such thing as an uninterpreted story, or an uninterpreted Jesus. And that’s okay. The Incarnation means that God is fond of particularity, choosing to dwell in a particular human body in a particular way. And to say that “Jesus lives” means that the particularity of incarnation continues to go on. Jesus keeps turning up in many guises, seen through many eyes.

Jesus is a very big Word. So every version will be “wrong” in the sense of being incomplete. That is why diversity of interpretation is a blessing. The reception of revelation is a collective act performed over time. The four lives of Jesus given by Matthew, Mark, Luke and John establish this principle of interpretive diversity at the very beginning of Christianity. Each gospel offers a distinctive perspective, a different Jesus.

Mark’s Jesus is a rebel who challenges the oppressive powers: the clergy, the demons, and the empire. His revolution is a mystery that most fail to see or understand, except a few followers to whom “the secret of the Kingdom has been given.” The revolution seems to fail in the end, but then there is the empty tomb and those strange angelic words:

“He is not here.
He goes before you into Galilee.
You will see him there.”

And where is Galilee? It’s where the story began, so there is in Mark this circular motion which takes you back to the beginning to look again at the story in the light of the Resurrection, and this time maybe you start to see what’s really happening, you start to see who––and where–– Jesus really is.

Matthew’s Jesus is the rabbi, the divine teacher who conveys to us the mind of God in the Sermon on the Mount, the kingdom parables, and the representative suffering that seems to fulfill and redeem Israel’s destiny. His gospel starts with Emmanuel, the newborn child who is God-with-us, and it ends on a mountain top meant to recall the giving of the Torah on Mt. Sinai, with Christ’s promise that “I am with you always.” As in Mark, Jesus is a story that never ends.

Luke gives us the compassionate companion who embraces the poor and the outcast. Only Luke’s Jesus speaks of the Good Samaritan and the Prodigal Son. Unlike Mark’s gospel, which keeps circling us back to the original story of the historical Jesus, Luke’s version propels us forward into the future of the risen Jesus, who continues among us as the Spirit-filled church, manifesting divine presence in the breaking of the bread and the healing of the world.

Supper, George Tooker (1963)

John’s Jesus is the most variant of them all. The divinity of his Jesus is clearly visible from the start: The Word became flesh and dwelt among us. The Fourth Gospel resounds with the divine name first revealed to Moses: “I am.”

I am the light of the world.
I am the bread of life.
I am the way, the truth, and the life.
I am the true vine.
I am the resurrection and the life.
I am the door.
Before Abraham was, I am.

Some people worry about whether Jesus actually said any of these things during his earthly life, as if they could only be true if spoken by the first century Galilean Jesus. But if Jesus is risen and living and with us always, then to have these words spoken through the voice of the inspired community, the Body of Christ on earth, expands rather than violates the norm of authenticity. Read the Farewell Discourses (John 14-17) as if they are spoken by the risen Christ, and John’s Jesus feels more like revelation than invention.

Whatever the historicity of John’s Jesus, he is the one many of us have met––as the bread of life, the deep well of living water, and the door between the worlds by whom we make our own safe passage through death into life.

The foundational narratives of Mark, Matthew, Luke and John were only the beginning of the process. Now it’s our turn to add to the story of Jesus, from the particularity of our own experience. How, exactly, do we tell the gospel according to us?

 

Hans Memling, Christ Blessing (1478)

 

Related posts:

The Ten Best Jesus Movies

Ten Questions to Ask About Your Own Picture of Jesus

Faith Meets Works: And the Winner Is . . .

Duccio di Buoninsegna, Jesus open eyes of a man born blind (1311)

Without faith, no good work is ever begun, or completed.

–– Caesarius of Arles

 

A homily for the Sixteenth Sunday after Pentecost

One of the longest running debates in Christianity is the one about faith and works.
Which is primary? Which is more necessary?
Are we saved by faith alone, or do our works matter as well?
Is our salvation due entirely to God, or do we ourselves play any part in it?

This argument goes all the way back to the New Testament. As James asks in today’s epistle, “What good is it, my brothers and sisters, if you say you have faith but do not have works? Can faith save you?” (James 2:14)

James is responding to the notion that we are saved sola fide––by faith alone–– and not by anything we ourselves are able to do. He seems to be dissenting from St. Paul’s emphasis on “justification by faith,” worrying that it could weaken our ethical motivation.

