Ascension Day Double Bill

“Opulent Ascension,” an installation by Sean Scully in San Giorgio Maggiore (Venice Biennale, 2019).

Inspired by Jacob’s dream of a ladder to heaven (Genesis 28:12), Scully’s stack of colored felt slabs rises more than ten meters toward the luminous dome of San Giorgio Maggiore, Palladio’s splendid Renaissance church in Venice. Amid the subdued grays and whites of the interior, the miraculous colors exude the vitality of spiritual aspiration, like spring flowers refuting winter’s drab.

On this Ascension Day, let me offer another image, a 36-second “video icon” of a cloud disappearing into the blue. Consider it a brief meditation on Luke’s text, “As they were watching, he was lifted up, and a cloud took him out of their sight” (Acts 1:9).

The Ascension of Christ takes us into an ineffable realm, far above the literalism of earthly life. What are we to make of such a strange story? The following video of an Ascension Day homily was streamed during the pandemic a few years ago, when we were not able to gather in person to celebrate the mystery. Fittingly, it was recorded mostly outside, under the open sky.

Gaudete!—The Advent Dance of Honesty and Hope

Our Lady of the Angels (Robert Graham, Los Angeles cathedral, 2002)

Gaudete! Gaudete! Christus est natus 
Ex Maria Virgine. Gaudete!

Rejoice! Rejoice! Christ is born of the Virgin Mary. Rejoice!

So goes the joyful refrain of a late medieval carol, and even though the celebration of the Divine Birth is still two weeks away, the note of rejoicing (GaudeteGaudete!) is already beginning to dispute the wintry gloom in our Scripture readings, our hymns, and our expectant hearts. 

For many centuries, the Third Sunday of Advent has been called Gaudete Sunday—Rejoice Sunday. In the Advent wreath, the somber blue is replaced by a brighter, warmer shade of rose. Churches lucky enough to have rose vestments will be using them today. And in the Common Lectionary cycle of readings, the word “rejoice” turns up in each of the three years. 

In Year C, the prophet Zephaniah exhorts his disheartened people, “Rejoice and exult with all your heart, O daughter Jerusalem” (Zephaniah 3:14). And St. Paul, overflowing with the Spirit, urges the first Christians to make joy a constant spiritual practice: “Rejoice in the Lord always,” he said. “Again I will say, Rejoice (Philippians 4:4)

In Year B, Isaiah tells us, “I will greatly rejoice in the Lord; my whole being shall exult in my God; for God has clothed me with the garments of salvation” (Isaiah 61:10), while Mary’s heart pours out the Magnificat’s ode to joy: “My spirit rejoices in God my Savior (Luke 1:47).

And now, in Year A, Isaiah promises that even the most barren and forsaken places will become a paradise in God’s future: “The desert shall rejoice and blossom,” he assures us. “God’s ransomed exiles shall return …Gladness and joy shall come upon them, while sorrow and sighing shall flee away” (Isaiah 35:10).

Such hopeful refrains lift up our hearts and light a bright candle in the dark. But we also heed the voice of St. James, who curbs our enthusiasm with his “Not so fast! The Kingdom doesn’t come all at once. We’ve got to be patient” (James 5:7). 

And we know he’s right. We still abide in a severely damaged history which seems to repeat itself rather than make real progress toward the horizon of God’s future. We have been shocked in recent years to see such seemingly outdated sins as overt racism and anti-Semitism come roaring back, like the alarming return of “conquered” diseases like polio and measles. 

The French thinker Jean Baudrillard wrote about the myth of human progress just before the Millennium, critiquing the optimistic talk of a New World Order by reminding us that humanity continues to have a serious waste disposal problem (theologians would call this Original Sin, the persistent flaw that burdens and bedevils every human endeavor).   

As Baudrillard put it, “The problem becomes one of waste. It is not just material substances, including nuclear ones, which pose a waste problem but also the defunct ideologies, bygone utopias, dead concepts and fossilized ideas which continue to pollute our mental space. Historical and intellectual refuse pose an even more serious problem than industrial waste. Who will rid us of the sediment of centuries of stupidity?” [i]

I ask that question every day when I see the news! But the genius of Advent is its ability to perform the difficult dance of honesty and hope. It doesn’t deny the darkness, but it also refuses to accept the black hole of unredeemed history as an inescapable fate. “Give us grace to cast away the works of darkness,” we pray, “and put on the armor of light”—not just in some distant utopian future, but “now, in the time of this mortal life.”

Now, now, now. But also not yetGaudete, but also Kyrie eleison. Rowan Williams, borrowing an image from Diadochus, a fifth-century bishop, describes Advent spirituality as the practice of “looking east in winter.” 

“Looking east in winter we feel the warmth of the sun on our faces, while still sensing an icy chill at our backs. Our divided and distorted awareness of the world is not healed instantly. But we are not looking at the phenomenon from a distance: we do truly sense the sun on our faces; and we have good reason to think that the climate and landscape of our humanity can indeed be warmed and transfigured.” [ii]

The next time there is a sunny morning, go stand somewhere on our island’s eastern shore. Feel the chill at your back, and the warming sunlight on your face. Do it without words. Let those contrary sensations of cold and warmth be your Advent prayer. 

Not every morning brings a bright sun, of course. Sometimes the warmth of hope is a matter of faith, not immediate experience. Yet even when we can’t feel it, God is redeeming the time and preparing the dawn. And when we pray, “Stir up your power, O Lord, and with great might come among us,” the Holy One is listening. 

“Stir up your power” is such a striking prayer, a bold cry of the heart to the One who saves. [iii] And because it is always the Collect-prayer for this day, Gaudete Sunday is also known as “Stir up” Sunday. But what do we mean when we call upon divine power? What does the power of God look like in the world we inhabit? 

Well, it looks a lot like what happened when Jesus arrived: “The blind see, the lame dance, the deaf hear, the dead are raised, and the poor receive good news” (Matthew 11:5). It’s not a violent head-on clash with the powers of this world—meeting them on their own bloody terms—but the liberation of the faithful into a new form of being, enabling the friends of God to “plant the seeds of resurrection amid the blind sufferings of history.” [iv]

In Roberto Rossellini’s film, Europe ‘51 (1952), Ingrid Bergman plays a wealthy woman who gives up all her privilege to serve the poor and vulnerable. Rossellini, who had made a joyful film about St. Francis two years earlier, wanted to explore what would happen if someone behaved like St. Francis in the contemporary world. As it turns out in Europe ‘51, Irene (Bergman’s character) is judged to be insane by her husband, her social class, her doctors, and her Church, and the film ends with her locked away in an asylum. The powers-that-be have decided that there is no place in the world for the impracticality of unconditional love. 

But even as Irene suffers this sad fate, we see her continue to be who she is, embodying God’s compassion for her fellow inmates. Like the incarnate God enclosed within the finite space of the Virgin’s womb, she can still practice heaven within the confines of the asylum. As she comforts a despairing woman who has tried to commit suicide, we see Irene, in a close-up reminiscent of an icon, speaking the words of Christ: “You are not alone. Don’t worry. I am with you. I will not leave you.” She becomes, in that moment, what we are all invited to become: an image of Christ for others.

“I am with you,” Irene (Ingrid Bergman) tells a distressed woman in Roberto Rossellini’s Europe ’51.

Stir up your power, O Lord, and with great might come among us. But God’s idea of “great might” is not the way the world understands it. No lightning bolts. No legions of angels. Just a babe in a manger, a tortured man on a cross, a disciple locked in an asylum. As W. H. Auden said in the Advent portion of his Christmas Oratorio: “The Real is what will strike you as really absurd.” Or as an old carol puts it, “Weakness shall the strong confound.” [v]

In another of his poems, “In Memory of W. B. Yeats,” Auden suggests that poetry operates much like divine power. Poetry “makes nothing happen,” he says. In other words, poetry doesn’t force its will upon the world, but in offering an alternate perspective for engaging reality, it makes the world different nonetheless. Auden describes poetry as if it were a stream, making its own way through the landscape. 

For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth. 

In his analysis of this poem, John Burnside notes that poetry’s work is “to survive—not in some dogged but enfeebled fashion, hanging on, though barely noticed, in an indifferent world, but actively, on its own terms—that is, ‘in the valley of its own making.’” The ‘executives’—the powers-that-be—take no notice. It means nothing to them. But “poetry flows on, through and away from ‘the busy griefs’ and the ‘raw towns that we believe in and die in,’ its business is more fundamental, its true nature more elemental” than the ‘executives’ can imagine.[vi]

And just so does the power of God flow through the world. Not to force anything to happen in a blunt cause-and-effect way, but to exist, like the waters of baptism, as an inviting and life-giving reality: “It survives, / A way of happening, a mouth.” 

We find this same image of the flowing, living water in today’s passage from Isaiah: “For waters shall break forth in the wilderness, and streams in the desert; the burning sands shall become a pool, and the thirsty ground springs of water” (Isaiah 35:6-7).

The concluding words of Auden’s stanza, “a mouth,” may strike our ears jarringly after the metaphor of a quietly flowing stream, but both poetry and God are given to speech: In the beginning was the Word

And in the same way that the “Stir up” prayer beseeches the God who saves, Auden’s poem, written on the eve of World War II, calls upon the poet to speak a word against all the dark sorrows of the world: 

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate …

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice … [vii]

There’s that word again: rejoice. We have prayed for a word of power today, and what we are given is: Gaudete! Rejoice! God’s power will never compel us to rejoice, or to hope, or to love. But it will always seek to persuade us, until the end of time. 

Maddy Prior and Steeleye Span sing my favorite version of Gaudete.

[i] Jean Baudrillard, The Illusion of the End, trans. Chris Turner (Stanford, CA: Stanford University Press, 1994), 26

[ii] Rowan Williams, Looking East in Winter: Contemporary Thought and the Eastern Christian Tradition (London: Bloomsbury Publishing, 2021), 8.

[iii] The Collect for the Third Sunday of Advent in the Book of Common Prayer: “Stir up your power, O Lord, and with great might come among us; and, because we are sorely hindered by our sins, let your bountiful grace and mercy speedily help and deliver us; through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory, now and for ever. Amen.”

[iv] I can’t locate the source of this quote from an old homily, but it may be from either Paul Evdokimov or Olivier Clément. 

[v] Auden’s line is from “For the Time Being: A Christmas Oratorio” (Collected Poems, Random House, 1976, p. 274). The carol line is from Gabriel’s Message (trans. J. M. Neale). Like Gaudete, it is in the famous Piae Cantiones collection of 1582.

[vi] John Burnside, The Music of Time: Poetry in the Twentieth Century (Princeton: Princeton University Press, 2020), 23.

[vii] W. H. Auden, “In Memory of W. B. Yeats” (Collected Poems, 197-198).

What is God? — A Trinity Sermon

Abbey at Conques on Le Chemin de St. Jacques de Compostelle, France (Jim Friedrich)

What is God? When the biblical Jews asked that question, they responded from their experience of salvation history.  God is the one who told me to leave behind everything I knew and set out for God-knows-where, says Abraham. God is the one who asked me to go back to the land of oppression and enslavement so I could speak truth to power, says Moses. God is the one who made a covenant with us on Mount Sinai, in the cloud of unknowing. God is the one who remembered us in the days of exile. God is the one who brought us home from Babylon. 

Then Jesus came along, and even though he lived and died as a human being, there were those who experienced the fullness of God in the unique particularity of his life, death, and resurrection. The risen Lord, who said “I am with you always,” would become an object of worship very early in the life of the Church. 

And after the Ascension of Jesus came the Holy Spirit, not only as an indwelling presence but also as a radically transformative force, in whom divine fullness was equally and uniquely manifest.  

For the early Christians, then, the One they called God had been revealed to have three distinct ways of being: Source, Savior, and Spirit. Love who loves us; Word who saves us; Spirit who renews us. And before long they were offering worship not only to the God of Israel, but to Jesus and the Holy Spirit as well. 

They were not polytheists. They rejected pagan notions of a heaven and earth populated by competing deities. But their experiences of God in Christ and God in the Spirit were unique enough to differentiate them from the Holy One who sent Jesus into the world. 

At the same time, the second and third Persons were not understood to be partial or lesser versions of God. Only the true God can save us, as Christ did. Only the true God can sanctify us, as the Spirit does. 

