Walking St. Cuthbert’s Way

St. Cuthbert, by local sculptor Tom Fiddes (2017), blesses the wayworn traveler. The saint stands opposite a country house offering shade and water to weary pilgrims.

They confessed their sins, confided in him about their temptations, and laid open to him the common troubles of humanity they were laboring under … Spirits that were chilled with sadness he could warm back to hope again … Those beset with worry he brought back to thoughts of the joys of heaven. (The Venerable Bede, Life of Cuthbert)

Nine years ago I walked the 500-mile Camino de Santiago to the shrine of St. James. This spring I made another pilgrimage, 100-kilometers along St. Cuthbert’s Way in the north of Britain. I haven’t managed to write about it since returning home, but when this week’s Feast of St. James (July 25) brought to mind that 2014 Camino (when I first began this blog), I knew it was high time to tell my new pilgrim’s tale.  

Chaucer began his celebrated pilgrimage narrative with an eloquent praise of springtime as an awakening: not only of the dormant earth, but also of the soul’s longing for transformative journeys. After three years of staying close to home in pandemic hibernation, the call of the road felt especially urgent. 

Then people think of holy pilgrimages,
Pilgrims dream of setting foot on far-off
Lands, or worship at distant shrines, their thoughts
Reaching for grace …[i]

Some pilgrimages have no map or known destination; they are undertaken with the conviction—or at least the hope—that the act of wandering far from the familiar, along the way of unknowing, will lead to what Dark Age monks called “the place of resurrection,” where an illumination might be given or a purpose revealed. 

Another kind of pilgrimage takes a well-worn route to a specific destination such as Jerusalem, Rome, or Santiago, the most popular destinations in the Middle Ages. Both the journey and the arrival are still full of unknowns—hardships, obstacles, surprises, chance meetings, moments of grace—but their ultimate location and length are determined in advance. Both kinds of pilgrimage involve some combination of leaving behind (penance), letting go (trust), receptivity (grace), and spiritual desire (love).

My pilgrimage in May, from the Scottish Borders south of Edinburgh to Holy Island off the Northumbrian coast, traced a line across the varied landscapes of Cuthbert’s holy life. It was a popular route for two centuries after the saint’s death in 687, until the threat of Viking plunderers prompted the removal of Cuthbert’s remains from Holy Island to a safer inland site. And Cuthbert’s own travels, mostly on foot, would have ranged widely over the same terrain. 

In response to the contemporary revival of pilgrimage as a spiritual practice, St. Cuthbert’s Way, with plentiful waymarks and well-tended paths, was created in 1996. Although passing through occasional towns and villages, it offers abundant solitude and beautiful countryside both pastoral and wild. Before I left, a friend who knew the trail said, “I hope you like sheep.”

Cuthbert’s birth in 634 coincided with a turning point British religion, when King Oswald took control of Northumbria and initiated the conversion of the pagan north to Christianity by importing Celtic missionaries from Iona. Although Cuthbert’s family was Anglo-Saxon, he would be shaped by the distinctive Celtic way—earthier, more idiosyncratic, less tightly organized and less hierarchical than the universalizing Roman system which would assert its dominance in British Christianity within Cuthbert’s lifetime.

My walk began along this riverside trail from the train station into Melrose. Someone had offered me a ride in their car, but look what I would have missed! Even as a bishop, Cuthbert chose the humility of walking over the luxury of horseback, so I started my pilgrimage in the same spirit.

My pilgrimage began in Melrose, Scotland, where the River Tweed courses through the fields and hills of Cuthbert’s youth. Even as a boy he had a deeply religious sensibility. His biographers spoke of angels and miracles being part of his growing years.  Whatever we ourselves may think about the facts behind those stories, they suggest a spirit alive to ineffable encounters with the transcendent. One night, while keeping watch over a flock of sheep, the sixteen-year-old Cuthbert had a vision of a dazzling light streaming down from above as angelic hosts descended to fetch a single mortal into heaven. When the vision faded, he woke his sleeping companions to tell them what they had missed. He was convinced that some holy person must have died that night. 

