Whose World Is It?—Rethinking the Problem of Evil

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The Last Judgment (detail), Tympanum of the Abbey of Sainte-Foy, Conques, France (c. 1107).

God isn’t the prime mover of every natural catastrophe and human ill; inexplicable tragedies are never a so-called act of God. Life is more complicated than that; so is the universe; so is God. 

— Gary Commins

Lord, if you had been here, my brother would not have died (John 11:21).

In Son of Man, a 2006 film retelling the Jesus story in a 21st-century African country, Jesus and Satan are sitting side by side atop a tall sand dune. After putting up with the three temptations, an exasperated Jesus turns suddenly toward his adversary and gives him a hard shove. As Satan tumbles down the dune, Jesus shouts after him, “This is my world!” But Satan is unbowed. When he reaches the bottom, he picks himself up, dusts himself off, and cries up to Jesus, “NO! THIS IS MY WORLD.” The film cuts to the country’s ongoing civil war, where a mass shooting of schoolchildren proves Satan’ point. 

One night last week, a drunken man was shooting a gun in his front yard—reportedly a form of recreation in his Texas neighborhood. But his next-door neighbor had a baby who was trying to sleep. He asked the shooter to stop. The shooter refused. Instead, he fetched a deadlier weapon—an assault rifle—took it into his neighbor’s house, and slaughtered five people, including a nine-year-old boy. The police found a few survivors—children shielded beneath the bodies of their mothers—uninjured, but covered with maternal blood.  

Such unspeakable evil has become a regular occurrence in my country. Mass shootings are setting a record pace this year. Twenty years ago, there were 200 million guns in America. Now there are 400 million. Twenty years ago, assault rifles were 2% of the market. Now they are 25%[i] The man who pulled the trigger in Texas is not alone in his guilt. He is joined by the gunmakers who make themselves rich from the carnage, the right-wing lawmakers who fetishize guns to get votes, the cable propagandists who stoke fear, rage and hate, and a dysfunctional society incapable of exorcising its legion of demons.

The Last Judgment (detail), Tympanum of the Abbey of Sainte-Foy, Conques, France (c. 1107).

I have written about our capacity for denial in “The Murderous Hypocrisy of ‘Thoughts and Prayers.’” If we say we have no sin, we deceive ourselves, and the truth is not in us (I John 1:8). Or as a modern theologian puts it, “It is only when our capacity for evil has been rendered explicit that we have a realistic basis for understanding that transformation or metanoia, that healing, which constitutes our salvation.” [ii]

Zooey Zephyr, a representative in the Montana state legislature, recently provided a perfect image of the cognitive dissonance inherent in pious self-deception. She was speaking against a Republican anti-trans bill which she believes will increase suicide among the young; but her words could apply to every political misuse of “thoughts and prayers”: “If you vote yes on this bill and yes on these amendments, I hope the next time there’s an invocation when you bow your heads in prayer, you see the blood on your hands.” [iii]

The Republican majority, like Pilate washing his hands of innocent blood, voted to silence Zephyr. They expelled her from the house. It’s easy to mock their fear of truth-telling, but when we look at our own hands, what do we see? 

Evil is woven not only into the fabric of the world, but into each and every soul. In Terrence Malick’s great (anti)war movie, The Thin Red Line, we are shown the violence and death of a terrible battle, but the realistic sounds of gunfire, grenades and human screams are muted beneath the elegiac music of Charles Ives’ “The Unanswered Question,” as though we are watching human evil through an impartial God’s tear-stained eyes. Then we hear the voice-over questions of an American soldier, seeking to penetrate the surface of the visible: 

“This great evil, where does it come from? How does it still enter the world? What seed, what root did it grow from? Who’s doing this, who’s killing us, robbing us of life and light, mocking us with the sight of what we might have known? Does our ruin benefit the earth? Is this darkness in you too?” [iv]

Who’s doing this? Who’s killing us? Is this darkness in you, too? The problem of evil is not only an unanswered question; it is unanswerable as well. In his valuable and insightful new book, Evil and the Problem of Jesus, Episcopal priest and theologian Gary Commins invites us to set aside the philosophical conundrums, engaging evil not as a theoretical puzzle but as a practical challenge.  

Since ancient times, the existence of evil has raised unsettling questions about the nature of God. If God is good, why is so much evil allowed to happen? Is God indifferent to our suffering, or somehow powerless to eliminate it? Can divine purpose ever justify evil, turning it to the good? Or must we conclude that a good God, or any God at all, is a logical impossibility, given the prevalence and persistence of evil?

Theodicy is the philosophical or theological attempt to reconcile the goodness of God with the existence of evil. It has produced a vast amount of profound intellectual reflection over the centuries. But Commins, drawing on his own pastoral experience, calls the whole enterprise into question. It’s not just that a rational explanation for evil offers little real comfort to its victims (Who wants to hear “It’s God’s will” at a funeral?). It also strips both God and evil of their complexity. The sources of evil are multifarious and impossible to trace with precision. And the activity of God within our temporal, finite existence is not a unilateral and unfettered exercise of power. The self-emptying God chooses to work within incarnational limits. The vulnerable babe in the manger grows up to die on a cross, and in between does what he can to address evil, not always successfully. 

“Traditional Western theodicy,” says Commins, “jams billions of people, or the planet, millions of millennia, and the infinite intricacy of subatomic matter into a solitary, simplistic enigma of God-and-evil. By tapering all its energy into one worn-out query, it diverts us away from more illuminating questions. Not only does it boil down a myriad of meanings into one conundrum of divine power or love. It concentrates on what is, in all likelihood, the least fruitful of many mysteries.” [v]

Instead of defending God’s honor or solving the ancient enigma of good and evil, we should accept the sheer givenness of “a wild, wondrous, chaotic creation [we] can’t comprehend or control.” [vi]  Instead of wondering why the world is so, we should devote our energies to the divine project of making it better. 

“The causes of evil and suffering are personal, social, structural, and cosmic: human delusions, collective misbehaviors, institutional grandiosity, and spiritual malice .… Until the End, suffering and evil will neither cease nor desist—they are inherent in creation and intensified by social ills; we can decrease them by aligning ourselves with God’s will.” [vii]

We may never understand why the world must be an unstable mixture “of storms and stillness, gloom and brightness,” where “suffering, evil, and chaos commingle with glory, love, and joy.”[viii]  But it’s the world we’ve got, and what we really need to figure out is how to live in it.

And for that, Commins says, we must turn to Jesus, who shows us “what it means to be human.” If we seek a Christian understanding of God’s response to evil, we should start not with metaphysics, but with the gospel.

“Jesus never waxes philosophical. Rather than offering an ‘explanation’ for evil, he gives his followers ‘a charge and a benediction’: the charge to stand in solidarity with the oppressed, the benediction to empower his followers to resist evil.” [ix]

“Nowhere does Jesus construct a system of ethics or author a theology of evil. In broad terms, what we can do to undo evil is clear—act on his words, treat all as equals, seek the kingdom, go and do likewise, repent, follow, forgive, and love—but unless we face the evils within us, we won’t have a positive influence on the world around us and, even then, nothing is a sure thing.” [x]

At the same time that Jesus is showing us how to be fully human, he is revealing who God is and what God does. Jesus’ own responses to evil are “epiphanies into God’s relationship with evil.… what Jesus does in time, God does in eternity; the ways Jesus responds to evil in his lifetime—confronting, undoing, and erasing it; bending, circling, and transforming it—are ways God always engages evil.” [xi]

No metaphysical speculation needed. Just keep an eye on Jesus, and the Way will show itself. In a beautifully succinct summation of this Way, Commins says that “Jesus embodies compassion, challenges judgments, reverses fates, levels inequalities, frees from demons, forgives sins, tells truths, and plants seeds of shalom.” [xii]

So whose world is it, after all? We wonder every time we watch the news. But ultimately, it’s a question to be answered not within our minds, but in the activity of our lives. As the song says, “It may be the devil or it may be the Lord, but you’re gonna have to serve somebody.”[xiii]

The late German theologian Dorothee Soelle (1929-2003) found this paradigm of Christian discipleship perfectly expressed in The Brothers Karamazov, where Ivan and his younger brother Alyosha are earnestly discussing theodicy. Both agree that no long-range divine purpose could ever justify the torture of children in the here and now. Where the brothers differ is in their personal response to evil. Ivan blames and rejects a God who consents to the immense sufferings of history. But Alyosha, notes Soelle, does not shake his fist at heaven. He is too busy attending to the needs of earth, just like the God who became one of us.