Those first Christians couldn’t deny their experience, or the witness of Scripture. Christ was God. The Spirit was God. But that posed a conceptual problem. 

How can the Three be One? How can the One be Three? Mathematics or logic can’t solve this puzzle. Several centuries of ecumenical councils struggled with the questions, doing their best to preserve the paradox of Three in One and One in Three from collapsing into the simplicity of God as “One is One and all alone.” 

Although it would have put a lot of theologians out of work, It would have been a lot easier just to stick with the Oneness. But that would not have been true to Christian experience. The Threeness is essential to our informed—and formative—encounters with God. As contemporary Catholic theologian Catherine LaCugna puts it, “The doctrine of the Trinity is ultimately a practical doctrine with radical consequences for Christian life.” [1]

Does that mean that the friends of God have to master the bewildering terminology and complicated nuances of ancient dogma in order to live the Christian life? Will heaven admit only the most sophisticated thinkers? Let’s hope not. 

I’ve read a lot of theology and Church history over the last fifty years, and I still have trouble remembering the differences between Monophysites, Monothelites, Monarchians, Modalists, Ebionites and Sabellians. As Japanese theologian Kosuke Koyama wonders, what if we were to exchange the metaphysical tangles of the West for more down-to-earth analogies. For example, he asks, what might the yin-yang of “pepper” and “salt” tell us about the divine nature? [2] Or St. Patrick’s shamrock, for that matter. 

For the Offertory anthem at the liturgy for Trinity Sunday, Mozart’s Laudate Dominum, I’ve assembled 26 concrete images of persons and objects grouped in threes. As you watch the video, I invite you to contemplate the Christian koan of Three-in-One and One-in-Three. 

Now then, what shall we say about the Trinity? One of the sixteenth-century reformers counseled intellectual modesty. “We adore the mysteries of the Godhead,” he said. “That is better than to investigate them.” [3] In a similar vein, a contemporary theologian reminds us that the “triune God is not simply unknown, but positively known to be unknown and unknowable—which is a dear and profound knowledge.” [4]

But on Trinity Sunday, it is the preacher’s ritual duty to offer a sacrifice of ignorance on the altar of unknowing. So here we go.

Back in the day—the fourth century, that is—when the Council of Nicaea was parsing theories of the divine life, theology was a popular sport, and people kicked around trinitarian doctrines the way some of us recite the arcane numbers of baseball metrics today. But in the late Middle Ages, the doctrine of the Holy Trinity went into cold storage. By the time of the Enlightenment, Immanuel Kant could say that Trinitarian theology had “no practical relevance at all, even if we think we understand it.” [5]

In recent centuries, any sort of God talk has been drained of content for many people. We live in a secular age, where a divine power who is in but not of the world has become increasingly unthinkable. Religion, in the world’s eyes, has become more of a private matter than a public truth. 

And yet, the Spirit continues to work, and in the last few decades we have seen a remarkable resurgence of attention and thought devoted to the meaning and relevance of the Trinity. It’s not just white, western males doing this work. Feminists, Africans, Asians, Middle Easterners and Latin Americans are all bringing fresh and urgent perspectives to Christianity’s core doctrine of God. And their work is of enormous consequence for both our personal faith and our common life.

The Nicene Creed declares that the three Persons are “of one substance.” In other words, whatever God is made of, Father, Son, and Holy Spirit have all got it—and in equal measure. 

But what is that “substance?” Is it a divine essence which existed prior to, or in addition to, the Persons themselves? Is there a one God hidden behind or beyond the Trinity? Such a notion would undercut the completeness of the Trinity, making it dependent on something external—in other words, less than fully divine in itself. 

Or is the divine substance like a pie which has been cut into three equal pieces? That would divide God into parts and lose the unity of the whole. It would also make the Persons less than eternal, since the whole pie would have to precede the creation of the separate pieces. 

But what if we were to give up the idea of divine “substance” as some kind of stuff which exists on its own and gets divided into three, or possesses a reality in addition to whatever the three Persons consist of? What if being the divine Trinity does not mean to have a divine substance, a kind of primordial stuff. What if being a Trinity means to be in relation with one another? 

Perhaps the Trinitarian God is best described not as a fixed, objective entity, but as an event or activity, an eternal communion shared between the Persons. The Greek word perichoresisdescribes the divine communion as a dance where the partners are in continuous motion, weaving in and out of one another. 

This conceptual shift from substance to relation is a central theme of contemporary theology. As feminist theologian Elizabeth Johnson writes (using inclusive terms for the Persons):

“The mutual coinherence, the dancing around together of Spirit, Wisdom and Mother; or of mutual Love, Love from Love, and unoriginate Love; or of the three divine persons – this defines who God is as God. There is no divine nature as a fourth thing that grounds divine unity in difference apart from relationality. Rather, being in communion constitutes God’s very essence.” [6]

A couple of British theologians elaborate this point when they say that the divine Persons do not “exist over against the others as self-enclosed centers of consciousness, as with human persons … but rather each dwells in the other through a kind of inter-permeation.” Then they sum it up this way: “The consciousnesses are fused but not confused.” [7]

This is not a new idea. The First Epistle of John assures us that “God is love” (4:8). And love, as we all know, cannot exist alone, without an “other” to share with, give to, receive from. Love exists only by going beyond the self in a process of perpetual self-offering.

Love is not a secondary or optional property of God. Love is who God is, and how God exists. Simply put: “the Trinity is not derived from God’s essence; the Trinity is God’s essence.” The communion and community of the Persons is God’s nature and essence.” [8]

Jürgen Moltmann notes the impossibility of a loving God being otherwise. “God cannot find bliss in eternal self-love,” he writes, “if selflessness is part of love’s very nature. God is in all eternity self-communicating love.” [9] A Kenyan Christian, John Mbiti, who comes from a more communal culture, puts this even more succinctly:

“I am because we are, and since we are, therefore I am.”[10]

We may struggle with this interdependent Trinitarian model because our culture has taught us to think of a person as an autonomous individual, whose identity, mind and will are separate and independent from every other person. 

But what the doctrine of the Trinity tells us is that you cannot be a person alone. You can only be a person in relationship with others. Addressing another, listening to another, conversing with another, loving one another, offering ourselves to one another—these are the means of becoming a person and existing as a person, if we are to live in the image of the relational personhood of the divine, in whom the one does not exist without the many. 

When we hear Jesus say, you must lose yourself to find yourself,[11] we may think he’s speaking of death, either metaphorical or physical, some kind of painful stripping away. And sometimes that is the case. 

But I think Jesus is also describing the divinely grounded process of communion and community. “I am because we are, and since we are, therefore I am.” St. Athanasius had a wonderful term for this state of being in communion. He called it “reciprocal delight.”[12]  We are all in this together, God says, and so say God’s friends as well.  

It seems especially fitting at this particular moment to contemplate communion as the essential and constitutive fact of divine life, for in one week’s time we will gather together, in person at last, as the Body of Christ at St. Barnabas. It has been fourteen months since we last did this. What joy it will be to share the sacrament of God’s self-diffusive love once again and celebrate the bonds between us.

After so many words about the Holy Trinity, let me conclude with an image. Thirty years ago, Polish film director Krzysztof Kieslowski made a series of 10 one-hour films called Decalogue. Each of the films is based on one of the Ten Commandments, and the series is one of the masterpieces of spiritual cinema. [13]

Pawel (Wojciech Klata), Decalogue 1

In the first film, there’s an exchange between Pawel, an eleven-year-old boy, and his aunt Irena. Pawel has a great curiosity about God, which his single-parent father, an unbeliever, cannot satisfy. So Pawel takes his questions to Irena, his devout Catholic aunt: 

Pawel: Do you believe that God exists?
Irena:  Yes.
Pawel: What is God?

Irena doesn’t answer with words. 
Instead, she puts her arms around Pawel and pulls him close.

Irena:  What do you feel now?
Pawel: I love you.
Irena:   Exactly. That’s what God is.



[1] Catherine M. LaCugna, cited in Veli-Matti Kärkkäinen, The Trinity: Global Perspectives (Louisville, KY: Westminster ]ohn Knox Press, 2007), 179.. This is the opening sentence of LaCugna’s God for Us: The Trinity and Christian Life (1991). As you will see, I found Kärkkäinen’s study of recent Trinitarian theology to be an invaluable resource. 

[2] Veli-Matti Kärkkäinen, 312.

[3] Philip Melanchthon, in Veli-Matti Kärkkäinen, xvi.

[4] Elizabeth Johnson, in Veli-Matti Kärkkäinen, 212, from Johnson’s She Who Is: The Mystery of God in Feminist Theological Discourse(1993).

[5] Immanuel Kant, in Veli-Matti Kärkkäinen, 206.

[6] Elizabeth Johnson, in Veli-Matti Kärkkäinen, 56.

[7] Ninian Smart & Steven Konstantine, in Veli-Matti Kärkkäinen, 249, from their Christian Systematic Theology: Theology in a World Context (1991).

[8] Richard Rice, in Veli-Matti Kärkkäinen, 140.

[9] Jurgen Moltmann, in Veli-Matti Kärkkäinen,106;  from Moltmann’s classic Trinity and the Kingdom: The Doctrine of God (1981)

[10] John Mbiti, in Veli-Matti Kärkkäinen, 352.

[11] Matthew 10:38.

[12] St. Athanasius (c. 296-373), a bishop in Roman Egypt, was a key defender of Trinitarianism. Cited in in Veli-Matti Kärkkäinen, 39.

[13] See my post, Kieslowski’s Decalogue: A Masterpiece of Religious Cinema (Jan. 28, 2017): https://jimfriedrich.com/2017/01/28/kieslowskis-decalogue-a-masterpiece-of-religious-cinema/

“The terrible work that gives life to the world”—A Good Friday sermon

Fra Angelico, The Mocking of Christ (1440)

In the convent of San Marco in Florence, Fra Angelico painted a fresco of the mocking of Christ. The cruelties of Christ’s tormenters are represented as fragments, floating in the space around the white-robed, blindfolded victim: a disembodied head spits at our Lord, a floating hand strikes him with a rod. These fragments are very flat, two-dimensional, as though pasted on the image’s surface. But Christ himself is not restricted to the plane of the image. It projects forward in an illusion of three-dimensionality, into the space occupied by two saints. The suffering Christ emerges from his own time into theirs. 

But neither saint is looking at him. They face away from the scene, toward us. The mocking is not something they look at with their physical eyes. It is for them an interior contemplation. And their devotion to the Passion takes two different forms. On the right, St. Dominic, the great intellect and preacher, is looking at a book, open in his lap. The Passion is something he is reading about, and processing in his mind. On the left side, the mother of Jesus, sitting in an attitude of quiet sorrow, has no book. She is apprehending the Passion through the medium of her heart. Dominic is thinking about the suffering of Christ. Mary is feeling it.

On God’s Friday we bring both head and heart to the foot of the cross. We may want to puzzle over the why of it: Why did this have to happen? Why do we keep returning to this bloody act? Why does it matter? Or maybe we just prefer to watch and weep over a mystery beyond all comprehension. 

In any case, here we are again, at the foot of the cross. A lot has happened since the last Good Friday—so much suffering, so much struggling, so much dying. We bring all that with us to the cross today, along with our questions, our wounds, our laments. Finding the right words for this strange time is a daunting task. 

Wiliam Sloane Coffin, one of the great Christian voices of the twentieth century, once told a young minister not to worry too much about his Holy Week sermon. “Anybody can preach on Good Friday,” he said. “Hell, read the newspaper!”[i]

On Good Friday, 2021, we don’t need a crucifix to remind us of a premature death which should never have happened. We’ve seen it replicated over half a million times in this country alone—worldwide, nearly 3 million times. 

We don’t need an ancient form of execution, designed to cause asphyxiation in a sagging body, to remind us of human cruelty. This very week, in a Minneapolis courtroom, a congregation of judge and jury is meditating on the last words—of George Floyd: “I can’t breathe.” 

We don’t have to go back 2000 years to learn the story of hatred, violence, and innocent victims. We’ve got Atlanta and Boulder and far too many other examples. 

As for the mindless mob shouting “Crucify! Crucify!” in Pilate’s courtyard, we’ve got our own version from January 6th, that epiphany of collective rage by the ones who “know not what they do.”  

Yes, we still see crucifixions every day. So why do we keep returning to Golgotha? How is the death of Jesus not like any other? In one sense, it is like every death. In choosing to embrace human experience, to live and die as one of us, the Divine identified completely with our suffering as well as our joy. 