The very next day, he learned that Aidan, the beloved Celtic bishop who spurred the conversion of Northumbria, had departed this life at the time of his vision. I might dismiss this tale as pious embellishment, had I not had my own dream, at age 30, of a close friend at the very moment of his tragic death. In the dream, he had moved to an island off the coast. I asked him if he were all right. He looked me in the eye and assured me he was. The dream came to me deep in a mountain wilderness. Only when I returned to the world two days later did I learn of his death by less mysterious means. Because of that profound experience, I must say that Cuthbert’s vision rings true for me.

Cuthbert’s experience prompted a decision which had been long in the making: to enter the monastic life and devote his heart and soul to prayer and service. He was soon welcomed into the community of monks near present-day Melrose. He would eventually become their prior, a role he would later assume on Holy Island. His first monastery’s seventh-century wooden structures on a grassy bend in the River Tweed are long gone, but the impressive ruins of the twelfth-century Cistercian abbey made a fitting place to begin my pilgrimage on St. Cuthbert’s Way. 

Melrose Abbey, founded by Cistercians from Rievaulx, Yorkshire, in 1136.
Melrose Abbey at sunset.
“My soul is like a house … It is in ruins, but I ask Thee to remake it.” — St. Augustine, City of God

Melrose Abbey was founded in the 12th century, and at its height there were a hundred monks, who wielded great influence in the Scottish Borders. But like the other Borders abbeys (Dryburgh, Jedburgh, and Kelso), the building suffered greatly in the conflicts between England and Scotland. Richard II (14th century), Henry VIII (16th century), and Oliver Cromwell (17th century) all had a hand in its destruction. The Reformation and modernity finished off its religious life, leaving only the beautiful ruins to testify to what had been. As Susan Stewart writes, “Ruined places are often haunted, and learning to read them involves managing encounters with their resident spirits.” [ii]

I was there on the Sixth Sunday of Easter. After eucharist at the local parish, I visited the abbey under the muted light of a graying sky. In the evening I went back for another look. As I arrived, the setting sun suddenly pierced the clouds to bathe the stones in gold. Pulling up my digital Book of Common Prayer, I sang Compline, adding my voice to the echoes of vanished monks. “The Lord grant us a peaceful night and a perfect end.…” By the time I was done, the gold had faded to dusk.

The obscure trailhead leading out of town gave no hint of the glories ahead.

When I found this nondescript passage from a Melrose street to St. Cuthbert’s Way, it did not seem inviting. The White Rabbit came to mind—how curious a plunge!—and Dante, for whom the way down was the only way up. Before the pilgrim poet can ascend to Paradise, he is driven “down to where the sun is silent.” [iii] Thankfully, my descent into darkness was brief, and I soon found myself climbing toward the light.

Stairway to heaven.
On a bright morning, I climbed up from Melrose to traverse the Eildon Hills. The abbey can be seen at the right edge of the town.
Eildon Hill North, seen from the saddle.

The Eildon Hills, a trio of rounded summits, dominate the surrounding landscape. From the saddle, I scrambled up the North Hill, a sacred ceremonial site in the Bronze Age. The Romans, before their inevitable retreat from the barbarous north, used it as a watchtower. King Arthur was said to be buried here. In the 12thcentury, monks quarried stones for Melrose Abbey on its slopes. Even into the modern era, local legends populated these hills with fairies and imagined a gateway to the Otherworld beneath them. For me the Eildons were an imposing portal to pilgrimage.