“[Alyosha] directs his attention not to the power above but to the sufferers. He puts himself beside them. He bears their pain with them. He listens with agony as Ivan introduces examples of suffering he had assembled against the compassion of God … He is silent, he shares the suffering, he embraces the others.” [xiv]

Compassion’s embrace: from Alexander Sokurov’s “Lc. 15:11-32” (Prodigal Son installation,Venice Biennale 2019). Sculptures by Vladimir Brodarsky & Katya Pilnikova.

Photographs by the author. For more on the Tympanum at Conques, including a video of what the original painted colors might have been: https://www.tourisme-conques.fr/en/en-conques/the-tympanum

[i] These statistics were cited in a televised interview with Fred Guttenberg, speaking about the new book he has co-authored with Thomas Gabor: American Carnage: Shattering the Myths That Fuel Gun Violence. 

[ii] Kenneth Surin, Theology and the Problem of Evil (Oxford & New York: Basil Blackwell Ltd., 1986), 157.

[iii] https://apnews.com/article/montana-trans-lawmaker-silenced-zooey-zephyr-d398d442537a595bf96d90be90862772

[iv] The Thin Red Line (1998), adapted by Terrence Malick from James Jones’ 1962 novel. 

[v] Gary Commins, Evil and the Problem of Jesus (Eugene, Oregon: Cascade Books, 2023), 14. Full disclosure: Gary is an old friend. We meet up periodically in Eugene for national track & field championships, but never discuss evil during the meets. His new book not only offers a fresh and timely take on a central theological question, it does so through an illuminating method of reading Scripture and tradition in general.

[vi] Commins, 68.

[vii] Ibid., 194.

[viii] Ibid., 155, 194.

[ix] Ibid., 41. The quoted phrases are from Susan R. Garrett’s article, “Christ and the Present Evil Age,” Interpretation 57 (2003), 370-383.

[x] Ibid., 129-130.

[xi] Ibid., 159.

[xii] Ibid., 149.

[xiii] Bob Dylan, “Gotta Serve Somebody,” on Slow Train Coming (1979). 

[xiv] Dorothee Soelle, Suffering (London: Darton, Longman and Todd, 1975), 175.

Extravagant Sacrifice: A Holy Week Reflection

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Jan van Scorel (c. 1530)

Mary took a pound of costly perfume made out of pure nard, anointed Jesus’s feet, and wiped them with her hair. The house was filled with the fragrance of the perfume. But Judas Iscariot, one of his disciples (the one who was about to betray him) said, “Why was this perfume not sold for three hundred denarii and the money given to the poor?” — John 12:3-5  

Judas raises a troubling question for everyone who is not destitute. As long as there is human need, how dare we spend our money on anything else? And Jesus’ answer—“The poor are always with you”—might seem equally troubling, if taken to accept economic inequality as inevitable. But Jesus was never complacent about the status quo. In both word and deed he lifted up the lowly—the ones either ignored or shamed by their culture—declaring them worthy of blessing and honor. As Jesus himself put it, he came to bring good news to the poor: Injustice has no future. God’s kingdom of loving interdependence is at hand. 

Here’s how I read this text: “You can help the destitute any time you want, Judas. If your concern is sincere, they’ll still be around after I’m gone. But I won’t be. So don’t be so quick to judge this woman. If you could only understand what’s going on here, it would save your life.”

So what is going on here? A woman, Mary of Bethany, whose brother Lazarus had recently been rescued from death by Jesus, pours very expensive oil over the feet of her Lord, and then wipes those feet with her hair. It’s an extravagant gesture of devotion, gratitude and love. The oil, worth a year’s wages for a common laborer, may have cost Mary most of her wealth, while letting down her hair to do the work of a towel was, in that culture, a shocking display of abasement and vulnerability. In other words, she was offering all that she had and all that she was to honor Jesus. 

This act, both sensory and symbolic, overflowed with meanings. Anointing with oil was a way to mark the special vocation and identity of authoritative figures, whether powerful rulers or holy persons. It consecrates them as chosen and set apart. The title of “Messiah” or “Christ” means “the anointed one.” It was revolutionary to have a woman be the one to anoint Jesus as priest and ruler, but so was the kingdom he came to manifest and embody. 

Anointing was also part of the culture’s preparation of a body for burial. Performed in the week before Jesus’ death, Mary’s gesture inaugurates the sequence of sacrificial acts culminating with her Lord’s burial in the stone-cold tomb. The feet she anoints will walk the Way of the Cross for the salvation of the world. This was his chosen destiny. 

The story’s third meaning is in its foreshadowing of the foot-washing, when Jesus, on the night before he died, knelt at the feet of his friends to perform the work of a servant, surrendering his power for love’s sake. He was teaching by showing: This is how we must be with one another. This is exactly how God is with us. Just a few days before Jesus taught this explicit lesson at the Last Supper, Mary of Bethany had performed it instinctively, offering all she had, holding nothing back. 

At the time, the disciples did not grasp the full significance of Mary’s act. Nor did Mary herself. How could they? As we like to say about Holy Week, the journey is how we know. The disciples had to follow Jesus all the way to the cross—and beyond—before they could begin to understand—through memory and reflection—what it was all about. 

One of the strongest triggers for memory is our sense of smell. When John’s gospel tells us that “the house was filled with the fragrance of the perfume,” it sounds like a vivid personal memory. Recalling the fragrance, the disciples could revisit that moment to absorb all the meanings which had escaped them at the time. 

As we make our own personal and communal journey through Holy Week, may we too immerse ourselves extravagantly in the sensory images and sounds of the Passion narratives and rituals, allowing them, by our faithful participation, to take us deeper and deeper into the Paschal Mystery of dying and rising in Christ. 

As for Judas’ sour complaint, Sydney Carter’s Passion carol, “Said Judas to Mary,” nicely disposes of its false premise of either/or. Devotion to Jesus and loving service to “the least” of God’s family are not opposed. They are inseparable:

Said Jesus to Mary, “Your love is so deep, 
 today you may do as you will. 
Tomorrow, you say, I am going away, 
but my body I leave with you still.”

“The poor of the world are my body,” he said,
“to the end of the world they shall be.
The bread and the blankets you give to the poor
 you’ll know you have given to me.”

Here is a lovely rendition of Carter’s Holy Week carol sung by Fiona Dunn:


“Though the whole world turn to coal”—George Herbert’s “Virtue”

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“Only a sweet and virtuous soul, / Like season’d timber, never gives …”

Today is the feast day of George Herbert (1593-1633), one of my favorite poets. It is fitting that we remember him at the beginning of Lent, for his poems are imbued with the season’s themes of repentance and renewal. He was a student of what the Book of Common Prayer calls our “unruly wills and affections,” and could be brutally honest about his own need for divine grace. 

I have posted reflections on his life and work before. In Heart Work and Heaven Work (2016), I wrote: 

The Herbert whom we meet in his poems is a person very much in process: unfinished, imperfect, always aspiring to something higher. He cared deeply about formation and growth – his own as well as that of his congregation. As poet and priest he used all possible art to move those with ears to hear.

And in “Flie with angels, fall with dust”—Appreciating George Herbert (2019), I celebrated the way he perceived the spiritual richness of the world:

Herbert’s spiritual environment seems so alive with correspondences between visible things and deeper, invisible realities. The Mystery of the world is met in the humblest of circumstances. The burning bush flashes through the surface of the ordinary. Everyday phenomena are saturated with significance.