Anglican poet Thomas Traherne expressed this truth with 17th-century fluency:

“O Christ, I see thy cross of thorns in every eye, thy bleeding naked wounded body in every soul, thy death lived in every memory. Thy crucified person is embalmed in every affliction, thy pierced feet are bathed in everyone’s tears ….” [ii]

Jesus is not only the icon of God but also the representative human, our “Everyman” and “Everywoman,” who bears our griefs and carries our sorrows. A folksong from back in the day said it this way:

If somehow you could pack up your sorrows, 
and give them all to me,
you would lose them, I know how to use them,
give them all to me.[iii]

Why did, and why does, Jesus want to carry the full weight of our human condition? Love. Love so amazing, so divine. God thirsts for us even more than we thirst for God. And as the incarnation of that love, as the divine thirst for communion in human form, Jesus was willing to drink the bitter as well as the sweet. 

Why on earth does God desire us so much? It’s not because we’re so easy to love—God knows we’re not. It’s because love is God’s nature, love is who God is. When the eternal self-offering, self-giving, that constitutes the Holy Trinity, got narrowed down into human shape, that loving nature came with it. Jesus loves me, this I know, because Jesus is love incarnate. It’s who Jesus is, and what Jesus does. 

And what happens to love in a world gone so wrong? It suffers. Love hurts. On Palm Sunday we sang about “love’s agony, love’s endeavor, love’s expense:”

Drained is love in making full, 
bound in setting others free;
poor in making many rich, 
weak in giving power to be. 

Therefore he who shows us God, 
helpless hangs upon the tree;
and the nails and crown of thorns 
tell of what God’s love must be.[iv]

Antonello da Messina, The Antwerp Crucifixion (1475)

Nobody wants to suffer, but it seems to be part of the deal. As Julian of Norwich said in the century of Europe’s most deadly plague:

If there be anywhere on earth a lover of God who is always kept safe from falling, I know nothing of it — for it was not shown me. But this was shown: that in falling and rising again, we are always held close in one love.[v]

In early 19th century Kentucky, 3 women founded a religious community called the Friends of Mary at the Foot of the Cross. They were dedicated, in their words, “to bring the healing spirit of God into our world.” One of their current sisters, Elaine Prevallet, has written some very helpful words about suffering:

Suffering is always about change — either something needs to change, or something is changing. And changing means letting go of the way things are, the way I know them, the way I have put and held my life together…The idol of control holds out to us the hope that suffering and death can be eliminated. ..That false hope, in turn, has the effect of setting suffering up as an enemy to be avoided at all costs. [But] if we are unwilling to suffer, we are unwilling to love.[vi]

Nobody gets off lightly on God’s Friday, not God, not the world, not us. But we get through, we all get through—it is the way, the only way in this mysterious universe of freedom and risk, dying and rising.

You can do several things with suffering. You can try to avoid it or at least repress your awareness of it. Some people make that their life’s work. But avoiding suffering means you avoid a lot of love and a lot of life. Jesus considered this strategy of avoidance, in the desert Temptation and in the agony of Gethsemane. But that “adamant young man”[vii] chose instead to embrace the consequences of his divine nature and his human vocation. 

Another way to deal with suffering is to struggle against its causes, to work for its elimination. As both healer and prophet, Jesus demonstrated this way, even onto death at the hands of the oppressive powers. But like the weeds among the wheat, violence and suffering remain a persistent part of the fabric of creation, despite our best efforts. We do what we can, but suffering remains.

And so we, with Jesus, come to the third way: to undergo suffering as a means, not an end. To see suffering not as life-threatening, but life-giving. Suffering, instead of thwarting God’s purposes, becomes part of the repertoire of salvation. God does not create suffering, but does deal creatively with it. Suffering becomes, in God’s hands, formative rather than destructive. The Passion is not a detour. It is the way. As a recent hymn puts it, God is “wiser than despair.” [viii]

I once read about a Quaker meeting held on Easter Day. The assembled Friends were speaking, as the Spirit moved them, about the Resurrection. Then one woman got up and said that her only son had been killed in a car crash some months before. A chord of shared grief was struck in every heart. We know about that, don’t we, here on Bainbridge Island, thinking about Hannah, Hazel and Marina.[ix] But then this sorrowing mother said, “My heart is broken, but it is broken open—this is my resurrection and my hope.” [x]

To speak of the way of the cross as the way of life is not to deny its pain or its horror—Jesus himself cried out in deep protest from the cross: Why? Why? And the way of the cross is more than a simple homily about building character or learning compassion or awakening our own vocations to relieve the world’s pain where we can. Those are all valuable outcomes of our suffering, but on this day, at the foot of this cross, we must say something deeper and more difficult to grasp.

For this dying man, this Jesus upon the cross, is not just one more victim ground up by the teeth of history. This Jesus “bears in His Heart all wounds”[xi] carries our griefs and our sorrows, carries them into the divine heart, into the deepest place of God.  Our pain has become God’s own pain, and however long we must dwell in that Pit where there seems to be suffering without end, God dwells there with us. The One who died abandoned and alone now keeps us company on our own crosses—for as long as it takes.

Jane Kenyon, the poet who died too young of leukemia, knew the truth of this: 

The God of curved space, the dry 
God, is not going to help us, but the son
whose blood spattered 
the hem of his mother’s robe.[xii]

God does not create suffering. But God is the place where all suffering comes to rest. “Give it to me, ” God says. “I can take it. I will transform it.” When our suffering becomes God’s suffering, something new happens. It is no longer the tomb of dead hopes. It is the place of new birth. 

How does this happen? How does God bring forth good from evil?
How does the cross of Christ make all our crosses into trees of life? 
How does God turn our abyss into a redemptive journey? 

We could discuss theologies of atonement and sacrifice, or reflect upon the spiritual and psychological and social implications of Christ’s death. But on this day, we don’t come to the cross for ideas. We come for love.

In Antonello da Messina’s Crucifixion we see, as in Fra Angelico’s Mocking, two witnesses in the foreground: Mary, the mother of Jesus, and John, the beloved disciple. John is gazing intently at his Crucified Lord, while Mary looks inward, to her pierced heart. For me this image expresses something written by a present-day friend of Jesus, Virginia Stem Owens:

“Good Friday is the day when you can do nothing. Bewailing and lamenting your manifold sins does not in itself make up for them. Scouring your soul in a frenzy of spring cleaning only sterilizes it; it does not give it life. On Good Friday, finally, we are all, mourners and mockers alike, reduced to the same impotence. Someone else is doing the terrible work that gives life to the world.” [xiii]

So here we are, at the foot of the cross on God’s Friday, while Jesus does the terrible work that gives life to the world. 

“Give me your pain,” Jesus says. “Give me your sorrow. I will make it the place where your healing begins. I work good in all things. That is my nature. There is nothing that I cannot make into the means of new life. 

“Suffering…fear…grief…illness…anger…depression…despair…abandonment….
whatever your burden, give it to me, join your pain to mine, and I promise you: You shall rise up with me. 

For there is only one death in the history of the world,
and I have made it mine. 
And there is only one life in God’s universe, 
and from now until forever it is yours. I give it to you. 

“Die with me today…rise with me tomorrow…It is accomplished.”


This sermon may be seen on video in the Liturgy for Good Friday at St. Barnabas Episcopal Church (Bainbridge Island, WA), available on YouTube starting at noon on Good Friday, 2021. The link is here.


[i] Personal reminiscence by Will Willimon, in “Stunned observers: A Conversation between Richard Lischer and Will Willimon, The Christian Century (March 24, 2021), 35.

[ii] Thomas Traherne, Centuries of Meditations, i.86.

[iii] Richard Fariña and Paula Marden, “Pack up your sorrows” (1965). I heard Farina and his wife Mimi sing this in concert in my college years. They were local favorites, and I often played their songs on my campus radio show. A promising writer and novelist, Fariña died in a motorcycle accident a year after writing this song. He was 29. To hear the song: https://youtu.be/NHRNqjOcaMM

[iv] W. H. Vanstone, “Morning glory, starlit sky.” This powerful text is set to a beautiful tune, Bingham, by Dorothy Howell Sheets, in The Episcopal Hymnal 1982, #585.

[v] Julian of Norwich, Showings (the Long Text), 14th century.

[vi] Elaine Prevallet, Weavings: A Journal of the Christian Spiritual Life (“Letting Go,” Vol. 12, No. 2, March/April 1997), 14.

[vii] I love Dag Hammarskjöld’s use of adamant, a Greek word for a hard stone or diamond. This term for a resistant substance came to mean “invincible.” Jesus’ refusal to let his love be misshapen by the world makes this an apt adjective for him. I found Hammarskjöld’s phrase in Bread and Wine: Readings for Lent and Easter (Maryknoll, NY: Orbis Books, 2003), 163.

[viii] Brian Wren, “Bring many names” (1989): “calmly piercing evil’s new disguises, glad of good surprises, wiser than despair.”

[ix] The tragic death of these three teenagers in an automobile accident last month has deeply shaken my local community. 

[x] Weavings, “Letting Go.” Page unknown. 

[xi] The line is from Edith Sitwell’s poem, “Still Falls the Rain.” Written during the bombing of London in 1940, it does not single out the enemy, but laments the collective guilt of a warring humankind. The last lines: “Then sounds the voice of One who like the heart of man / Was once a child who among beasts has lain—/ ‘Still do I love, still shed my innocent light, my Blood, for thee.’

[xii] Jane Kenyon, “Looking at Stars.”

[xiii] Virginia Stem Owens, cited in “It Is Done,” a reflection on the Passion by Watchman Nee in Bread and Wine, p. 244. Nee (1903-1972) was a Chinese Christian who spent his final 20 years imprisoned for his faith. 

“Hopes that pointed to the clouds” — A Sermon for Advent 1

Dawn at the church in Rabanal on the Camino de Santiago (May 2, 2014).

This is a sermon I preached for the First Sunday of Advent, 2020, in the streamed liturgy at St. Barnabas Episcopal Church on Bainbridge Island, Washington. Below the video recording you will find the text with footnotes. Two corrections to the recording: Wordsworth’s account of crossing the Alps is in Book VI of The Prelude, and his celebrated line is: “Bliss was it in that dawn to be alive.” That’s exactly how I felt when I took the top photograph on my pilgrimage walk to Santiago, so I doubly regret the error in the recording!

The liturgical year is like a great story with many chapters, and every Advent we go back to the beginning and tell it all over again. But it’s an unusual story. It doesn’t begin with “Once upon a time …” No, it begins with “The End.” Whether the gospel for the First Sunday in Advent is from Matthew, Mark, or Luke, we always get the apocalyptic Jesus announcing the end of the world. The sun and moon will go dark, the stars will fall from the sky, reality itself will tremble and shake. 

It’s the ultimate disaster movie, and we usually absorb it as such. The apocalyptic images of destruction and chaos engage our fears while they’re up on the screen (or on the lips of the gospel reader), but when the lights come up and we head for the exit, we expect to find the same old safe and reliable world waiting for us outside the theater or the church. But in 2020, not so much!

The ending of worlds is far too real this year. COVID-19 has made us acutely conscious of our own impermanence, not only as individuals but as a species. Millions have seen their jobs disappear, education is in crisis, social gatherings are nearly extinct, and so many ordinary things, from restaurants to haircuts, not to mention liturgical assemblies, have vanished from daily experience. We’ve been shocked this year to discover how easily the stability of our democratic institutions can be assaulted and eroded, and we’ve been disheartened and unsettled by the fragility of our social bonds in the face of so much hatred, bigotry, demagoguery and violence. Truth itself has become an endangered species. And if all that isn’t enough, the climate apocalypse is well underway. 

“Signs of ending all around us,” says one of our Advent hymns. Then it wonders:

Can it be that from our endings, new beginnings you create?
Life from death, and from our rendings, realms of wholeness generate?[i]

How will the world end? Let me count the ways, says the apocalyptic Jesus. But Jesus isn’t trying to depress us. Jesus doesn’t want to paralyze us with despair. But he does want us to be clear about where our treasure is, where our hope lies. Put your faith in the things that endure, he says. “Heaven and earth will pass away, but my words will not pass away.”[ii]

I think what he’s getting at here is that our idolatries, our invented securities, will come to nothing in the long run. Only God endures. Only God’s Kingdom—the world of God—is built to last. So learn how to discern what lasts and what doesn’t, and how to remain faithful to the vision without getting discouraged by the obstacles and failures along the way.