If the good works that we do make no difference in whether we’re saved––because God is as gracious to sinners as s/he is to saints–– then what’s the point of working hard to do the right thing?

Like the workers in the vineyard, can’t we just show up at the last minute and receive the same wages as those suckers who spend the whole day sweating in the hot sun? (As if our own reward is the heart of the matter!)

Such a caricature, of course, does little justice to the nuanced reflections on faith and works by great thinkers like Paul, Augustine, Luther and Calvin. But still, in the end, it is fair to ask whether the whole debate is more a matter of language than substance. What do we mean by “faith,” or “justification,” or “salvation?” Without getting too far into the theological weeds, I’ll just say that such words, whatever their particular meanings, all signify a state of being tuned in to the divine way–– a condition shaped by and conformed to what James calls “the royal law”: You shall love your neighbor as yourself.

In other words, the life of faith is the life of love, mirroring the eternal self-offering of the Holy Trinity in our own manner of living each and every day. When we no longer live for ourselves but for God, anxiety about whether we’re good enough is the last thing on our minds. When we surrender our lives to the Way, the Truth, and the Life, good works are simply who we are and what we do as Love’s chosen instruments.

Good works are not a means to an end, a way to glorify ourselves or earn heavenly rewards. They are simply what happens when God is in us and we are in God.
If you are a blazing fire, you give off heat and light.
If you are “Christ’s own for ever,” your actions are radiant with love and justice.

As Jesus put it, “Let your light so shine before others,
that they may see your good works and give the glory to God” (Mt. 5:16).

Jesus was speaking from experience. As St. Peter said in one of his sermons, “because God was with him, Jesus went about doing good and curing all who were oppressed by the devil” (Acts 10:38). Today’s gospel, cramming multiple healings into two paragraphs, fits Peter’s concise description of Jesus as a man who went around doing good, a man in a hurry to repair the world.

Good works have been called the fruits of faith, because they make the inwardness of faith visiblein a way that others can see, and nourishingin a way that others can taste. “Good works are witnesses to the Christian faith,” said a fifth-century priest named Salvian, “because otherwise a Christian cannot demonstrate that he has that faith. If he cannot show it, it may as well becompletely nonexistent.” [i]

Where would the world be if we were all faith and no works? The hungry can’t eat our ideas. The vulnerable won’t get much protection from our “thoughts and prayers.” Intention without implementation is pretty useless, as James reminds us in his Epistle:

“If a brother or sister is naked and lacks daily food, and one of you says to them, ‘Go in peace; keep warm and eat your fill,’ and yet you do not supply their bodily needs, what is the good of that? So faith by itself, if it has no works, is dead.” (James 2:15-17).

There was once a man whose heart was so broken by all the pain and injustice in the world that he cried out in anger and despair, “O God, see how much your people suffer! See how much anguish and misery there is in the world! Why won’t you send some help?”

And God answered, “I did send help. I sent you.” [ii]

So where do we start? There’s a world of hurt out there. Can we make a difference? Scripture gives high priority to serving the poor, feeding the hungry, welcoming the immigrant, including the outcast, protecting the defenseless, tending the sick, visiting the prisoner, and guarding Creation. At a time when the exact opposite of all these things is being carried out by the highest levels of our government––with the enthusiastic approval of a shockingly high number of white Christians––we can become exhausted, if not despairing, just thinking about the immense labor of resisting evil and preserving the common good.

That’s when works need faith as much as faith needs works––faith that another power is at work here; faith that we aren’t doing it by ourselves. In fact, repairing the world is not a humanproject at all. God started that work, and God will finish it. Meanwhile, as God’s hands and feet in the world, we chip in as best we can for our brief span. Be not afraid. God is always out there ahead of us, hard at work.

God is out there in the attorneys fighting to protect and reunite the children and parents being separated and abused at our southern border. God is there in the faith communities offering protection and sanctuary to the victims of bigotry and racism. God is there in the striking prison inmates who refuse to be treated like animals. God is there marching in the streets against gun violence and environmental suicide.