This year let us honor “the holy Mr. Herbert” (as his parishioners called him) by examining a single poem. Perhaps we will make this an annual tradition on February 27. For today, the poem is “Virtue.”

Sweet day, so cool, so calm, so bright, 
The bridal of the earth and sky; 
The dew shall weep thy fall to-night, 
For thou must die. 

Sweet rose, whose hue angry and brave 
Bids the rash gazer wipe his eye; 
Thy root is ever in its grave, 
And thou must die. 

Sweet spring, full of sweet days and roses, 
A box where sweets compacted lie; 
My music shows ye have your closes, 
And all must die. 

Only a sweet and virtuous soul, 
Like season’d timber, never gives; 
But though the whole world turn to coal, 
Then chiefly lives. 

“Sweet rose … thy root is ever in its grave.”

The poem has been called “one of the purest lyrics in the language.” [i] The predominance of one-syllable words exemplifies its “fine poetic thrift.” [ii]  The sixteen short lines, divided into four quatrains, overflow—almost miraculously—with diverse images, references and meanings. For example, “The bridal [wedding] of the earth and sky“ invokes the Easter Vigil’s Exultet: How blessed is this night, when earth and heaven are joined. “Thy root is ever in its grave” describes the paradox of mortal life with stunning brevity: even at our liveliest, we are dying creatures. Or as we say on Ash Wednesday: Remember that you are dust. 

The poem’s opening line establishes rhythmic beat of successive iambs (short-long): “Sweet day, so cool, so calm, so bright.” This pattern is more or less followed in the first three lines of the first three quatrains, but each fourth line slams on the brakes with its sober message of mortality, delivered in a series of strong beats like the striking of a drum or the tolling of a bell: For thou must die … And thou must die … And all must die.

Although an apocalyptic wisdom throughout the poem reminds us that days end, flowers wither, seasons pass and worlds burn (“turn to [char]coal”), the first three quatrains seem more celebratory than melancholy. The word “sweet” occurs six times. The inevitable terminations of temporal existence need not diminish whatever pleasures and joys we experience in the moment. However, as the poem’s conclusion insists, the “soul”—our innermost self or enduring identity—can partake of something deeper and more lasting, an essential and enduring stability at its core.  

The governing images of the final quatrain, “season’d timber” and “turned to coal,” each call up a constellation of meanings. Timber suggests both the cedars of Lebanon and the cross. And the seasoning of wood represents the testing of the soul, which, by God’s grace, “never gives”—never gives in, never gives up. As Herbert scholar John Drury explains, “Timber is seasoned by being left to dehydrate out of doors undercover for several years, enduring, like the soul, the extremes of weather and the seasons. After that it is stable and strong.” [iii]

But wood is flammable, and the doomsday image of a world-ending fire takes us to the brink of ancient fears of annihilation. But Herbert deftly steers us instead into a place of hope and promise. Wood tested by fire can become a glowing ember, an image of liveliness. Likewise can the tested soul become “a quick [living] coal / of mortall fire,” as Herbert says in another poem, “Employment (II).” And even should the world’s last embers cool and turn to dust, the soul which belongs to God will “chiefly” live. “Chiefly” means particularly, or mostly, but it may also reference Christ, the Chief of history, in whom all are made alive.

Unlike the last line of the first three quatrains, with their percussive stresses hammering out our doom, the stresses of the very last line, reduced from four to three, seem gentler and, aided by the use of a two-syllable word, more lilting: “Then chief-ly lives.” Try reading just the fourth line of each quatrain in succession, and notice the difference in tone at the last.

As it always is with God, life has the last word.

[i] Arnold Stein, George Herbert’s Lyrics (Johns Hopkins, 1968), cited in Helen Wilcox, The English Poems of George Herbert(Cambridge: Cambridge University Press, 2007), 81. I am indebebted to Professor Wilcox for her richly annotated collection of Herbert’s English poems, each of which also includes summaries of the best Herbert criticism over the years. Since his poetry can be difficult and many of his terms archaic, her book is indispensable.

[ii] John Drury, Music at Midnight: The Life and Poetry of George Herbert (Chicago: Chicago University Press, 2014), 59. A must-read if you want to go deeper.

[iii] Ibid., 59.

What’s Going On at the Asbury Revival?

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Asbury University Revival (February 2023).

True religion, in great part, consists in holy affections.

— Jonathan Edwards

“After Thursday, I was like, okay, I’m going to go sleep. But [God] was like, ‘No, I have more for you.’”

— Lauren, Asbury University student

On February 8 the morning chapel service at Kentucky’s Asbury University concluded, as usual, with a spiritual song. Then most of the students filed out to go to class, but the band kept playing, and a few stayed behind to sing along around the altar. What happened next has startled the world.

“I was like, all right, we’re just going to be around here for one or two more songs, and we’re going to go to class,” said Lena, an Asbury student. “But there was like something in my soul that said no-no-no, we’ve just got to stay here. So I just stayed. A little while later I thought I had only been there like maybe an extra 20 minutes. It had been like 3 hours. It just started turning into something bigger and crazier.” 

Word spread through the campus that people were still singing and praying in the chapel. Classrooms and dorms began to empty, and by the end of the day the 1500-seat worship space was packed with students and faculty, singing, praying, and testifying to the power of God in their lives. Two weeks later, it’s still happening, day and night without ceasing.

Live video on social media quickly went viral. People from all over North America began to converge on Asbury to join in. Still others flew in from faraway places like Finland, New Zealand, and Indonesia. University officials estimate that tens of thousands of pilgrims have shared in the experience. The line to get inside can be hours long.

It’s been called the Asbury Revival, but some are wary of this designation. Too many have been wounded or betrayed by manipulative gatherings and domineering evangelists in the name of “revival.” Some prefer to call it an “outpouring” (the university’s preference), a “renewal,” or an “awakening.” One student said she was switching from “revival” to “encounter” because the divine presence, not the internal experience of the worshipper, was the central meaning here. 

Whatever is happening, the watchword has been “radical humility.” Student Asher Braughton says, “I truly believe that the revival has been built on humility; that this revival isn’t focused just on one person—not one worship leader, not one pastor, not one speaker, not one student. It’s focused solely and only on Jesus Christ.” Or as one of the event’s speakers put it: “The only celebrity in this house is Jesus.”

During the “Great Awakening” in the eighteenth-century, the emotional excesses of the revivals worried the church establishment. Was it sincere? Was it of God? Historian George M. Marsden summarizes the criticisms in vivid terms: “Using vulgar appeals to sentiment, they would generate mass hysteria that they encouraged people to regard as evidence of the work of the Holy Spirit. Scores or even hundreds of people would shriek, swoon, or fall into fits.” 

Although one student leader, mindful of the building’s aging fabric, had to announce that there would be “no jumping allowed in the balconies,” the tone in the room has been generally mellow. A youth minister described it as walking into “a holy hush.” There have been moments of exuberant cheering and clapping, but much of the music and prayer invites a tranquil surrender to the spiritual flow. Watching it online, I thought of Thomas Merton’s gently fervent plea: “Sink from your shallows, soul, into eternity.”

On the first day, Asbury professor Clint Baldwin was having lunch in the cafeteria when someone stopped at his table to say, “You know, the students are still in there, and they’re still worshipping the Lord. You should go over and see what’s happening. It’s a sweet, sweet thing.” Baldwin soon joined the awakening and saw that it was good. “This was just people saying we’re going to stay on and sit in the presence of the Lord and see what the Lord would have for us.”

Lauren, the student quoted in the epigraph, described the worship as all-consuming: “Nothing else matters anymore except being in the presence of Jesus and worshipping him for the rest of my life.” She acknowledged the hyperbole of this—she would of course continue with the life of a student—but her perspective on everything had been transformed. “Ways I have of viewing people negatively—it doesn’t matter anymore. Anxieties and worries that I have, it doesn’t even matter.… Whenever you can just let go and surrender and forgive, then, you’re just set free.”