A common misconception about the apocalypse is that it only comes once, at the end of history, when the broken will be made whole, all discords harmonized, all divisions reconciled. Christian faith indeed affirms that great vision of a perfected humanity and a restored creation. But our faith also calls us to make that future present wherever and whenever we can, and to notice how it’s already happening around us. At the same time, we need to recognize the ambiguities of historical existence. God and not-God are like the wheat and the weeds—hard to tell apart until the final harvest. Stay awake, Jesus says. Pay attention. Sometimes the Kingdom is where you least expect it. Sometimes it doesn’t look like anything you expected. And often it will come and go in the blink of an eye. Keep your eyes open!

Why must there be apocalypse? Why must so many things come to an end? In order for God’s future to take place now, some of what is present needs to get out of the way to make room for the new thing God wants to happen. That’s why we should speak about the end of the world not as a single, far-off event, but as the ending of worlds plural: the ending of all those things which need to pass away so we can get right with God. 

An economy where millions lose their jobs and millions go hungry while the assets of 600 billionaires increase by 1 trillion dollars during the pandemic—that’s got to go. The killing of people because they’re black—that’s got to go. The destruction of nature by greed and stupidity—that’s got to go. You get the idea. God wants a better world, and God asks us not only to pray for that world but to work for it, and, by God’s grace, to embody it and manifest it whenever and however we can. 

But for reasons we are not given to understand as finite beings, the inbreaking of the Kingdom isn’t a story of steady and relentless progress. We are indeed visionary creatures, full of desire for better selves and better worlds, but we are also finite and fallible, complicated mixtures of mud and spirit. We have our limits. We don’t always know the right thing, or when we think we know, we don’t do it, or can’t do it. Or by the time we do, maybe it’s no longer the right thing. 

Good motives tend to produce mixed outcomes. And as for bad things, Scripture tells us that a creative God can make a silk purse from a sow’s ear. Historical existence is complicated. It’s messy. A lot of the time we’re just guessing. We have to learn not to fall in love with outcomes, or get too attached to our ideas of the best future. Our God is a God of surprises, and most of our maps to the Promised Land turn out to be illusions, or at least out of date. 

In the late 18th century, the French Revolution stirred the imagination of Europe with a sense of immense possibility. Looking back on 1789 twenty-five years later, French observer Thomas Noon Talfourd described the incredible excitement in the air:

“Every faculty of the mind was awakened,” he said, “every feeling raised to an intenseness of interest, every principle and passion called into superhuman exertions. At one moment, all was hope and joy and rapture; the corruption and iniquity of ages seemed to vanish like a dream; the unclouded heavens seemed once more to ring with the exulting chorus of peace on earth and good-will to men … The most brilliant hopes were cherished … and fresh prospects were daily opening which … filled us with painful delight and with giddy rapture.”[iii]

G.W.F. Hegel, the great German idealist, was 19 years old when that revolution happened. “It was a glorious dawn,” he recalled later. “All thinking beings shared in the jubilation of the epoch. A sublime emotion ruled that age, and enthusiasm of the spirit thrilled through the world, as though the time were now come of the actual reconciliation of God with the world.”[iv]

When the English poet William Wordsworth was a young man, he went to France to begin a walking tour in the summer of 1790, when revolutionary spirits were still high. “Bliss was it in that dawn to be alive,” he wrote, “France standing on the top of golden hours, / And human nature seeming born again.”[v]

Those among us who came of age in the 1960s may remember the same exhilaration of being young and idealistic in a time of great upheaval and daring dreams. We had our “brilliant hopes” and “sublime emotion,” our visions of a new world emerging from the ruins of the old. 

But we would soon discover that a reborn humanity, reconciled to the purposes of God, was not so easily achieved. So too did the young Wordsworth grow disenchanted with the French Revolution’s dark side. The Kingdom of God may work through the movements of history, but it is not identical with them. To confuse God and history is idolatry. Misplaced hope is worship of the wrong thing.

Fifteen years after his tour of revolutionary France, Wordsworth wrote his epic poem, The Prelude, a spiritual biography of his generation of Romantics and idealists. In Book VI of The Prelude, he explored his personal struggle with hope and disillusionment through the narrative of his excursion through France to the Alps. Making his way south, he feasted and danced with happy revolutionaries, tasting the bliss of their new world. As he put it, he “found benevolence and blessedness / Spread like a fragrance everywhere, like Spring.”[vi]

But when he reached the Alps, he saw a troop of French soldiers plunder a peaceful mountain convent in the name of revolution and freedom from the oppression of religion. Actually, this desecration occurred two years later. But Wordsworth inserts it into his poem to dramatize with this single illustration his more gradual internal process of disappointment with the Revolution’s betrayal of his generation’s hopes.

In the poem, Wordsworth is shocked to witness the soldiers’ destruction of the convent and the expulsion of its “blameless inmates.” The revolutionary sword wields no justice in this act, only negation. The convent, a precious habitation of calm and spirit, set apart to remember eternity, perishes in a world gone mad.

As a disillusioned Wordsworth climbed higher in the Alps, he struggled with despair. He felt “inwardly oppress’d” by an “utter loss of hope itself, / And things to hope for.”[vii] (A loss of “things to hope for.” That is so 2020!) With the Revolution descending into the maelstrom of violence and naked power, where could he look for the true apocalypse that would break the power of the fallen world, renovate humanity, and restore the earthly paradise? 

The climb itself began to form an answer in his heart and mind. “For still,” he tells us, “[he] had hopes that pointed to the clouds.”[viii] He was a Romantic, after all, fluent in the language of Nature. The soaring peak of Mont Blanc, rising into the sky above, was an icon of Transcendent power far greater than revolutions or armies—or the countless dejections of history.  

We can imagine the music swelling here, as the poet approaches the summit to receive the grace of divine vision, reconciling in a flash all the contradictions of human existence. What actually happened was, Wordsworth got lost in the mist. Eventually, he ran into a peasant who told him that he’d already crested the pass and was in fact now going down other side. Though the poet’s hopes may have still pointed to the clouds, his body was on its way back to the complications of the world below. 

Wordsworth would find in this experience a metaphor for the life of faith. We don’t get the decisive apocalypse, the ultimate finale, in this life. God is too inventive to settle for our flawed approximations of a better world. There’s always going to be a mixture of good and ill, darkness and light, in our historical projects, as well as in the circuitous journey of every soul. Still, God has planted hope and desire deep in our hearts, and amid all the complications and setbacks of the human journey, we keep reaching for the clouds, and that in itself is something glorious. As Wordsworth put it:

And now, recovering, to my soul I say 
‘I recognize thy glory.’
… Our destiny, our nature, and our home
Is with infinitude, and only there;
With hope it is, hope that can never die,
Effort, and expectation, and desire,
And something evermore about to be.[ix]

150 years after Wordsworth crossed the Alps, another poet, W. H. Auden, articulated his own understanding of the dance between disappointment and hope. As a political idealist in the 1930s, he would face his own disillusionment at the end of that decade. Revolutionary hopes for a better world had withered, and humanity, as far from the earthly paradise as it had ever been, was plunging into the inferno of the Second World War.

We hoped, we waited for the day
The State would wither clean away,
Expecting the Millennium
That theory promised us would come,
It didn’t.

Like Wordsworth—and all of us at the end of 2020—Auden was forced to accept the limits of historical existence, and to discern, as he put it, “what / Is possible and what is not, / To what conditions we must bow / In building the Just City now.”  

And like Wordsworth, Auden finds himself on a mountain: Dante’s Mount Purgatory, where the Earthly Paradise at the top is a distant goal, for which there are no shortcuts. 

The purgatorial hill we climb,
Where any skyline we attain
Reveals a higher ridge again.
Yet since, however much we grumble,
However painfully we stumble,
Such mountaineering all the same
Is, it would seem, the only game …

We have no cause to look dejected
When, wakened from a dream of glory,
We find ourselves in Purgatory,
Back on the same old mountain side
With only guessing for a guide …

O once again let us set out,
Our faith well balanced by our doubt,
Admitting that every step we take
Will certainly be a mistake,
But still believing we can climb
A little higher every time …[x]

We’re all on that mountain with the poet, still climbing, sheltering our hope like a candle in the winds of doubt, stumbling our way onward. Sometimes we lose the path, and go astray. And if we do attain a summit, a higher one still looms before us.

And all those apocalypses along the way, all those endings great and small, the vanishings of good things and bad things alike, turn out not to be last judgments or final judgments, bringing our story to a close. They are more like doors, where we pass from a tired world into a new reality.

As long as we are creatures of time and history, that reality will never be fixed or final. And with a God who is utterly free and endlessly inventive, who can describe what is to come? But if I may switch metaphors and poets, let me give you one of my favorite Advent images.

In her poem, “Rowing,” Anne Sexton imagines herself rowing toward an island called God. 

I am rowing, I am rowing,
though the wind pushes me back
and I know that that island will not be perfect,
it will have the flaws of life,
the absurdities of the dinner table,
but there will be a door
and I will open it
and I will get rid of the rat inside me,
the gnawing pestilential rat.
God will take it with his two hands
and embrace it.

Sexton knows she’s not there yet, she is still in the Advent space of waiting and hoping. And, like Auden, she is aware of what is possible and what is not, and to what conditions she must bow as a flawed and finite being in search of Grace.

“This story,” she says, “ends with me still rowing.”[xi]

This, dear people of God, is where we begin the Advent journey. On the sea of faith, still rowing. Or maybe back on the same old mountain side, with only guessing for a guide. But always holding fast to hope that can never die, as we wait and watch for “something evermore about to be.”

“This story ends with me still rowing.”




[i] Dean W. Nelson,“Signs of endings all around us,” # 721 in Wonder, Love, and Praise: A Supplement to The Hymnal 1982 (New York: The Church Pension Fund).

[ii] The Gospel for Advent 1 (Year B) is Mark 13:24-37.

[iii] Thomas Noon Talfourd, The Poetical Talent of the Present Age, 1815), cited in M. H. Abrams, Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York: W. W. Norton & Company, 1971), 329-330.

[iv] In Abrams, 352.

[v] William Wordsworth, The Prelude: 1799, 1805, 1850, eds. Jonathsn Wordsworth, M. H. Abrams, Stephen Gill (New York: W. W. Norton & Company, 1979), X, 692 (1805), VI, 353-4 (1805). All citations from The Prelude are from this Norton Critical Edition.

[vi] The Prelude, VI, 368-369 (1805).

[vii] The Prelude, XI, 506 (1805).

[viii] The Prelude, VI, 587 (1850).

[ix] The Prelude, VI, 531-532, 538-542 (1805).

[x] W. H. Auden, “New Year Letter (January 1, 1940),” Collected Poems, ed. Edward Mendelson (New York: Random House, 1976). We hoped (175); what is possible (190); the purgatorial hill (178-179).

[xi] Anne Sexton, “Rowing,” in The Awful Rowing Toward God (New York: Houghton Mifflin, 1975). This is the first poem in the book. In the last, “The Rowing Endeth,” she finally reaches the island. God invites her to play poker. They both win, because that’s how it goes with God. The text of “Rowing is here: https://www.poemhunter.com/poem/rowing/ … “The Rowing Endeth” is here: https://opreach.org/2013/02/26/the-rowing-endeth/

Walking on the Sea with Jesus: A Homily on Matthew 14:22-33

Gustave Brion, Jesus & Peter on the Water (1863).

This is the text of a homily preached from a kayak “on location” in Puget Sound, a stand-in for the Sea of Galilee where the gospel for this Sunday takes place. You can view the video below. 

“Get in the boat!” Jesus tells the disciples. “Get in the boat and go to the other side of the lake.” We don’t know the exact words Jesus used, or his tone of voice, but Matthew’s gospel is pretty clear about the forcefulness of his command. The original Greek words suggest that he had to force them or push them into the boat. They clearly were reluctant to go. But why?

They may have been hesitant to go anywhere without their trusted teacher. And certainly none of them would be eager to go to the other side. That’s where the Gentiles lived, those weird foreigners who were so disliked and feared. The other side, in the disciples’ eyes, was a bad neighborhood, infested by Roman rats.