Oh wait. Is this mixing religion and politics? Of course it is, because religion and politics have always been inseparable, if what you mean by politics is that people actually matter, and the common good actually matters. In a 1979 manifesto, activists Corinne McLaughlin and Gordon Davidson defined politics in what I would call religious terms:

“Politics is the way we live our lives. . . It is the way we treat each other, as individuals, as groups, as government. It is the way we treat our environment. It is the way we treat ourselves. Politics has to do with where we shop, what we eat, how we maintain our health. It has to do with the kinds of schools we create, the energy we use, the neighborhood organizations we build, the work we do. Politics involves our way of seeing the world, of developing our consciousness, of awakening our whole selves. It has to do with our attitudes, our values, our innermost dimensions.” [iii]

Of course, for many of us the work of repairing the world is relatively quiet and local most of the time. Random acts of kindness and so forth. As Wendell Berry says, “The real work of planet-saving will be small, humble and humbling . . .” [iv]

A writer named Bob Libby gives a lovely example of this. He liked to go running at the beach, and whenever the tide was low he saw an old woman “walking along the shore in her white tennis shoes, floppy straw hat, and oversized print dress. She always carried a crumpled brown paper bag that matched the texture and color of her skin.”

Her name was Maggie, and she’d walk along with her head down, pausing occasionally to stoop over, pick something up, and examine it. Then she’d either toss it away or put it in her bag. Libby assumed she was collecting shells, but when he asked her about it one day, she said, “Not shells at all. Glass. Sharp glass. Cuts the feet. Surfers land on it. It sure ruins their summer.” [v]

It doesn’t take much to make the world better, does it? As John Wesley said,

Do all the good you can
by all the means you can,
in all the ways you can,
in all the places you can,
at all the times you can,
to all the people you can,
as long as ever you can. [vi]

I’ll leave you with one more story, a parable by Megan McKenna:

There was a woman who knew the world was falling apart. Every day the news made her more depressed. But one day, as she wandered sadly through her town, she had the impulse to step into a little shop she had never noticed before. To her surprise, standing behind the counter was Jesus! At least he looked like all the pictures she’d ever seen of him.

 So she went over and asked him, “Excuse me, are you Jesus?” “I am.” “Do you work here?” “No,” Jesus said, “I own the store.” “Oh. What do you sell in here?” “Just about anything!” “Anything?” “Yep, anything you want.” Jesus leaned forward. “What do you want?” “Um, I’m not really sure.” “Well,” Jesus said, “feel free, walk up and down the aisles, make a list, see what it is you want, and then come back and we’ll see what we can do for you.”

 So she did just that, walked up and down the aisles. There was peace on earth, no more war, no hunger or poverty, peace in families, no more drugs, harmony, clean air, careful use of resources. She wrote furiously. When she returned to the counter with her very long list, Jesus looked it over. Then he glanced at her with a smile and said, “No problem.”

 Then he bent down behind the counter, picked out a bunch of different small packets, and laid them out in front of her. “What are these?” she asked. “Seed packets,” Jesus said. “You take them home to plant, then you nurture them and help them to grow, and one day in the future there will be others to come and reap the harvest.”

“Oh,” she said. [vii]

 

 

 

[i] Thomas C. Oden, The Good Works Reader (Grand Rapids: Eerdman’s, 2007), 336.

[ii] David Wolpe, Teaching Your Children About God, q. in Frederic & Mary Ann Brussat, Spiritual Literacy: Reading the Sacred in Everyday Life (New York: Scribner, 1996), 317.

[iii] Ibid., 330. McLaughlin and Davidson were part of the New World Alliance, an idealistic project to create a “transformational politics.”

[iv] Wendell Berry, q. in Brussat, 341.

[v]Bob Libby, Grace Happens, q. in Brussat, 341-2.

[vi] q. in Brussat, 360-61.

[vii] Adapted from a story in Megan McKenna, Parables, q. in Brussat, 359. McKenna has the woman walk out without buying anything, like the rich young man who decided following Jesus was too hard. My wife, also a preacher, thought the congregation should be left with the woman’s final response still undecided. So I ended it with “Oh.” But I can’t help hearing the disappointment in her voice.