The majority of worshippers are under 25. Living through a time of immense stress, they hunger for the healing peace of God. In spontaneous prayer groups around the chapel, or in testimonials from the stage, many have openly shared their deepest griefs and heaviest burdens. Their vulnerability has been met with tenderness and love. When a young woman shared her story of attempted suicide before the whole assembly, a multitude of women came forward to lay their hands on her. “An hour later she was dancing and smiling with a joy on her face that I had never seen before,” said one witness. 

“God is moving through this generation that has been so affected by mental health,” says Asher. “Once this revival ends, we can carry this message of goodness and forgiveness … The chains of suicide, the chains of depression, the chains of anxiety can be broken in Jesus.” Many of the songs reflect this hope in their melodic repetitions of heartfelt cries: 

Jesus, Jesus, you make the darkness tremble— 
your name is a light the shadows can’t deny …
You’re never gonna let, you’re never gonna let me down … 
He is for you, He is for you, He is for you …

There are of course critics and skeptics. All religious experience is bewildering, even suspect, for those who stand outside it. It is a reality both given and received, not grasped or possessed. Its truth abides in its own domain of experience. You can’t judge it at a distance, as a spectator. You have to go inside it, open your heart to it, be in loving relationship with it. As the mystics testify, certainty is only found within the experience.

Among believers, there is certainly a proper concern about delusion and self-deception. “Even Satan disguises himself as an angel of light” (2 Cor. 11:14). But religious experience can be tested by its fruits. Asbury’s president, Kevin J. Brown, is an encouraging witness to the Outpouring’s authenticity:

“Since the first day, there have been countless expressions and demonstrations of radical humility, compassion, confession, consecration, and surrender unto the Lord. We are witnessing the fruit of the Spirit: love, joy, peace, patience, kindness, generosity, faithfulness, gentleness and self-control.”

Some may worry that the strongly personal nature of the Asbury Outpouring excludes concerns beyond the self like racism, social justice, global conflict, and the fate of the planet. However, nothing I have seen or read so far suggests that these young people disconnect personal transformation from social change. Surrendering to God is inseparable from a lifetime of service to neighbor and world. One’s own soul is too small a kingdom for the Lord of history. The collective witness and shared compassion of the Outpouring bears witness to that truth. 

As for the abundance of deep feeling, vulnerability, open-heartedness, and the ecstatic willingness to be swept away, we need more, not less of that in the Christian life. Those kids are singing and praying and testifying as if their lives depend on it; as if God matters more than anything; as if Jesus will wipe away the tears from every eye; as if a new reality is breaking through the cracks of our broken world. 

But can it last? The particular happening in Asbury’s chapel is winding down this week. The university needs to resume its institutional mission, and the town of Wilmore, hospitable as it has been, can’t handle the crowds forever. “It is not ours to hold alone,” Brown says. “We are not the keepers of this movement … Pray that what is happening here will spread.” 

Although it seems a bit sad that this foretaste of heaven—singing around the throne for all eternity—must come to an end in the temporal world, the Holy Spirit blows where it will. Outbreaks of public Christian fervor and collective spiritual passion may turn up elsewhere, take new forms, or return to a dormant state until the next eruption. Revelation, not longevity, is the point of epiphanies. They have their moment and vanish, but their impact—and the truth they manifest—endures in hearts and minds and communities.

I have no doubt that many of those who are living through this experience will be forever changed by it, as will the worlds they inhabit and the people they touch. Professor Baldwin, recalling similar revivals at Asbury in the 1950s and 1970s, notes that “people still talk about those [past] moments in revival that shaped the trajectory of how they chose to live for the sake of the Lord onward from that. That’s a hope that we would have for this.”

Even watching online from afar, I have found myself deeply moved by the Spirit-filled assembly. I especially love the heartfelt singing and the manifestation of shared joy. One of my favorite parts was today’s invitation for people to come forward and recite their favorite verses from Scripture. When a small African-American boy read from the prophet Joel (2:28), delivering that luminous text with his boyish voice—innocent as Eden—I was blown away: 

Then I will pour out my spirit on all flesh; 
your sons and your daughters shall prophesy, 
your old ones shall dream dreams,
and your young ones shall see visions …

Joel’s prophecy has taken flesh at Asbury, day after day since the eighth of February—all those beautiful young faces, shining with God’s future. Like the rest of us, they will lose it and find it again and again. But they have set their feet upon the sacred Way. God bless them.

The Outpouring will continue to be streamed by Asbury University through Thursday, February 23, at https://www.asbury.edu/outpouring/

The words of Clint Baldwin, Asher Braughton, Lauren, Lena and Kyle (the youth minister) are taken from a February 12 conversation with Shane Claiborne on his YouTube channel, Red Letter Christians: “Update from the Asbury University Revival”

The words of Asbury President Kevin J. Brown can be found at the Outpouring link above.

Candlemas—Because We Hope to Turn Again

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The Presentation of Christ ( Luttrell Psalter, 14c) links the gospel story to the candle rituals of February 2.

[On Candlemas] we keep the feast of Mary,
mother of the King, because she on that day
brought Christ, the Ruler’s child, to the temple.
Then after five nights winter is
carried out of the dwellings. 

— The Menologium (English, 10th century) [1]

The first day of February is Candlemas Eve, and the second is Candlemas Day. As the fortieth day after the Nativity, Candlemas marks the final event in the Infancy narratives, when, in accordance with Jewish custom, Mary and Joseph presented the baby Jesus to be blessed in the Jerusalem temple. You can find a reflection on that gospel story in my 2019 post, “Consumed by Love: The Flames of Candlemas.” 

In medieval Europe, people would bring a candle to the church to be blessed on Candlemas. Then they would make a communal candlelight procession in honor of the Christ, whom Simeon, in the Presentation narrative, called “a light to enlighten the nations” (Luke 2:32). A Candlemas prayer beseeches the Light of the world “to pour into the hearts of your faithful people the brilliance of your eternal splendor, that we, who by these kindling flames light up this temple to your glory, may have the darkness of our souls dispelled.”

In the northern hemisphere, this celebration of light coincides with the lengthening of days. We’ve all begun to rejoice that the days are starting a little earlier, lasting a little longer. Sceptics who dismiss Christian festivals as hostile takeovers of pagan celebrations miss the point. The truth of the Incarnate Logos as the deep structure of creation does not compete with the patterns and rhythms of nature; it completes them. In Old English, sunne(“sun”) and sunu (“son”) are nearly identical, allowing a perfect theological pun: Christ is both sodfaesta sunnan leoma (“radiance of the true sun”) and sunu soþan fæder (“Son of the true Father”).

An early Anglo-Saxon poem on the winter solstice, beautifully translated by medieval scholar Eleanor Parker, celebrates the return of the light as Christological: 

As you, God born of God long ago,
Son of the true Father, eternally existed
without beginning in the glory of heaven,
so your own creation cries with confidence
to you now for their needs, that you send 
that bright sun to us, and come yourself
to lighten those who long have lived
surrounded by shadows and darkness, here
in everlasting night, who, shrouded by sins,
have had to endure death’s dark shadow. [2]

Winter’s cold and dark are not quickly undone. Poised midway between winter solstice and vernal equinox, Candlemas is a transitional feast—the last of winter, the first of spring. It will take time for spring to come: now still contends with not yet. “How long the winter has lasted,” lamented New England poet Jane Kenyon, “—like a Mahler / symphony, or an hour in the dentist’s chair.”[3] My friends in Minnesota, Iowa and Nebraska echo this seasonal weariness in their Facebook posts. But for those who are faithful and alert, Candlemas marks the turning point, reawakening the hope that spring is on its way.  