But the scariest thing was the sea itself. Although the Sea of Galilee is only a large lake (about one-third the size of Lake Tahoe), its original Hebrew name, Yam, means “roar,” perhaps because of the tempestuous waves created by its infamous sudden storms. A few years ago, 80 swimmers in that lake had to be rescued when strong winds swept them out into deep waters.

I have only seen the Sea of Galilee in good weather. But almost without warning, it can become a wild and dangerous place. The fishermen disciples knew the risk of drifting too far from the shore, but here was Jesus making them cross its depths for five or six miles—that’s the distance between Bainbridge Island and Seattle. Would you want to do that in a small boat in a big storm?

For biblical people of the land, wild seas were not just physically dangerous. They conveyed a cosmic threat as well, manifesting the primal chaos which threatens to undo the harmonious stability of the world. Only the divine Creator can tame this chaos. As the Psalmist says,

You rule the raging of the sea.
When its waves roar, it is you who subdues them.
(Psalm 89:9)

Scriptures like that made the world seem safe, but when the winds kicked up and the waves began to wash over their little boat, Jesus’ disciples were probably thinking of another Psalm:

Save me, O God, for the waters have risen up to my neck.
I am sinking in deep mire,
and there is no firm ground for my feet.
I have come into deep waters,
and the torrent washes over me. (Psalm 69:1-3)

Matthew tells us that “the wind was against them.” No matter how hard they tried, they could make no headway. When the sun went down, the storm continued to batter them in the dark. They became exhausted, disheartened, and afraid. Would the long and terrible night ever end?

This was the archetypal night-sea journey, where everything familiar and safe is left behind in a perilous passage through a formless sea of unknowing and unmaking which threatens to swallow the voyager.

We know something about that, don’t we? We are all on a night-sea journey now, in this strange and anxious time. Having left behind the shore of “normal” life, battered by the fierce waves of multiple crises, we are trying desperately to stay afloat in the darkness. But like those first disciples, we find ourselves against the wind.

So how does the gospel story end? In the darkest hour just before dawn, Jesus “came walking toward them on the sea.” It’s an extraordinary moment in the gospel narrative, but a few centuries ago it became something of an embarrassment. Empiricists declared it to be the kind of thing that just doesn’t happen, and authors of books with titles like Christianity Not Mysterious (1696) began to purge the gospels of anything “inconsistent with the Light of Nature, and the eternal Reason of Things.” [i]

Christian rationalists sought plausible explanations for gospel miracles. Healings were deemed psychosomatic, for example, and walking on water, if not dismissed altogether, was explained as Jesus wading in the shallows along the shore, or standing on a raft which disciples couldn’t see in the dark.

This isn’t the time to address the complex questions about biblical miracles, but let me say in passing that we should be careful about applying modernity’s criteria for what is possible to anything dealing with the transcendent. The gospel stories come from a different thought-world, and sometimes they describe realities not yet fully realized in our fallen and unfinished world. Those of us who have grown familiar with biblical texts can forget just how strange the stories really are, and how strange Jesus is.

In both Jesus’ day and our own, the powers-that-be tend to affirm and enforce a “reality” of suffering, cruelty, and violence. “It is what it is,” they tell us. But then Jesus invades this so-called reality and calls it into question. He not only preaches the impossible, he proves it: the blind see, the lame walk, prisoners go free, mourners dance, and the poor inherit the earth.

Make no mistake: Jesus leads us into a very different world, and that world, in comparison to the present state of things, can appear miraculous to inexperienced eyes.

As for the story of Jesus walking on water, the question of its historical plausibility is not a critical question for me. It’s not the kind of thing I expect to happen, but I won’t rule out the possibility of something uncanny and transcendent lying behind this enigmatic narrative.

Jesus was in but not of this world, and the mysterious is an inseparable element of his story. How much does it matter what we are able to make of the story’s strangeness? What really matters is what the story makes of us.

And the story, like the disciples’ boat, is built to transport us out into the sea of unknowing, to find something we will miss if we remain on shore. So get on board, little children, get on board. Even if you are reluctant to embrace the miraculous, get on board. The story wants to take us all to the other side.

And so we soon find ourselves far from shore, awash in the sea’s brawling swells, helpless against the wind, hearts breaking in the endless night, when suddenly we see something—someone—walking toward us, walking on the sea like the Maker of heaven and earth who once “trampled the waves of chaos” (Job 9:8).

How can this be! It’s a ghost! A phantasm. A figment of our imagination. Our fear is making us crazy. But then we hear that voice we know so well:

“Take heart, it is I;
do not be afraid.”

It’s still hard to make out what we’re seeing in the darkness, but Peter calls out, “Lord? Oh Lord, if it is really you, call me, and bid me come to you.” The voice answers, “Come.” And that’s what Peter does. He climbs out of the boat, and begins to walk toward Jesus, striding impetuously across the water as if it were solid ground.

His eyes see nothing but the gaze of his Master. But just before he reaches Jesus, he remembers the storm, the wind, the waves. He remembers his fear. He takes his eyes off Jesus and looks at the raging water. Immediately he begins to sink, and the sea is swallowing him. “Lord, save me!” he cries. Jesus grabs his hand. “You of little faith, why did you doubt?” I like to think Jesus says this tenderly, with a smile.

And as soon as the two of them get into the boat, the wind ceases. The storm is over. The sea grows smooth and still. After so much turbulence and drama, this sudden calm may be the story’s greatest miracle, one we so desperately need today.

Buffeted on every side by so much danger, affliction, and loss, we have come to know the demons of anxiety and sadness. We’ve drifted too far from the shore, the wind is against us, and some of us are starting to sink. Who can even remember what it was like to be at peace in an uneventful time?

James Martin, a Jesuit author and teacher, wrote a book about Jesus based on his pilgrimage to the places where the gospels happened. At the Sea of Galilee, he recalls a time when he was deeply stressed by the relentless grind of nonstop speaking engagements. It felt like a ceaseless storm, and he was drowning. So he decided to pray about it with a visual meditation on Jesus and Peter on the sea.

“When I closed my eyes,” he says, “the first thing I saw in my mind’s eye was Jesus, clad in a light blue robe, standing silently on the sea, a glassy calm. He stretched out his hands as if to say, ‘Come.” But unlike Peter I didn’t feel the invitation to walk on the water, as if to prove something. Instead, he seemed to be saying, ‘Why not come into the calm?’ The wind whipped around his blue garments, with the sound of a flag in the wind, but both he and the sea remained calm.” [ii]

Why not come into the calm? What a precious and necessary gift this story wants to give us, inviting us into the calm. We all need that calm so very, very much. And I would be tempted to leave it at that, but I believe there is something else, equally important, we need to take from this story.

Last year, a minister in the United Church of Canada, Hilde J. Seal, was speaking with a parishioner at the door after worship. The woman thanked Seal for her sermon, and then she said, “I wish you would speak about racism.”

The preacher thought about that challenge for weeks, but she worried that the volatile subject might take her congregation, as she put it, into “troubled waters … Deep, murky, swirling, rushing, dashing water… exploding like a storm.” It’s not something a pastor does lightly.

But when it came time to preach on Matthew’s account of Jesus and Peter on the Sea of Galilee, she knew she had to go there, to address systemic racism in her country in the light of the gospel, because the middle of that storm, or any other, is exactly where the church needs to be if it wants to fulfill its vocation, trampling on the waves of sin and fear.

“Jesus calls us into the rough waters,” she said, “to meet the power of God’s presence within the storm. So let’s get out of the boat, to walk on the water toward Jesus. “But I warn you,” she added, “that once our toes are splashed by the swirling, rushing, dashing water… we might feel like we are about to drown.” [iii]

The wild sea, the storm-tossed boat,
the sinking disciple crying for help—
these are powerful and challenging images.
Most of us would rather remain on shore,
or at least inside the boat.
Who among us is prepared to step out into the deep?

That kind of courage doesn’t come naturally. British novelist Olaf Stapledon once described comfortable moderns as ill-suited for times of crisis.

“[A]ccustomed only to security and mildness,” he wrote, “[we] were fit only for a kindly world … We were adapted only to fair weather, for the practice of the friendly but not too difficult, not heroic virtues, in a society both secure and just. Instead, we found ourselves in an age of titanic conflict … when grave choices must be made in crisis after crisis, and no simple or familiar principles were adequate …” [iv]

Those words from 1937 could have been written yesterday. We are indeed better suited to fair weather and a kindly world. But that is not where we are right now, is it?

A 14th-century prayer, the Anima Christi, incorporates the powerful words that Peter shouted against the wind: O good Jesus, … call me and bid me come to you.

And faith knows how that prayer gets answered:
Come.
That’s what Jesus says to Peter,
and he says it to us as well:
Come.

Sometimes that will mean seeking the place of calm in a stormy world; and sometimes it will mean consenting to leave our comfort zone for the wild sea, where our only stay against drowning will be the touch of the Master’s hand.

Take heart, it is I; do not be afraid.

O good Jesus, call me, call your church,
and bid us come to you –
wherever you are,
even when you are
in the heart of the storm.

 

 

[i] John Toland wrote Christianity Not Mysterious. The quote is from from Matthew Tindal’s Christianity As Old As the Creation (1730).

[ii] James Martin, Jesus: A Pilgrimage (New York: Harper One, 2014), 237-238.

[iii] Hilde J. Seal is a minister at the United Churches of Langley, British Columbia. Her excellent homily, “With-in a Storm” (August 11, 2019), is online: https://www.unitedchurchesoflangley.ca/podcasts/sermons/2019-08-11-with-in-a-storm

[iv] Olaf Stapledon’s Star Maker (1937) is a science-fiction classic admired by H. G. Wells, Virginia Woolf, Jorge Luis Borges, Doris Lessing, and Arthur C. Clarke. This passage is cited in Gordon Mursell, English Spirituality: From 1700 to the Present Day (London: SPCK, 2008), 509.

Jesus and the Woman at the Well: A Homily for Lent 3

Churches are shuttered here in Puget Sound, to maintain social distancing in the pandemic. If I were preaching on this Sunday’s gospel, it would go something like this. Meanwhile, dear reader, stay safe, be well, and pray for all who are suffering or fearful in this harrowing time.

Jesus and the Samaritan woman (12c Jruchi Gospels, Georgia)

If I were called in
to construct a religion
I should make use of water.

Going to church
Would entail a fording
to dry, different clothes;

My liturgy would employ
Images of sousing,
A furious devout drench,

And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.

–– Philip Larkin, “Water”

A glass of water might not strike you as sacred, unless you’ve been in the desert about three days without a drink. At that point, which is the longest humans can go without water, you would find that glass to be the most blessed of sacraments: the water of life indeed.

Desert people know the sacredness of water. When the ancient Jews wandered the wilderness of Sinai, thirst was their constant companion. They cried out to God with parched tongues. Not politely, like Episcopalians. They complained bitterly and their faith wavered, until God made water pour out of barren rock. Now maybe the Israelites simply found a seepage of brackish water coming out of a rocky cliff. But it was enough to supply their need. They recognized it as a miracle then, and they remembered it as miracle ever after:

God made streams come out of the rock,
and poured down water like rivers.   (Psalm 78:16)

And once the Jews reached the Promised Land and built the Temple, they would gather every autumn, just before the rains ended the summer drought, to remember how God had preserved them in their wanderings, and to re-imagine their future as a consummation of the Providential love which their ancestors had sipped from a rock in the desert’s deadly furnace.

At this festival, the words of the prophet Zechariah was recited:

And I will pour out a spirit of compassion and supplication
on the house of David and the inhabitants of Jerusalem…

When that day comes,
a fountain will be opened for the house of David
and the inhabitants of Jerusalem,
to wash sin and impurity away. (Zech. 12:10, 13:1)

And every morning of the seven-day festival, a procession descended to the Gihon spring at the foot of the Temple hill. The people carried festal plumes made of palm, myrtle and willow branches––trees which signal the presence of water in arid lands. And from the spring a priest would fill a golden pitcher as the choir sang a verse from Isaiah:

With joy you will draw water from the wells of salvation. (Isaiah 12:3)

Then the procession ascended to the Temple through the Gate of the Waters to circle the altar chanting, “We beg you, Lord, save us! We beg you, Lord, give us good fortune!” Finally, the priest with the golden pitcher poured the water into a silver spout, draining it onto the surface of the altar.