A cairn on the summit of Eildon Hill North. This has been a sacred “thin place” since pre-Christian times.
The Eildon Hills seen from the southeast. I had crossed the low saddle when I left Melrose. These distinctive peaks would remain visible for the next two days, until I passed the halfway point at 31 miles.
David and Julie, whom I met on my first day, were on their way to the Firth of Forth to complete a thousand-mile trek across the length and breadth of Britain.
Constable, the supreme painter of clouds, said that the sky is “the chief organ of sentiment,” but rivers also touch us deeply. The River Tweed runs for 97 miles through the border country of Scotland and England. Two miles upriver from here was the site of Cuthbert’s Melrose monastery.

It would be a six-day walk to Holy Island, mostly in splendid weather—not a drop of rain, Constable skies, and only one day without sun. I felt a Wordworthian exhilaration as the road went ever on.

The earth is all before me. With a heart 
Joyous, nor scared at its own liberty,
I look about, and should the chosen guide 
Be nothing better than a wandering cloud, 
I cannot miss my way. I breathe again! [iv]

“I wandered lonely as a cloud.” — Wordsworth
Portions of Bowden Kirk date back to the 12th century, but there have been major changes and additions over subsequent centuries. Originally Cistercian, it has been Protestant since the 16th century.

At peaceful Bowden Kirk, a medieval foundation much remodeled over the centuries, I found a window with a text from Genesis. 

Window in Bowden Kirk with text from Genesis 5:24.

This cryptic verse has been interpreted to mean that Enoch, an ancestor of Noah, was somehow taken directly to God without passing through death. To say he “was not,” or “was no more,” could mean that he simply “disappeared” from human sight without suffering an interval of nonexistence. Perhaps the window was put in Bowden Kirk as a cipher of resurrection hope, but to me it suggested the essential spirituality of pilgrimage. As we walk away from “not-God”—deeper and deeper into the divine communion—the isolating egoistic self is diminished and emptied, until it is “no more,” translated by God into its truer self: a relational participant in the divine life of self-diffusive love. That may not be achievable in this life (I certainly didn’t get there in 6 days!), but I believe it is the horizon toward which we are all headed. 

As St. John of the Cross put it:

To come to be what you are not,
you must go by a way in which you are not. [v]

Dryburgh Abbey (12th century). Sir Walter Scott, who died on the last day of summer, 1832, is buried in the ruins of the north transept.
Dryburgh Abbey is surrounded by exotic trees, like this Cedar of Lebanon, planted by the Earl of Buchan over 200 years ago.
“Bare ruin’d choirs where late the sweet birds sang” (Shakespeare, Sonnet 73).

Dryburgh Abbey is the second of three Borders abbeys on St. Cuthbert’s Way. Far from any town, surrounded by a beautiful park next to the River Tweed, it is the most serene of the three. 

The occasional paved stretches of the Way were mostly empty.
This straight path, called Dere Street, follows part of a first-century Roman road which ran from York to Scotland’s Firth of Forth.
Fields of blooming rapeseed parallel the Roman road.

One day I trod the remnant of a Roman road, a faint trace of their 400-year occupation of Britain. As Gibbon observed, history “spares neither man nor the proudest of his works [and] buries empires and cities in a common grave.” [vi]

Jedburgh Abbey (12th century).
South door, Jedburgh Abbey.
Vine-scroll panel from a saint’s shrine (8th-century, Jedburgh).

In Jedburgh (locals say “Jeddart”), the church of St. Mary the Virgin is the best preserved abbey in the Borders. Built during the shift from Romanesque to Gothic styles, it is a blend of both. And its carved stone “vine-scroll” is one of the finest examples of Anglo-Saxon art. Like the other Borders abbeys, it did not survive the Reformation, and was abandoned in 1560.

My first view of the Cheviot Hills in the distance.
When I was lost, Brian appeared to show me the way.

My first glimpse of the distant (and challenging) Cheviot Hills distracted me, and I missed a waymarked turn in the trail. Ten minutes later, I reached a road with no idea where to go. Like one of the angelic guides who appear out of nowhere to help Dante navigate obstacles in the Inferno, a local farmer drove up behind me to point the way. When he heard my American accent, he mentioned that his daughter was a professional golfer in California and “doing quite well.” I told him he was a gift from God. He looked bemused. Soon I was back on track, traversing broad fields of yellow and green until I reached the foot of the Cheviots, where the elevation gain got more demanding.