Long-term weather forecasts in early February have been going on for centuries, but they always hedge their bets. A sunny Candlemas is but a brief glimpse of future glory, more of a promise than a gift in hand. If the groundhog or the bear emerges from its burrow and sees its shadow, back it goes into hibernation, for spring is still six weeks away. Hope’s object will not be rushed, as traditional wisdom reminds us: 

If Candlemas Day is fair and clear,
There’ll be two winters in one year. (Scotland)

If Candlemas Day be sunny and warm,
Ye may mend yer auld mittens and look for a storm. (Cumbria)[4]

In other words, as T. S. Eliot put it, “wait without hope / For hope would be hope for the wrong thing.”[5] But for Ukrainians shivering in the shadow of war; for the homeless huddled in our frigid cities; for the abused and the outcast suffering storms of violence; for African-Americans terrorized by a nation that walks in darkness—Spring can never come soon enough. 

Let us keep the feast: 
Light a candle;
Trust the radiance;
Become the Spring.

[1] The Menologium, translated from Old English by Eleanor Parker in her fascinating and poetic book, Winters in the World: A Journey Through the Anglo-Saxon Year (London: Reaktion Books Ltd., 2022), 88-89. The “five nights” refers to the Anglo-Saxon reckoning of February 6 as the last day of winter before it is “carried out” to make room for spring.  

[2] Ibid., 71-72.

[3] Jane Kenyon, “Walking Alone in Late Winter,” in Collected Poems (Saint Paul, MN: Graywolf Press, 2005), 77. Personally, I will take Mahler over the dentist every time.

[4] Charles Kightly, The Customs and Ceremonies of Britain: An Encyclopedia of Living Traditions (London: Thames and Hudson, 1986), 66.

[5] T.S. Eliot, “East Coker, III” in Four Quartets (1943). The poet goes on to say, “Wait without thought, for you are not yet ready for thought: / So the darkness shall be the light, and the stillness the dancing.” Until it fully arrives, God’s future exceeds adequate description and cannot be grasped. The reader will note that this essay’s title is a positive reversal of the opening line of Eliot’s “Ash Wednesday.”

Celebrating the Holy Name on New Year’s Day

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To the Name that brings Salvation
Honour, worship, laud we pay.

— John Mason Neale

Aelfric of Eynsham, an Anglo-Saxon monk around the turn of the first millennium, thought January 1 a poor choice for New Year’s Day because it lacked the inherent significance worthy of time’s annual renewal. The birthday of Jesus on December 25, or late March, when the land starts to wake from Winter’s sleep, seemed more propitious, and were each widely observed in the Middle Ages as the year’s true beginning. In the Church calendar, the year began in late autumn, on the First Sunday of Advent. In Britain, the First of January did not become the officially accepted New Year’s Day until 1752.

As Eleanor Parker explains in Winters in the World, her charming study of early English understandings of the seasons, monastic writers like Aelfric “wanted to read and interpret the natural world, to learn to recognize the meaning God had planted in it. They saw time and the seasons, from the very first day of the world, as carefully arranged by God with method and purpose—so they believed it should be possible to organize the calendar not according to the randomness of custom and inherited tradition, but in a way that reflected that divine plan.” [i]

But January 1 did mark a singular event in the life of Jesus. As the octave, or eighth day of Christmas, it was the date of the Christ Child’s circumcision, based on Luke’s description of the timing (“When the eighth day came …”— Luke 2:21). The Feast of the Circumcision was celebrated in Spain and Gaul as early as the 6thcentury, but Rome, reluctant to associate with the chaotic excess of popular New Year celebrations, waited until the 11th century to adopt the feast. While modernity has found the circumcision of Jesus a peculiar choice for liturgical celebration (it was finally suppressed in the Roman Catholic calendar revisions of 1969), the Middle Ages saw significance in the first shedding of the Savior’s sacred blood. It not only proved his fully vulnerable humanity; it also foreshadowed the sacrificial offering of Calvary. 

St. Paul’s spiritualization of the physical ritual, making it an interior, metaphorical image of severing ourselves from the old body of death (“circumcision of the heart”—Romans 2:29), helped perpetuate the liturgical observance beyond the Middle Ages, but our own era has found more profitable meaning in the other thing that happened on the octave of the Nativity: Jesus got his name. 

When the eighth day had come and the child was to be circumcised, they gave him the name Jesus, the name the angel had given him before his conception (Luke 2:21).

The Feast of the Holy Name of Jesus is celebrated on various dates in early January, but the Episcopal calendar, following Luke’s account, puts it properly on New Year’s Day. And while many of us usually spend January 1 watching the Rose Parade and bowl games instead of keeping the sacred feast, whenever the year begins on a Sunday, the secular traditions are transferred to January 2, leaving Episcopalians free to gather on January 1 to observe Holy Name.

Although the Hebrew name “Yeshua” (“Iesus” in the 4th-century Latin Bible, becoming “Jesus” in the 17th-century Geneva Bible) was fairly common in 1st-century Palestine, it was given special weight by divine authority (both Mary and Joseph were told by God’s messenger, “You must name him Jesus.”) And its literal meaning, “Yahweh is salvation,” became fully embodied and expressed in the life, death and resurrection of the son of Mary. Jesus is the one who saves.   

St. Paul defined Christians as “those who in every place call upon the name of our Lord Jesus Christ” (I Cor. 1:2). The whole New Testament attributed great power to the name of Jesus. The first Christians prayed in his name (John 14:14), baptized in his name (Romans 6:3), and healed in his name (Acts 3:6). The Prologue to the Fourth Gospel declares that “to all that received him, who believed in his name, he gave power to become children of God” (John 1:12). And in Paul’s famous tribute in Philippians, no other name can compare:

Therefore God also highly exalted him and gave him a name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father” (Philippians 2: 9-11),

Medieval theologians sang exuberant praises of the Holy Name. St. Bernard wrote: “The name Jesus is food. Are you not strengthened every time you recall it? What else builds up the spirit of the one pondering it as this name does? What so refreshed the tired heart, strengthens the virtues, fosters chaste loves?” Richard of St. Victor said that “Jesus is a sweet name, a name of delight, a name that comforts the sinner, a name of blessed hope. Therefore Jesus, be to me Jesus!” And Peter of Ravenna equated the name with the effects of salvation: “You shall call his name Jesus—the name that gave sight to the blind, hearing to the deaf, walking to the lame, speech to the mute, life to the dead; and the power of this name drove all the might of the devil from the bodies of the possessed.” [ii]

Eastern Christianity developed a repetitive recitation of the Holy Name into the transformative practice of centering prayer.[iii] And countless hymn writers have hailed “the power of Jesus’ name.” 

John Newton (1725-1807), author of “Amazing Grace,” celebrated the Holy Name’s healing power:

How sweet the name of Jesus sounds
In a believer’s ear!
It soothes his sorrows, heals his wounds,
And drives away his fear.[iv]

Even at our end, he believed, “the music of thy name” will “refresh my soul in death.” An expanded list of the Name’s effects was given by John Mason Neale (1818-1866):

Name of gladness, Name of pleasure,
By the tongue ineffable,
Name of sweetness passing measure,
To the ear delectable.

‘Tis our safeguard and our treasure,
‘Tis our help ‘gainst sin and hell.
‘Tis the Name for adoration,
‘Tis the Name of victory;

‘Tis the Name for meditation
In the vale of misery:
‘Tis the Name for veneration
By the Citizens on high.

‘Tis the Name that whoso preaches
Finds its music in his ear:
‘Tis the Name that whoso teaches
Finds more sweet than honey’s cheer …[v]

Such praises of the Holy Name do not mistake its invocation as a magic charm detached from any concrete meaning. When we say “Jesus” with prayerful, sacred attention, we call up a vast array of transformative forces, from the salvific events of the gospels to the abiding energies of divine presence. As a young Palestinian woman put it to me once, in her imperfect but brilliantly accurate English: 

“Jesus is a big word. You can never come to the end of it.”