And it was at this solemn moment, the gospel of John tells us, that Jesus suddenly cried out from the congregation, “Let anyone who is thirsty come to me! Let anyone who believes in me come and drink.”

It is a startling scene, and you can imagine the offense it caused––this country preacher from Galilee offering himself as the new Temple from which will flow the living waters of salvation. Who was he to claim the divine prerogative? Only God can satisfy the soul’s deepest thirst.

A few chapters earlier in John’s gospel (John 4:5-42), Jesus makes the same invitation in a very different setting––no crowds, no special occasion––just a quiet well in a small town. Jesus is sitting by himself in the noonday sun. A woman comes by to draw water.

The story of the woman at the well has sometimes been interpreted as an expose of the woman’s past: “WOMAN HAS 5 HUSBANDS––FILM AT 11.” But subtler readings have seen the husbands as metaphors for Samaritan apostasy. The Samaritans were the ones who abandoned the god of their ancestors and began to worship five different deities imported from other middle eastern cultures. They had been looking for love in all the wrong places, and until they renewed their covenant relationship with the God of the Exodus, they had, in the language of this metaphor, “no husband.”

But Jesus is not there to condemn the woman––or her people. He is there to give her something. He doesn’t demean her as a woman, a Samaritan, or a serial divorcee. He treats her with respect, as does the gospel writer. It’s the longest conversation Jesus has with anyone in the gospels. The woman is bright and assertive, fully capable of following Jesus as he leads her from what she knows to what she doesn’t know, drawing her closer and closer to the wellspring of salvation.

The meeting place is significant. As John’s original audience would know, the well is a place where future spouses meet. Abraham’s servant found Isaac’s bride at a well. And it was at a well that Jacob met Rachel and Moses met Zipporah. So the setting, as well as the dialogue, is charged with marital imagery. There is a candor and intimacy to their playful banter, and you could say that Jesus is wooing the woman––wooing her into a covenant relationship with God, a relationship that is intimate and life-giving, a relationship that involves a full partnership in the divine task of transforming and redeeming the world.

 It was one of those moments when deep calls to deep.

It joined us together, the well,
the well led me into you…   (Karol Wojtyla)

There was a dawn I remember
when my soul heard something
from your soul. I drank water
from your spring and felt
the current take me.    (Rumi)

Deep calls to deep. Something in the woman responds to something in Jesus. Her own longing, her own thirst, leads her toward the source of life. The fountain of grace constantly draws to itself all those who thirst, said Gregory of Nyssa. He was a fourth century theologian who saw thirst as a gift from God, because it was a built-in mechanism to prevent us from walling ourselves up within the prison of self-sufficiency.

God has created our tendency to thirst and to move toward the divine by a command that is constant and perpetual. . . The one who is rising towards God constantly experiences this continual incitement toward further progress.

In other words, thirst reminds us that we need something beyond ourselves.
Thirst draws us toward God.

As a deer longs for flowing streams,
so my soul longs for you, O God.
My soul thirsts for God,
for the living God. (Psalm 42:1-2)

And if we aren’t in touch with our thirst, we are in serious trouble. Thirty years ago I was in the Sinai desert with a group of pilgrims. Each of us had a partner, and each pair was responsible for reminding each other to drink some water every fifteen or twenty minutes. In the desert, the air is so dry that you can become unaware that you are sweating, and it is possible to become seriously dehydrated before you feel thirsty. So we all had to remind each other not to forget to drink. We helped each other stay in touch with our thirst.

Water isn’t just a metaphor for an ethereal idea. Water is a very practical, everyday miracle and divine gift, as many still know in parts of our world where you can’t just turn on the tap.

Gail Ramshaw writes about such places: “Twice a day, women walk the distance to the local well, to carry back on heads or shoulders the pots of water needed to live. To drink, cook, wash vessels, wash clothes, wash themselves, bathe wounds, clean the house, water the animals…Whether washing off the newborn, washing off the corpse, washing out her monthly rags, or wiping up the family vomit, it is the woman in many societies who aches for a source of endlessly flowing water, a fountain of pure water filling every need.”

What is your thirst?
What is your need?
Where do you go to find living water?
Is the water a gift we receive from outside ourselves,
or is the well to be found in our innermost heart?

As the Church began to explore this question over the centuries, both answers were given. The Latin west emphasized the water’s origins outside ourselves. Jesus is the Source, bestowing God’s Spirit upon us. Blood and water flowed from his side at the cross, and all the baptized have bathed in that precious stream.

But the Byzantine east looked to the Source within us. As Jesus says, Whoever believes in me, from within them shall flow rivers of living water. Once we have found Jesus and received the Spirit, we have within us a fountain that never fails, a well that never runs dry.

Gregory of Nyssa, taking his imagery from the Song of Songs, says that “the bride embraces and holds what flows into the well of her soul, and thus she becomes a storehouse of that living water that flows, or rather rushes down, from Lebanon.” The Source of living water may be far off, way up in those snowy mountains of Lebanon or in the eternal being of God, but it is making its way down through the divine watershed until it bubbles up within the well of our own heart, our own soul.

Has this been true for you? Sometimes you are a well which contains only the water which has come in from outside, and you are very conscious of your own emptiness, your own dryness, and you know that you are receiving a gift not of your own making. You are dry as dust and ashes, waiting to be drenched with Easter water.

And sometimes you are a spring whose water gushes up from your deepest places, and you are aware that a gift is being given through you that will quench the thirst of others, and you are surprised and grateful to be part of love’s graceful dance.

What’s it going to be for you today? Are you here to drink from the well of life? Or is this your day to become, like Jesus, the water-giver for some stranger who just happens to be sitting next to you? Sometimes one, sometimes the other, sometimes both.

Now the gospel isn’t just about satisfying our own thirst.
Living water is meant to be passed around.
Water that stops moving becomes stagnant.

After the Samaritan woman reaches the point in the conversation when she begins to grasp what Jesus is offering, what does she do? She runs off to tell her neighbors about this amazing water she has found. She doesn’t hoard that water for herself, after her own needs have been met. She keeps the gift moving. And soon her neighbors find the water of life welling up in them.

Did you notice in the story what happens to her jar? Like the fisherman leaving their nets, she leaves her jar behind, so joyous the message, so urgent the task, to help her friends taste living water for themselves.

She won’t need that jar, by the way.
Living water will flow wherever she goes,
as long as she remains in God.
Just strike the rock, and streams will gush.

I find it encouraging, to see the woman run off like that, so eager to share the gospel before she herself fully grasps it. That means that you and I don’t have to wait until we get it all figured out. We can start right now to share the living water. Even beginners can do Love’s work and manifest Love’s joy.

One final point. I love the line, “He told me everything I have ever done!” He knows everything about me, and he’s still interested.  There is nothing we can do to make God love us any more than God already does. We know this, don’t we? God is infinite love. We can’t earn God’s love, because it is freely given. There is nothing we can do to make God love us more.

But––equally important––we can do to make God love us less. Sometimes we forget this important truth. God knows my whole story––even the messy parts––and I am still God’s beloved.

“He told me everything I have ever done!” And the way that Christ tells the story of the woman––as well as the story you and the story of me––is that every step of the way, however halting or circuitous, turns out in the end to be a journey to the well.

I heard the voice of Jesus say,
“Behold, I freely give
The living water; thirsty one,
Stoop down, and drink, and live!”
I came to Jesus, and I drank
Of that lifegiving stream;
My thirst was quenched,
My soul revived,
and now I live in him.   (Horatius Bonar)

Lorraine Coleman, an African-American writer, tells of the first time her mother took her to town in the South. She ran toward the drinking fountains, hurrying right past the one labeled “white” to turn on the one marked “colored”. She was so disappointed. The water was clear. She had expected a rainbow of colors.

Let us run to the waters with that kind of eagerness, that kind of expectation. We will not be disappointed. The fountain of God will not let us down. In it we will find the rainbow; we will find the light that darkness cannot overcome; we will find the streams of mercy.

Then the angel showed me the river of life, clear as crystal, flowing from the throne of God and of the Lamb…The Spirit and the Bride say, “Come! . . . Let everyone who is thirsty, come. Let anyone who wishes take the water of life as a gift.” (Rev 22:1, 17)

If we really want it, it’s there for the taking. In her poem, “Like the Samaritan Woman by the Well,” Benedictine nun Hae-in Lee describes the beatitude of such a gift to such a seeker:

My long stagnant sorrow and thirst
like drops of water in my jar
have risen up to dance, all smiling now.

Let all who are thirsty, come.

 

O Sing to Me of Heaven: Requiem for a Friend

Stephen D. O’Leary at Point Reyes National Seashore, June 13, 2011 (Photo by Jim Friedrich)

My friend Stephen D. O’Leary departed this life on January 24, 2020, just days after we sang together at the California Shape Note Singing Convention. Although he had recently been diagnosed with cancer and had just begun chemo, he was feeling pretty good that weekend. He said afterward, “I plan to keep singing until I die (which I hope will not be anytime soon), and even after.” Two days later, way too soon, he was gone. Today I preached this homily at his requiem, where many of his shape note friends gathered to sing his spirit home. 

In early January, on Twelfth Night, Stephen shared on Facebook an article which had caught his attention, about the possibility of robot priests––speaking machines which could offer blessings, prayers and comfortable words on demand. And of course Stephen had questions: Would a robot priest, he asked, require that God be “unable to distinguish between the bot’s prayer and the prayer of an actual human person, or . . . only that the person being prayed for by the bot must believe that the bot is an actual conscious being…?” Thankfully, no such questions are at issue in this liturgy!  Fr. Gagan and I are not battery-operated.

But such questions were so Stephen. His passionate and curious mind was always wondering about things in the most interesting and unique way. How we will miss his questions––and so much besides.

The Jesuit poet Gerard Manley Hopkins wrote a line expressing in nine words the uniqueness we all possess: What I do is me: for that I came. Stephen did Stephen as well as he could, and each of us has our own stories about why he came, and what difference he made in our lives.

A few hours before he died, he posted a poem by George Eliot about the “choir invisible / whose music is the gladness of the world.” The “choir invisible” is the poet’s name for those departed souls whose lingering influence has made us better, and even now may still “Enkindle generous ardor, feed pure love, / Beget the smiles that have no cruelty, / Be the sweet presence of a good diffus’d, / And in diffusion ever more intense!”

“To make [such] undying music in the world” was the holy work to which Stephen aspired, even when his road was rough and steep.  We mourn his absence, lament the sudden withdrawal from the visible world of such a remarkable and dear companion. As we sing at the end of every shape note convention, just before we go our separate ways:

Your comp’ny’s sweet, your union dear
Your words delightful to my ear
Yet when I see that we must part
You draw like cords around my heart

But the absence of a loved one in bodily and temporal form is succeeded by new forms of presence. Although death changes the relationship, it does not end it. The dead continue to occupy our thoughts. They remain present to us in stories, memories, emotions, DNA (in some cases), and whatever else they left us with.

Stephen is no longer in one particular place. He is now in every place or occasion where we remember him. He is present whenever we think of him, or speak of him, or tell the stories that bring him back. I’m pretty sure I’m always going to hear his unmistakable voice whenever we hit those high notes in shape note hymns like Stratfield or Villulia.

At the tomb of Jesus, the angel of resurrection told the sorrowing women, “The one you seek is not where you laid him. From now on, you need to be looking elsewhere.” Wendell Berry has said something similar about all the departed, who now are “hidden among all that is, / And cannot be lost.”

Resurrection faith tells us that a person’s continuing presence is not purely the product of our own subjectivity. Though we see Stephen no longer, he continues to exist as more than just memory or feeling or imagination. As he was when he was created, so he remains: a beloved child of God, but now embraced and glorified within a larger wholeness from which none of us will ever be separated. This wholeness, which has many names, is the Love Supreme which binds us all together. This interconnection, this communion, cannot be broken, even by death.

The Lakota people have the expression “all my relatives” to describe the continuing bond between the living and the dead. Martin Brokenleg, a Lakota Episcopal priest, puts it this way: “Our experience shows us that death does not break our kinship bond. We turn to one another for help and support regardless of which side of death our relatives are on.”

But knowing that death is not the end does not make the burden of loss any lighter. Even Jesus wept when his friend Lazarus died.

“Lord, if you had been here, my brother would not have died!” This is the only time Jesus is criticized by his friends, so bitter is their grief. Lord, if you had only come sooner, you could have delayed his fate, his mortality, for a little while longer. You could have cured him. Why did he have to die now?