The path climbs toward Wideopen Hill, the halfway point of St. Cuthbert’s Way.
View from Wideopen Hill, the highest point on St. Cuthbert’s Way (1207 ft./ 368 m.).
I reached the highest point of the trail on Ascension Eve.

When I reached the top of Wideopen Hill, the highest point on St. Cuthbert’s Way, it occurred to me that it was Ascension Eve. What better way to celebrate than climb toward the sky!

Scotch broom in the Cheviot Hills.
Dagfinn, a Norwegian pilgrim in the Cheviot Hills.
Ascending the moorland of the Cheviot Hills.

The whole next day was up and down through the Cheviots. The high country has feral goats, Iron Age forts, and a couple of crashed planes that lost their way in World War II. I didn’t see any of that. I was focused on dragging my tired body over the hump. The bleak sky and the treeless summits dampened my spirits a bit (Praise God when the road is easy! Praise God when the road is hard!). But it was still thrilling to hear the long, slowly rising whistle of the Eurasian curlews as they swooped across the heather. 

Gatepost lion in Wooler.

After a gloomy day in the Cheviot Hills, my final miles to the coast were brilliantly lit and my heart was high. This stone lion at a schoolyard entrance was carved by an Italian prisoner of war during World War II, when the facility was a POW camp. It looks like something you’d find in Venice. Thinking of that prisoner managing to make art amid the chaos of war, I’m tempted to say that art is long and war is short, but in these days of perpetual conflict I’m not so sure.

Toward the final ridge before the coast.
St. Cuthbert’s Cave.

The first sign that I was nearing the sea was a flock of gulls circling above me. Just one more forested ridge, and the coast would be visible. After marveling at the massive sandstone overhang of St. Cuthbert’s Cave (where monks carrying his remains are said to have sheltered while fleeing Viking raiders), I climbed to the rise just above it. And there I saw my Promised Land: Holy Island, refulgent beneath the noonday sun.

When Lewis and Clark got their first glimpse of the Pacific after 18 months crossing the American continent, Clark recorded their delight in his journal: “Ocian in view! O the joy.” When I reached that ridge above the Northumbrian sea, I spoke those words out loud.

My first view of Holy Island.
Ocean in view!

“To walk there is to earn it, through laboriousness and through the transformation that comes during a journey … We are eternally perplexed by how to move toward forgiveness or healing or truth, but we know how to walk from here to there, however arduous the journey…. In pilgrimage, the journey is radiant with hope … geography has become spiritualized.”

— Rebecca Solnit [vii]       

Walking St. Cuthbert’s Way

                  

THE ST. CUTHBERT SERIES CONTINUES:

Grace and Beauty on Holy Island

The Journey Ends: Durham Cathedral

All photographs and video are by the author.

For links to my posts on the Camino de Santiago: https://jimfriedrich.com/2020/07/25/seek-ye-first-scenes-from-the-camino-de-santiago/


[i] Geoffrey Chaucer, The Canterbury Tales (Prologue, 11-18), trans. Burton Raffel (Modern Library, 2008).

[ii] Susan Stewart, The Ruins Lesson: Meaning and Material in Western Culture (Chicago: University of Chicago Press, 2020), 238.

[iii] Dante, The Inferno 1.60, trans. Robert Hollander & Jean Hollander (Doubleday, 2000).

[iv] William Wordsworth, The Prelude (1.14-18).

[v] John of the Cross, The Ascent of Mt. Carmel.

[vi] Edward Gibbon, from the closing chapter of History of the Decline and Fall of the Roman Empire.

[vii] Rebecca Solnit, Wanderlust: A History of Walking (Penguin, 2001).