Episcopal theologian William Porcher Dubose (1836-1918) made the same point this way:

“Jesus Christ is to me, not a name, or a memory or tradition, nor an idea or sentiment, nor a personification, but a living and personal reality, presence, and power. He is God for me, to me, in me, and myself in God … And ‘in His name’ means ‘in Him,’ and ‘in Him’ means ‘in his death and resurrection.’” [vi]

The attempt to grasp the reality represented by the Holy Name is vividly imagined by Charles Wesley (1707-1788) in the figure of Jacob wrestling with the Divine stranger whose name he struggles to know:

Come, O thou Traveller unknown,
Whom still I hold, but cannot see! …

I need not tell thee who I am,
My misery or sin declare;
Thyself hast called me by my name,
Look on thy hands, and read it there.

But who, I ask thee, who art thou?
Tell me thy name, and tell me now.…

Art thou the Man that died for me?
The secret of thy love unfold:
Wrestling, I will not let thee go
Till I thy name, thy nature know.…

The wrestling with the nameless Transcendent continues, and even though its ungraspable essence departs with the dawn, there is a personal, relatable presence that remains, and can be named. 

I know thee, Savior, who thou art—
Jesus, the feeble sinner’s friend.
Nor wilt thou with the night depart,
But stay, and love me to the end …

And in this abiding, enfolding presence, the poet discovers yet another name behind (within?) the name of Jesus. It is the Holy Name above all others:

Thy nature, and thy name, is LOVE. [vii]

[i] Eleanor Parker, Winters in the World: A Journey Through the Anglo-Saxon Year (London: Reaktion Books, 2022), 76.

[ii] The quotations are cited in the 13th-century collection by Jacobus de Voragine, The Golden Legend, Volume 1, trans. William Granger Ryan (Princeton, NJ: Princeton University Press, 1993), 73.

[iii] The “Jesus Prayer” (Lord Jesus Christ, Son of God, have mercy on me) is often synchronized in its repetitions with a pattern of slow, deep breathing. 

[iv] John Newton, “The Name of Jesus.”

[v] John Mason Neale, “The Name of Jesus.”

[vi] Wiliam Porcher Dubose, The Reason of Life (London 1911), cited in Love’s Redeeming Work: The Anglican Quest for Holiness, eds. Geoffrey Rowell, Kenneth Stevenson, & Rowan Williams (Oxford: Oxford University Press, 2001), 493.

[vii] Charles Wesley, “Wrestling Jacob.” The original biblical story is in Genesis 32:24-33.

The Music of What Happens

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“The old year now away is fled …” (New Year’s Carol)

Do you have hope for the future? someone asked Robert Frost, toward the end. Yes, and even for the past, he replied, that it will turn out to have been all right for what it was, something we can accept, mistakes made by the selves we had to be—not able to be, perhaps, what we had wished or, what looking back half the time it seems we easily could have been, or ought to have been … The future, yes, and even for the past, that it will be something we can bear.

                                    — David Ray, Sam’s Book (Wesleyan, 1987)

Happy New Year, one and all!! And thank you, dear reader, for all the times you dropped by to read and reflect and respond over the past twelve months. I am grateful for your thoughtful attention, and for your supportive sharing of the posts that move you. Thus does our circle of thought grow wider.

As we prepare for the turning of the year, let me pass on to you two gifts for the occasion from John Burnside’s The Music of Time: Poetry in the Twentieth Century (Princeton, 2020). The first is a story from Ireland:

One night, around a campfire, a band of Celtic warriors begin to debate what might constitute the finest music in the world. One man says it is ‘The cuckoo calling from the tree that is highest in the hedge,’ while others jump in to suggest ‘the top of  music is the ring of a spear on a shield’ …  ‘No, it’s the bellowing of a stag across a lake’ … ‘It’s the song of a lark’ … ‘It’s the laugh of a gleeful girl.’ Finally, they turn to their chief, Fionn, and ask him what he would choose, to which he replies: ‘The music of what happens. That is the finest music in the world.’

The second New Year’s gift is Burnside’s translation from the Ninth of Rainer Maria Rilke’s Duino Elegies. The “once and no more” need not be a denial of resurrection (we are, I believe, more than “earthly”), but it is a candid reminder to savor the gift of every moment and every face.

A time
for everything, but only once. Once and no more.
And we too, only once.
Never again. But to have been here
this once, even if only once:
to have been earthly, this cannot be revoked.

A snowman surrenders to what Susan Sontag called “time’s relentless melt” (Jan. 3, 2022).

And if you’d like to revisit some past New Year’s Eve reflections on our dance with time, click the links below. May 2023 be a year of grace for you and those you love. Great joy to the New!

The Angel of Possibility (2014)

There is an element of carnival this night, as we throw off the tyranny of good order for a bit of wild excess, declaring independence from the way things are in the name of things to come. But the night’s underlying theme is not chaos but renewal.

Tick-Tock: Thoughts on New Year’s Eve (2015)

It seems fitting that the world festival of the turning of time comes in the middle of the Twelve Days of Christmas, since the Incarnation is God’s decisive embrace of the temporal and finite, while extending – simultaneously – an invitation to us humans to embody in ourselves the divine kenosis – the eternal self-emptying that constitutes God’s trinitarian life. In other words, both human and divine are all about giving over and letting go. Never just being, but also becoming.

On New Year’s Eve, My Inner Clown is Full of Hope (2018)

At year’s end, I sometimes lapse into a retrospective melancholy, thinking of people, moments, experiences and places that have come and gone in my life, some for the last time. My sense of future will revive at midnight, when we will go outside to bang gongs, beat drums and blow kazoos and whistles to welcome the New. But until then, impermanence shall be my partner in the year’s last dance.

Tending Hope’s Flame on an Anxious New Year’s Eve (2021)

With the flag of hope tattered and torn by endless battles, I draw inspiration from Thoreau, who continued his quiet work of studying the natural world even as the Civil War ravaged the American consciousness. We must, he argued, refuse the hypnotic spell of the chaos which seeks to seduce our gaze. The refusal to take our eye from the transcendent goodness and beauty at the heart of things is “the only fatal weapon you can direct against evil.”

“No place to hide from God”—Frederick Buechner on the Nativity

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Nativity, Flemish follower of Jan Joest (c. 1515)

Merry Christmas, dear reader. May you find your heart’s desire in the stable tonight. Although we may stammer before such a Mystery, we are grateful for the writers who have bravely attempted to put it into words. One of my favorites is Frederick Buechner, who departed this life last summer on the Feast of St. Mary the Virgin. Here is what he preached to students many years ago:

The child born in the night among beasts. The sweet breath and steaming dung of beasts. And nothing is ever the same again.

Those who believe in God can never in a way be sure of him again. Once they have seen him in a stable, they can never be sure where he will appear or to what lengths he will go or to what ludicrous depths of self-humiliation he will descend in his wild pursuit of humankind. If holiness and the awful power and majesty of God were present in this least auspicious of all events, this birth of a peasant’s child, then there is no place or time so lowly and earthbound but that holiness can be present there too. And this means that we are never safe, that there is no place where we can hide from God, no place where we are safe from his power to break in two and recreate the human heart, because it is just where he seems most helpless that he is most strong, and just where we least expect him that he comes most fully.

For those who believe in God, it means, this birth, that God himself is never safe from us, and maybe that is the dark side of Christmas, the terror of the silence. He comes in such a way that we can always turn him down, as we could crack the baby’s skull like an eggshell or nail him up when he gets too big for that. God comes to us in the hungry people we do not have to feed, comes to us in the lonely people we do not have to comfort, comes to us in all the desperate human need of people everywhere that we are always free to turn our backs upon. It means that God puts himself at our mercy not only in the sense of the suffering that we can cause him by our blindness and coldness and cruelty, but the suffering that we can cause him simply by suffering ourselves. Because that is the way love works, and when someone we love suffers, we suffer with him, and we would not have it otherwise because the suffering and the love are one, just as it is with God’s love for us.