Well, Jesus doesn’t like death any more than Mary and Martha do. When he approaches the tomb of his friend, he is, the gospel tells us, “greatly disturbed.” In Greek these words carry a connotation of anger, so we might say that Jesus was just as mad at death as everyone else was that day.

And so, we are told, the One who would be revealed as the Lord of life rebukes death in the most dramatic way. He peers into the darkness of the cave tomb and cries, “Lazarus! Come forth!” And Lazarus does come forth, into the light, a living man, inhaling the freshness of a spring morning.

But his resuscitation is only a temporary stay. Lazarus will die again, sooner or later. And shortly after this miracle, Jesus himself will die, sharing the fate of every mortal so that God might transform that fate into something glorious. As we sing in The Sacred Harp (#163 on the bottom): Thence he arose, ascended high, to show our feet the way.

The raising of Lazarus may not have been a true resurrection into life eternal, but it was a vivid foretaste of the human future, when everyone who has fallen asleep in death will hear the voice of the divine Friend who knows us by heart, calling us each by name on that “great rising day.”

Some of us were at Angels Gate in San Pedro for the California Shape Note Convention, when Stephen, only a few days before his death, led us in singing “Farewell Anthem.”

My friends, I am going on a long and tedious journey,
Never to return, never to return. . .
Fare you well,
Fare you well, my friends,
And God grant we may meet together in that world above. . .

Stephen was not being literal––he did not expect to leave us so soon––but I imagine him smiling now to know he was bound for  glory with a song on his lips, and that so many who love him have gathered here today to join in that song with sweet accord.

I once heard a shape note singer tell about her mother’s death out in Sand Mountain, Alabama. A lot of singers were standing round her bed, keeping vigil with the old songs. But there came a moment when her mother began to sing a tune that none of them recognized. They couldn’t quite place it. And then they realized she wasn’t singing the melody. She was singing the treble part. She was singing harmony with voices from the other side, which only she could hear. The choir invisible.

Oh, sing to me of heav’n,
When I am called to die,
Sing songs of holy ecstasy
To waft my soul on high. . .

 

Then to my ravished ear
Let one sweet song begin,
Let music charm me last on earth,
And greet me first in heav’n.

 

Stephen O’Leary (right) and David Olson lead “Farewell Anthem” at the 2020 California Shape Note Convention.

Bushy the Squirrel: A Justice Parable

My father, an Episcopal priest and producer of Christian media, made a series of filmstrips called Parables from Nature in the 1950s. Based on a children’s book by John Calvin Reid, they retold the parables of Jesus using characters from the natural world. One of these was “Bushy the Squirrel,” inspired by Luke 12:13-21 (the Lectionary gospel for Proper 13, 8th Sunday after Pentecost). The illustrations were painted by Hollywood animation artists, and some of them are included here.

Once upon a time there was a squirrel named Bushy. He was a fine little squirrel, but as he grew older everyone began to notice a change in him. All he cared about was gathering nuts. Every day you could hear his voice ringing through the forest: “Gotta get more nuts! Gotta get more nuts!”

As soon as he stored the nuts he had found, he’d run off to find some more. “This is not enough. Gotta get more! Gotta get more!” Bushy was so obsessed with getting more nuts, he drove all his friends away. And when anyone came to his door collecting for the needy, he just said, “Aw, don’t bother me now. I’m too busy getting nuts.”

After a while, he had so many nuts, he needed a bigger place to put them. And one day he saw an old hickory tree with a big hole in it. It was perfect. But some woodpeckers had made their home in that tree. That didn’t stop Bushy. He kicked the woodpeckers out, and filled the tree with nuts.

Bushy’s neighbors had a hard time finding any nuts left for them to eat. But Bushy didn’t care. He had what he needed. The other squirrels were not his problem.

When winter came, Bushy relaxed in his tree, the happy owner of all those nuts. He didn’t have a care in the world.

Then one night, when he was fast asleep, a wind began to blow, and the wind was so powerful, it broke his tree in half and sent Bushy tumbling into the lake.

“Help me! Help me!” Bushy cried. Mr. Bear heard the shouts, and called the other animals of the forest to the rescue. Suddenly Bushy found that he was not the only person in the world – luckily for him! He needed the others and they needed him.

Bushy’s heart was changed by his experience, and he became a new squirrel, sharing everything he had with anyone who needed it.

The story of Bushy is like a parable Jesus told: There was once a rich man who had a problem. He had too much stuff and didn’t know where to put it all. So he built bigger and bigger storage units. But that didn’t solve his problem, because his appetite for acquisition could never be satisfied. “Gotta get more nuts, gotta get more nuts!”

So is Jesus trying to be Marie Kondo here? Is he offering a useful method of self-help so we can reduce our clutter and make our lives more beautiful and satisfying? Is that why he tells this story––to foster self-improvement? Or is he doing something more radical, more demanding?

What if Jesus had said, “This story is not about you––it’s about us. It’s a story about the foolishness of trying to live as though ‘I’ am the only person in the world. It’s a story about the foolishness of being oblivious to community.” Well, he didn’t say those words, of course. He just told the story, trusting us to have ears that hear.

A certain rich man’s lands brought forth bountiful crops. And he deliberated within himself, saying, “What shall I do, since I do not have a place where I may gather my fruit?”

He deliberated within himself” is a telling image of isolation, suggesting a self utterly cut off from other voices, other perspectives. And notice how he seems surprised by the size of the harvest. As a rich man, he would already possess considerable storage space. But this harvest is bigger than he ever expected or imagined. And when the Bible talks about abundance that is excessive and surprising, that usually means one thing: God is involved, showering down blessings.

A first century listener, steeped in the stories of God’s miracles of generosity, would have picked up on this. And they would have noticed that the rich man’s first response is not one of gratitude or wonder. Does the rich man thank the Creator for the miraculous harvest? Does he laugh in wonder at such a gift? No. His first thought is, “I’ve got a problem. Where am I going to put it all?”

Then he gets an idea:

“I will do this: I will tear down my granaries and build larger ones, and I will gather there all my grain and all my goods and I will say to my self, ‘Self, you have many good things stored up for many a year. Eat, drink, and be merry!’”

In a world full of hungry people, here’s a man who has more than he knows what to do with, and it never occurs to him that he could feed all those hungry people.

As hunger experts point out, hunger is not a problem of supply; it’s a problem of distribution. But distribution is the last thing on this man’s mind. He isn’t just ignoring other people. He seems oblivious to their existence. He is the perfect expression of rampant individualism – untroubled by any sense of interdependent community.

The story makes fun of his isolationism, by having him talk only to himself.

“I will say to myself, ‘Self, you have many good things…”

A narrator would say something like: “Then the man said to himself, ‘Self, you have many good things…’” Instead, the rich man takes over his own narration: “I will say to myself, ‘Self …” and so on. Do you see the difference? This guy doesn’t need anyone, even a narrator. He takes over the telling of his own story. He’s in control, totally self-sufficient.

Whatever the future may bring, he can deal with it, no problem. Just kick back and “eat, drink, and be merry.”

Isn’t this the ideal to which consumerism aspires? Those of us with enough money can acquire everything we need to be self-sufficient. The fundamental unit of our culture is not the tribe or the village, but the single family home. We each have our own rooms, our own food supply, our own car, our own entertainment center, our own set of tools and appliances, our own insurance policies.

The only reason we need to leave the house is to earn the cash in order to maintain the autonomy of our domestic units. If we get rich enough, we don’t even have to do that.

The whole trajectory of the consumerist dream is to declare our independence from the traditional supportive networks of extended family and neighborhood community.

Vincent Miller, a Catholic ethicist, points out that the cash demands of the single family home encourage people to act selfishly:

“Social isolation and the burdens of maintaining a family in this system make it unlikely that other people’s needs will ever present themselves. If and when we do encounter them, we are likely to be so preoccupied with the tasks of maintaining our immediate families that we will have little time and resources to offer. The geography of the single-family home makes it very likely that we will care more about the feeding of our pets that about the millions of children who go to bed hungry around us.” [i]

When we live in isolation from one another, when we fail to nurture the vital aspects of interdependent community, we minimize the ways in which we can either offer help or receive it. Even if we have all the goodwill in the world, we remain trapped within the cash-intensive demands of the consumerist dream. “Gotta get more nuts!”

Ideally, a local church can function as a support system for its members. If someone gets sick or has a family emergency, others in the community step up to provide meals and other forms of assistance. But this kind of support system is exceptional in a society based largely upon isolated autonomous households.

If you don’t have the cash to keep a roof over your head, there is no village to take you in. Maybe you have some relatives somewhere, but they’re probably scattered around the country. And they’re probably running on a tight budget themselves, and don’t have any spare rooms. We’re a long way from the traditional support systems of former times and simpler cultures. Just ask the homeless to tell you their stories.

In American mythology, this is the country of the Lone Ranger, the self-made entrepreneur, the hard-boiled detective with no attachments, or the trucker rolling down that endless highway, free as a bird––and lonesome as hell.

When vast numbers of Vietnamese refugees settled in southern California in the 1970s, they found American culture to be fatal for something they had always taken for granted: the supportive network of extended family. They had to learn, as one writer puts it, that the land of the free means “the perfect freedom of strangers.” [ii]

So Bushy the Squirrel, and the rich man with the storage problem, might be seen as the products of a consumer culture. They don’t need neighbors. They don’t need community. They’ve got everything they need close at hand. There’s nothing for them to do but eat, drink and be merry.

But then what happens? Just when Bushy settles in for a long sleep, a storm breaks open his tree and casts him into the raging waters. In the Bible, whenever something breaks open your neat little world, you can be pretty sure that God is in that storm.

But in Jesus’ parable of the rich man, God intervenes even more explicitly, not with a storm but with words. God speaks to the rich man. In fact, this is the only one of Jesus’ stories where God appears as a character within the story.

And what does God say to the rich man? “Fool!” God says. “Fool!” Now that’s something to wake up your prayer life––to hear God calling you a fool.

Do you remember the most famous use of the word “fool” in the Bible? It’s in the first verse of Psalm 14: The fool says in his heart, ‘There is no God.’  The fool is the one who denies God’s presence, who thinks he or she can grab the gift without acknowledging the Giver––or the Giver’s way, which is not the self-possession of me/myself/and I, but rather a ceaseless pouring out of self.

“Fool, on this night they will demand your life from you.
And all the stuff you have stored up, to whom will it belong?”

In an instant––“this very night”––the rich fool discovers that his autonomous life is not only unstable––it is unsustainable.

He had thought that life was a commodity that could be owned and held onto. But he discovers that God operates a very different kind of economy. God’s economy, which we call the Kingdom of God, is a gift economy, where everything is received and nothing can be held onto.

Everything is like the air we breathe. We take it in, we receive the life it gives us, and then we give it back again. Breathe in, breathe out; receive, give back.

A commodity-based economy is an attempt to hold your breath. You take possession of God’s gifts, you take them out of circulation, you lock them away where others can’t use them.

Whereas a gift always keeps moving from hand to hand, a commodity is grasped and hoarded. And to grasp and to hoard is to live outside of God’s economy, where the gifts are always in circulation, always being given away as fast as they are received. If you reject God’s gift economy, and try to live apart from the interdependent circulation of life’s gifts, you are in effect denying the Trinitarian reality––the eternal self-offering, the ceaseless circulation of gifts, that comprises the heart of God.

That is why the Bible insists that if you try to live as though you were the only person in the room, if you try to exempt yourself from interconnectedness and interdependence, from the need to both give and receive, then you are indeed a fool, trying to live against the way we are made to be as images of the divine reality.

The divine reality is a circulation of gifts. When you are oblivious to the presence of your neighbor, you are oblivious to God as well. When you deny communion, you deny God.

On this night they will demand your life from you.

Most translations use the passive voice: “your life will be demanded of you.” But the original Greek verb is in the active third person plural: “They will demand your life from you.” So who might “they” be? The plural language could be a remnant of archaic mythological imagery, a way of speaking about death as the operation of avenging spiritual powers. But this is not really that kind of story. It’s not steeped in old-fashioned apocalyptic imagery like the Book of Revelation. For all we know the rich man dies in his sleep, without any thunder from heaven.

But what if the “they” who demand his life refers to everyone else in the world, all those neighbors whose existence has been ignored by the rich fool? Other people didn’t exist for him. He took what belonged to his fellow beings and kept it for himself. Now they want it back. As the story puts it, they “demand” his life. Is this punishment, or just a realistic understanding of how God’s universe works?

The story does not have God say, “I will demand your life…” The man’s fate is not an apocalyptic intervention from heaven. It’s simply the way things are in an interdependent reality.

The rich man tried to live outside the way of things, outside the economy of God, and in the end it all caught up with him. In the gift economy in which we live and move and have our being, he discovered that you have to keep the gift moving. You have to give everything away, even your very life.

The parable ends with a question:

What will become of everything that you have stored up?
To whom will it belong?

The question is being posed to the rich man in the parable. But it is also being posed to us. To whom does our wealth belong? Not just our money and our stuff, but every good gift we have been given since God put us on this earth, including our souls and bodies, and every breath we take––to whom does all this belong?

In a country plagued with obscene economic inequality, where the rich and powerful will even take food from the mouths of children to gather more wealth for themselves, how shall we respond to this parable? How do we answer its disturbing question?

Maybe greed is normal now. Maybe selfishness is normal now. Maybe crushing the poor and killing the planet for profit are normal now. But Jesus came to tell us that such things are decidedly not normal––not in God’s world. And we would be fools to think otherwise.

In my father’s filmstrip, Bushy learns his lesson and repents of his selfish ways. Its happy ending was meant to encourage the children who watched it in Sunday School. But Jesus concludes the original parable more ambiguously. He leaves us hanging, without knowing the ultimate fate of the rich man.

I suspect that Jesus is inviting us to finish the story ourselves, to construct a happy ending out of our own actions, as we work together to create a world whose blessings are not hoarded, but freely shared; a world where no need goes unmet, and all God’s children can flourish and thrive.

God, bring that day closer!

 

 

 

[i] Vincent J. Miller, Consuming Religion: Christian Faith and Practice in a Consumer Culture(New York, Continuum, 2004), 50.

[ii] Lewis Hyde, The Gift: Creativity and the Artist in the Modern World(New York: Vintage Books, 1979), 88.

This homily for Proper 13, Year C, will be preached August 4, 2019, at St. Barnabas Episcopal Church, Bainbridge Island, Washington.

A fig tree and a burning bush walk into a homily. . .

Richard Misrach, “Desert Fire #81” (1984)

This homily for the Third Sunday of Lent is a double feature. The lessons from the Episcopal lectionary, Exodus 3:1-15 and Luke 13: 1-9, are not thematically connected, but I felt both stories demanded attention.

Today’s gospel shows Jesus and some other folks talking about the local news. It’s something humans have always done, shooting the breeze about unusual or dramatic events. We don’t expect our conversations around the water cooler or wherever to be recorded for posterity. But 2000 years later, we’re still hearing about some Galileans slaughtered by the Romans during a sacred ritual, and eighteen unnamed victims killed by a falling tower.

But there’s no film at 11. We are given no further details. Some scholars speculate that both incidents involved the Zealots, Jewish rebels who may have been killed by the Roman soldiers during acts of resistance. Perhaps some Zealots were staging a demonstration in the Temple when the Romans struck them down. They died in the very spot where animals were being sacrificed in an atonement ritual. The image of their blood mingled with the blood of animals sacrificed on the altar was a horrific mixture of violence and the sacred. People wondered, if the animals were dying for the people’s sins, for whose sins did those Galileans die? Could it have been their own?

As for the Siloam tower, could it have been a rebel stronghold destroyed during a Roman siege, another case of those who live by the sword dying by the sword? Or maybe it collapsed in an earthquake, a so-called “act of God.” Or maybe it was built by crooked contractors who used shoddy materials. Or maybe it collapsed for no apparent reason at all.

Whatever the causes of those tragedies, people wanted to make sense of them, so they could continue to live in a predictable universe where events have reasons and everything can be explained. If we’re unwilling to live in a universe of absurdity or blind chance, we need to know why bad things happen to good people. And one of the easiest answers is to say that maybe good people aren’t so good. Maybe in some way they get what they deserve, like people’s bad habits catching up with them, or our collective addiction to oil bringing the climate apocalypse down on our heads. Or maybe human suffering is somehow God’s will, even if we can’t say why.

Jesus quickly dismisses this kind of simplistic blaming of the victim. He says there is no simple correlation between sin and suffering. The victims of those tragedies were no worse offenders than anyone else. The problem of reconciling human suffering with the providence of a loving God remains complex and ultimately insoluble in human terms. Jesus recognized that. And 2000 years later, we are still puzzled by the question of “why?”

But Jesus was not that interested in a theoretical discussion about the problem of suffering. He wanted the people in that conversation to consider their own situation. Did they think their story needed to get different? Were they prepared to change their life?

“Unless you repent, you will all perish as they did.”

What does Jesus mean by this? Without knowing the actual details of those ancient news stories, it’s hard to say for sure. If both incidents involved acts of armed rebellion, repentance could mean a refusal to participate in a world of reciprocal violence. Stop living by the sword, or else. More broadly, it could mean that we should stop describing the world as a place where God dishes out suffering or endorses any form of human violence.

Jesus could have meant many other things as well.  Renounce your self-righteous pride, and stop demeaning those who suffer as less good or less deserving than you are. Never presume your own innocence. No one is without sin, whether it’s personal sin or collective sin. The world’s troubles are not somebody else’s problem. Like it or not, everyone is implicated in a world of interrelated causes. And don’t treat life’s blessings as rewards for good behavior. They are gifts freely given by a generous and loving God, and you should receive them humbly and gratefully.

Stop trying to make the world controllable or predictable with simplistic explanations. Life is complicated and sometimes it’s sad. You can’t always have it go your way or have it make sense. You have to live by faith in love’s bigger picture.

In other words, if any of you think you can live in this world without grace, without mercy,
you have perished already.

Jesus ends this challenging conversation with a parable of mercy. A barren fig tree is taking up valuable space in a vineyard, sucking up nutrients and moisture needed by the grapevines. “Time to cut it down!” says the owner. But the gardener pleads, “Give it a little more time. I’ll add some fertilizer to help it along. That may make all the difference. If there’s still no fruit next year, then you can cut it down.”

That’s how the parable ends, but when next year rolls around, I suspect that the gardener will be telling the owner the same thing: “Just one more year. I know it can be fruitful. It just needs a little more time, a little more nourishment. A little more tender mercy.”

Now let’s leave that fig tree, and travel further back in time, 1400 years before Jesus, to see a very different kind of plant: a bush in the wilderness of Sinai—a bush which burns, without being consumed.

I saw a burning bush once, not in Sinai, but in the hills of Palestine. I was walking on a trail near Ramallah in the West Bank, when I saw a shepherd leading a small flock through a ravine below me. About 30 yards beyond him, a bush was on fire. I never found out why. But having imbibed the story of Moses since childhood, I could only experience this inexplicable reenactment with a sense of wonder. It was a gift, and I received it gratefully.

I heard no voice. For me, only the story speaks now. But for Moses, the voice came from the midst of the fire: “Moses, Moses!”

The Scripture does not tell us whether Moses is surprised, shocked, or frightened by this sudden intrusion of the divine into the routineness of a shepherd’s day, though we might imagine all of those things. All we know is that Moses responds as if his life were made for precisely this moment: “Here I am,” he says.

God calls, Moses responds. No matter how unlikely or uncanny this encounter between divine and human may be, no matter how unprepared Moses might feel for such a meeting, his whole being rises to the occasion. Before the voice even identifies itself as the God of Moses’ ancestors, Moses experiences the kind of recognition described by the mystics, an awakening to a reality so profound, so insistent, so real, that it seems to make perfect sense despite its utter strangeness.

Nobel laureate Derek Walcott wrote a poem, “Love after Love,” about the sudden recognition of your inmost reality, your deepest truth, which was there all along even though you hadn’t quite known it until it suddenly greeted you face to face:

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again
the stranger who was yourself.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart. . .

That is what I think Moses must have experienced, must have suddenly known, when he heard his name called from the midst of the flaming bush. That voice, however uncanny and unfamiliar, also produced a sense of recognition. Oh! it’s you, isn’t it. It’s you. The one who knows me by heart!

And Moses, however surprised he may be to meet at last the stranger who has loved him all his life, consents to the encounter with his response: “Here I am.” That couldn’t have been easy, for the divine stranger in the burning bush was not the gentle presence in Derek Walcott’s poem. Whatever Moses knew about God, he believed that it was a fearful thing to look divinity in the face. Mortals were not wired to handle so much voltage. So while Moses listened to the voice, he was afraid to stare into the fire.

So what happens next? As we know from our baptismal covenant, when God calls our name, that is not the end of the story. It is the beginning of a new life, a life where something is asked of us. Vocare––to call––is the root of vocation. To be called is to be given a vocation. When God calls us, it is to do the holy work of repairing the world.

That work takes many forms, as each of us must discover as we practice our own vocation in a world of such great need. In Moses’ case, his work was to speak truth to power, stand up to the tyranny of Pharoah, and lead God’s people out of bondage to the land of promise.

That was a huge and intimidating assignment. Moses balked at first. “Who am I to do such an impossible thing?” But God was insistent. When God gets an idea, it’s no use saying no. And there’s no turning back. Keep your eyes on the prize, hold on.

Every time we gather in God’s house, the bush burns and the flames speak. We hear the voice of God, the stranger who has loved us all our lives, who knows us by heart, calling our name. But we don’t get to stay by the fire forever, gently warming ourselves in the loving presence of the divine. Mary Oliver’s poem, “What I have learned so far,” makes this point perfectly:

Meditation is old and honorable, so why should I
not sit, every morning of my life, on the hillside,
looking into the shining world? Because, properly
attended to, delight, as well as havoc, is suggestion.
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause?

The poet goes on to say that our only choice is “indolence, or action. / Be ignited, or be gone.”

The voice in the flame is the voice that ignites us and sends us forth, to do the work God has given us to do. Some of that work seems feasible enough. As the Prayer Book says, “tend the sick, give rest to the weary, bless the dying, soothe the suffering, pity the afflicted, shield the joyous.” But some of the work of loving our neighbor and repairing the world can seems overwhelming, even impossible. When we hear words like “racism,” “mass killings” or “climate change,” we cringe at their magnitude. Like Moses, we are tempted to cry, “Who am I to make a difference?”

And what does God say then? Do not be afraid. I will go with you.

Okay, Moses says. But if we’re in this together, I need to understand something about who you are. I need to know your name.

And God says to Moses, “‘Ehyeh-‘Asher-‘Ehyeh.” It is a strange and mysterious name, whose precise meaning has eluded translators, scholars and theologians ever since. Robert Alter, whose recently published and profusely annotated translation of the Hebrew Bible should be in every library, says that “I-Will-Be-Who-I-Will-Be” is the most plausible rendering of the Hebrew. But he suggests that its linguistic ambiguities could also produce variations such as “I-Am-That-I-Am,” “He-Who-Brings-Things-into-Being,” and “I-Am-He-Who-Endures.”

But whether the preferred translation stresses the being of God or the doing of God, whether it evokes the eternal source and essence of reality or the ongoing providential activity woven into the causalities of time and history, God reveals to Moses that whatever happens in this finite world or in this transitory life, God is. God endures. God will be. God will be with us.

However dark the night of violence and death, however deep the waters of catastrophe, God is with us. The God who endured the cross and grave, the God who makes a way where there is no way, will share our journey and deliver us to the place of promise.

For I will be with thee, thy troubles to bless,
and sanctify to thee thy deepest distress. . .
[the] soul, though all hell should endeavor to shake,
I’ll never, no, never, no, never forsake.

This is not a prescription for passivity, as when people say stupid things like “God will take care of climate change, so why worry?” No. Passivity in the face of human sin and folly is not faith. It is complicity.

To those who are called and ignited by the Spirit’s fire for the work of repairing the world, God’s promise to be with us produces not passivity, but courage and action. Come what may, whatever sorrows, tragedies or defeats may await us: ‘Ehyeh-‘Asher-‘Ehyeh. Heaven and earth may pass away, but the Holy One remains, arms open wide, to welcome us to our abiding home, the loving heart of the divine mystery.

Or as Jesus put it, “I am with you always, even to the end of time.”

 

 

 

Related post: The voice that allows us to remain human