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Buechner’s complete sermon was published in The Hungering Dark, and later in Secrets in the Dark. You can also find it here.

Gaudete!—The Advent Dance of Honesty and Hope

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Our Lady of the Angels (Robert Graham, Los Angeles cathedral, 2002)

Gaudete! Gaudete! Christus est natus 
Ex Maria Virgine. Gaudete!

Rejoice! Rejoice! Christ is born of the Virgin Mary. Rejoice!

So goes the joyful refrain of a late medieval carol, and even though the celebration of the Divine Birth is still two weeks away, the note of rejoicing (Gaudete! Gaudete!) is already beginning to dispute the wintry gloom in our Scripture readings, our hymns, and our expectant hearts. 

For many centuries, the Third Sunday of Advent has been called Gaudete Sunday—Rejoice Sunday. In the Advent wreath, the somber blue is replaced by a brighter, warmer shade of rose. Churches lucky enough to have rose vestments will be using them today. And in the Common Lectionary cycle of readings, the word “rejoice” turns up in each of the three years. 

In Year C, the prophet Zephaniah exhorts his disheartened people, “Rejoice and exult with all your heart, O daughter Jerusalem” (Zephaniah 3:14). And St. Paul, overflowing with the Spirit, urges the first Christians to make joy a constant spiritual practice: “Rejoice in the Lord always,” he said. “Again I will say, Rejoice (Philippians 4:4)

In Year B, Isaiah tells us, “I will greatly rejoice in the Lord; my whole being shall exult in my God; for God has clothed me with the garments of salvation” (Isaiah 61:10), while Mary’s heart pours out the Magnificat’s ode to joy: “My spirit rejoices in God my Savior (Luke 1:47).

And now, in Year A, Isaiah promises that even the most barren and forsaken places will become a paradise in God’s future: “The desert shall rejoice and blossom,” he assures us. “God’s ransomed exiles shall return …Gladness and joy shall come upon them, while sorrow and sighing shall flee away” (Isaiah 35:10).

Such hopeful refrains lift up our hearts and light a bright candle in the dark. But we also heed the voice of St. James, who curbs our enthusiasm with his “Not so fast! The Kingdom doesn’t come all at once. We’ve got to be patient” (James 5:7). 

And we know he’s right. We still abide in a severely damaged history which seems to repeat itself rather than make real progress toward the horizon of God’s future. We have been shocked in recent years to see such seemingly outdated sins as overt racism and anti-Semitism come roaring back, like the alarming return of “conquered” diseases like polio and measles. 

The French thinker Jean Baudrillard wrote about the myth of human progress just before the Millennium, critiquing the optimistic talk of a New World Order by reminding us that humanity continues to have a serious waste disposal problem (theologians would call this Original Sin, the persistent flaw that burdens and bedevils every human endeavor).   

As Baudrillard put it, “The problem becomes one of waste. It is not just material substances, including nuclear ones, which pose a waste problem but also the defunct ideologies, bygone utopias, dead concepts and fossilized ideas which continue to pollute our mental space. Historical and intellectual refuse pose an even more serious problem than industrial waste. Who will rid us of the sediment of centuries of stupidity?” [i]

I ask that question every day when I see the news! But the genius of Advent is its ability to perform the difficult dance of honesty and hope. It doesn’t deny the darkness, but it also refuses to accept the black hole of unredeemed history as an inescapable fate. “Give us grace to cast away the works of darkness,” we pray, “and put on the armor of light”—not just in some distant utopian future, but “now, in the time of this mortal life.”

Now, now, now. But also not yet. Gaudete, but also Kyrie eleison. Rowan Williams, borrowing an image from Diadochus, a fifth-century bishop, describes Advent spirituality as the practice of “looking east in winter.” 

“Looking east in winter we feel the warmth of the sun on our faces, while still sensing an icy chill at our backs. Our divided and distorted awareness of the world is not healed instantly. But we are not looking at the phenomenon from a distance: we do truly sense the sun on our faces; and we have good reason to think that the climate and landscape of our humanity can indeed be warmed and transfigured.” [ii]

The next time there is a sunny morning, go stand somewhere on our island’s eastern shore. Feel the chill at your back, and the warming sunlight on your face. Do it without words. Let those contrary sensations of cold and warmth be your Advent prayer. 

Not every morning brings a bright sun, of course. Sometimes the warmth of hope is a matter of faith, not immediate experience. Yet even when we can’t feel it, God is redeeming the time and preparing the dawn. And when we pray, “Stir up your power, O Lord, and with great might come among us,” the Holy One is listening. 

“Stir up your power” is such a striking prayer, a bold cry of the heart to the One who saves. [iii] And because it is always the Collect-prayer for this day, Gaudete Sunday is also known as “Stir up” Sunday. But what do we mean when we call upon divine power? What does the power of God look like in the world we inhabit? 

Well, it looks a lot like what happened when Jesus arrived: “The blind see, the lame dance, the deaf hear, the dead are raised, and the poor receive good news” (Matthew 11:5). It’s not a violent head-on clash with the powers of this world—meeting them on their own bloody terms—but the liberation of the faithful into a new form of being, enabling the friends of God to “plant the seeds of resurrection amid the blind sufferings of history.” [iv]

In Roberto Rossellini’s film, Europe ‘51 (1952), Ingrid Bergman plays a wealthy woman who gives up all her privilege to serve the poor and vulnerable. Rossellini, who had made a joyful film about St. Francis two years earlier, wanted to explore what would happen if someone behaved like St. Francis in the contemporary world. As it turns out in Europe ‘51, Irene (Bergman’s character) is judged to be insane by her husband, her social class, her doctors, and her Church, and the film ends with her locked away in an asylum. The powers-that-be have decided that there is no place in the world for the impracticality of unconditional love. 

But even as Irene suffers this sad fate, we see her continue to be who she is, embodying God’s compassion for her fellow inmates. Like the incarnate God enclosed within the finite space of the Virgin’s womb, she can still practice heaven within the confines of the asylum. As she comforts a despairing woman who has tried to commit suicide, we see Irene, in a close-up reminiscent of an icon, speaking the words of Christ: “You are not alone. Don’t worry. I am with you. I will not leave you.” She becomes, in that moment, what we are all invited to become: an image of Christ for others.

“I am with you,” Irene (Ingrid Bergman) tells a distressed woman in Roberto Rossellini’s Europe ’51.

Stir up your power, O Lord, and with great might come among us. But God’s idea of “great might” is not the way the world understands it. No lightning bolts. No legions of angels. Just a babe in a manger, a tortured man on a cross, a disciple locked in an asylum. As W. H. Auden said in the Advent portion of his Christmas Oratorio: “The Real is what will strike you as really absurd.” Or as an old carol puts it, “Weakness shall the strong confound.” [v]

In another of his poems, “In Memory of W. B. Yeats,” Auden suggests that poetry operates much like divine power. Poetry “makes nothing happen,” he says. In other words, poetry doesn’t force its will upon the world, but in offering an alternate perspective for engaging reality, it makes the world different nonetheless. Auden describes poetry as if it were a stream, making its own way through the landscape. 

For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth. 

In his analysis of this poem, John Burnside notes that poetry’s work is “to survive—not in some dogged but enfeebled fashion, hanging on, though barely noticed, in an indifferent world, but actively, on its own terms—that is, ‘in the valley of its own making.’” The ‘executives’—the powers-that-be—take no notice. It means nothing to them. But “poetry flows on, through and away from ‘the busy griefs’ and the ‘raw towns that we believe in and die in,’ its business is more fundamental, its true nature more elemental” than the ‘executives’ can imagine.[vi]

And just so does the power of God flow through the world. Not to force anything to happen in a blunt cause-and-effect way, but to exist, like the waters of baptism, as an inviting and life-giving reality: “It survives, / A way of happening, a mouth.” 

We find this same image of the flowing, living water in today’s passage from Isaiah: “For waters shall break forth in the wilderness, and streams in the desert; the burning sands shall become a pool, and the thirsty ground springs of water” (Isaiah 35:6-7).

The concluding words of Auden’s stanza, “a mouth,” may strike our ears jarringly after the metaphor of a quietly flowing stream, but both poetry and God are given to speech: In the beginning was the Word. 

And in the same way that the “Stir up” prayer beseeches the God who saves, Auden’s poem, written on the eve of World War II, calls upon the poet to speak a word against all the dark sorrows of the world: 

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate …

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice … [vii]

There’s that word again: rejoice. We have prayed for a word of power today, and what we are given is: Gaudete! Rejoice! God’s power will never compel us to rejoice, or to hope, or to love. But it will always seek to persuade us, until the end of time. 

Maddy Prior and Steeleye Span sing my favorite version of Gaudete.

[i] Jean Baudrillard, The Illusion of the End, trans. Chris Turner (Stanford, CA: Stanford University Press, 1994), 26

[ii] Rowan Williams, Looking East in Winter: Contemporary Thought and the Eastern Christian Tradition (London: Bloomsbury Publishing, 2021), 8.

[iii] The Collect for the Third Sunday of Advent in the Book of Common Prayer: “Stir up your power, O Lord, and with great might come among us; and, because we are sorely hindered by our sins, let your bountiful grace and mercy speedily help and deliver us; through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory, now and for ever. Amen.”

[iv] I can’t locate the source of this quote from an old homily, but it may be from either Paul Evdokimov or Olivier Clément. 

[v] Auden’s line is from “For the Time Being: A Christmas Oratorio” (Collected Poems, Random House, 1976, p. 274). The carol line is from Gabriel’s Message (trans. J. M. Neale). Like Gaudete, it is in the famous Piae Cantiones collection of 1582.

[vi] John Burnside, The Music of Time: Poetry in the Twentieth Century (Princeton: Princeton University Press, 2020), 23.

[vii] W. H. Auden, “In Memory of W. B. Yeats” (Collected Poems, 197-198).

You Gonna Have to Serve Somebody: Thoughts on Christ the King

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The Enthronement of Christ (Bamberg Apocalypse, early 11th century).

The extremists in American politics say that God is on their side, but such statements are lacking in content. Their “God” is not really expected to supply any concrete assistance, such as plagues or angelic legions, to carry them to victory. “God-on-our-side” language is just a dramatic way to say that “we are right and you are evil.” 

However, a new video ad is selling the startling idea that God has indeed, in these latter days, directly intervened in history by anointing a human messiah to enforce divine will through political power. Over God’s-eye aerial views of land and sea, we hear a caricature of Charlton Heston recite a text with biblical cadences and a lot of reverb:

“And on the 8th day, God looked down on his planned paradise, and said, ‘I need a protector.’ So God made a fighter.… God said, ‘I need someone to be strong, advocate truth in the midst of hysteria, someone who challenges conventional wisdom, and isn’t afraid to defend what he knows to be right and just.… someone who will take the arrows, stand firm in the face of unrelenting attacks.’” 

As we hear these words, photographic images of the Chosen One fill the screen. The new messiah is revealed to be—wait for it—Ron DeSantis, the governor of Florida! I knew he had presidential ambitions, but now he’s in the running for the Antichrist! Are there really enough rubes out there to fall for the old false messiah gag? [i]

About 60 years ago a southern preacher named Clarence Jordan liked to ask his fellow Christians: “What’s the biggest lie told in America today?” He’d let that sink in for a bit, and then he’d say, “The biggest lie told in America today is: ‘Jesus is Lord.’”

In other words, if you say “Jesus is Lord” and foster racism, you’re a liar. If you say “Jesus is Lord” and support white supremacy, you’re a liar. If you say “Jesus is Lord” and foment bigotry and hate, you’re a liar. If you say “Jesus is Lord” and afflict the vulnerable, you’re a liar. If you say “Jesus is Lord” and do harm to your fellow beings, you’re a liar. 

Someone recently posted a short video on the internet depicting Jesus as the incarnation of our worst politics. It shows Jesus teaching his disciples in a variety of settings: 

“I was hungry, and you gave me something to eat. I was thirsty, and you gave me something to drink. And behold: Now I’m all lazy and entitled. You shouldn’t have done that.”

“What is a man profited, if he gains the whole world, but loses his own soul? A lot! He has profited a lot. One soul for the whole world, that is an amazing deal!” [ii]

Sad to say, some people would prefer the anti-Jesus who does nothing but reflect their own pitiful values. In any case, as the song says, “You gonna have to serve somebody: Well, it may be the devil or it may be the Lord, but you gonna have to serve somebody.” [iii]

So who’s it going to be?
Whom do we serve?
Who—or what—rules our life?
To whom do we belong?
To what do we surrender?

In a culture of hyper-individualism, the idea of submission to a larger reality, a greater good, goes against the grain. But we are all governed by something, maybe even a whole crazy stampeding herd of somethings, pulling us here, driving us there. Whether we are conscious of it or not, there are voices, inside us and outside us, which direct and rule our hearts in every moment.

A hundred years ago, Scottish theologian P. T. Forsyth suggested that “The first duty of every soul is not to find its freedom, but its Master.” And then he added: “If within us we find nothing over us, we succumb to what is around us.” [iv]  When that is the case, there is no shortage of impulses, passions, ambitions, ideologies, agendas and distractions to swallow us up and sweep us away.

On the last Sunday of the Christian year, the Feast of Christ the King, we pledge allegiance to the Divine Love that governs the universe. As Frederick Denison Maurice, nineteenth-century Anglican priest and social reformer, reminds us, the reign of Christ extends into every province of our common life: 

When we say, ‘Thy kingdom come,’ we desire that the King of kings and Lord of lords will reign over our spirits and souls and bodies, which [belong to God]… We pray for the extinction of all tyranny…; [we pray] for the exposure and destruction of corruptions inward and outward; [we pray] for truth in all departments of government, art, science; [we pray] for the true dignity of professions [and labor]; [we pray] for right dealings in the commonest transactions of trade; [we pray] for blessings that shall be felt in every [dwelling].[v]

“Crown him Lord of all,” we sing at the Feast of Christ the King. But the gospel for the day does not show us a mighty ruler, but only a naked man nailed to a tree. Soldiers mock the pathetic absurdity of his “kingship.” The sign above his head—“King of the Jews”—is a mocking irony. His only apparent subject is the dying thief hanging next to him. “Jesus,” he gasps, “remember me when you come into your kingdom.” [vi]

Some kingdom!
Some king!

Does Christ’s kingdom exist only in the future? Or is it somehow breaking into the here and now, even in the killing fields of history, where you need the faith of a dying thief to see it? 

The question we began with—whose world is it?—is, alas, undecidable within the flux of history. You can’t choose on the basis of the evidence, because for the time being the evidence is mixed, like the wheat and the tares.

But you can decide who’s got the better story—Jesus or Satan.
And you can choose which story you want to belong to:
The story which overflows with life, 
or the one that ends in death.

Your choice.

[i] You can see the video here: https://youtu.be/U9oTBA-MvZk

[ii] The “GOP Jesus” video, produced by Friend Dog Studios, is here: https://youtu.be/SZ2L-R8NgrA

[iii] Bob Dylan, “Gotta Serve Somebody,” on Slow Train Coming (1979).

[iv] Quoted in Leander E. Keck, Who is Jesus? History in the Perfect Tense (Columbia, SC: University of South Carolina Press, 2000), 164, 167.

[v] Goeffrey Rowel, Kenneth Stevenson, Rowan Williams, eds., Love’s Redeeming Work: The Anglican Quest for Holiness (Oxford: Oxford University Press, 2001), 416.

[vi] Luke 23:33-43.