“Your celebration is a sham”––Independence Day in an Age of Cruelty

Standing room only at McAllen, TX, detention center, June 10, 2019 (Office of Inspector General, Dept. of Homeland Security)

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.

––– The Declaration of Independence, July 4, 1776

“If you want water, drink from the toilet.”

 ––– U.S. Border Patrol agent to a thirsty immigrant, July 1, 2019

 

John Adams, our second President, predicted a Fourth of July “celebrated by succeeding generations as the great anniversary festival” and “solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations, from one end of this continent to the other, from this time forth for evermore.”[i] It would be a time to remember our origins, honor our ideals, and pledge ourselves to nurture and preserve the noblest portions of our national life.

In the nineteenth century, the vision of Independence Day as a national covenant of memory and renewal found exuberant expression in the verbal fireworks of grand orations. These long-winded blasts of rhetorical excess came to be known as “making the eagle scream,” but their homiletic intention was serious: to summon the people to “effusions of gratitude” for America’s sacred origins, and to encourage “a faithful and undeviating adherence” to the principles of liberty, equality and the common good. [ii]

But what about those who are excluded from the blessings of liberty? By the 1820s, some Independence Day orators began to call out the inconsistency of celebrating freedom while so many still wore the chains of slavery. “We ought to remember that the happiness we enjoy is not universal,” Giles B. Kellogg told an audience at Williams College on July 4, 1829. “This will temper our exultation and render more heart-felt our tribute of gratitude . . . There are those among us who are shut out from the light of freedom, chained down in the prison house of bondage . . . those of common origins with ourselves, inheritors of the same great blessings, heirs to the same immortality.” [iii]

The most famous of these abolitionist orations was delivered on July 5, 1852, Frederick Douglass, to the Rochestery Ladies’ Anti-Slavery Society. As an escaped slave himself, he gave voice to the voiceless with fiery eloquence:

“What, to the American slave, is your 4th of July? I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciation of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are, to Him, mere bombast, fraud, deception, impiety, and hypocrisy––a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation on the earth guilty of practices more shocking and bloody than are the people of the United States, at this very hour.” [iv]

Irony and guilt continue to haunt our national celebrations of life, liberty and the pursuit of happiness. Racism is alive and well, along with other long-standing national sins. And the concentration camps on our southern border, where federal agents put children in cages and subject countless refugees to conditions of torture, certainly make the rhetoric of freedom an unholy sham in our own day.

For those who are more offended by the words “concentration camp” and “torture” than by the realities they describe, let me point out that while these are certainly loaded terms, they are technically accurate. A concentration camp is defined as “a place in which large numbers of people, especially political prisoners or members of persecuted minorities, are deliberately imprisoned in a relatively small area with inadequate facilities.”[v] While the most notorious examples are Nazi death camps and Soviet labor camps, the term itself has a broader application. As for torture, a physician who witnessed the appalling conditions of the camps––“extreme cold temperatures, lights on 24 hours a day, no adequate access to medical care, basic sanitation, water, or adequate food”––concluded that “the conditions within which they are held could be compared to torture facilities.” [vi]

Detention Center, Weslaco, Texas (Office of Inspector General, Dept. of Homeland Security)

How shall we respond to such evil? Let Douglass be our teacher:

“O! had I the ability, and could reach the nation’s ear, I would, today, pour out a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke. For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, and the earthquake. The feeling of the nation must be quickened; the conscience of the nation must be roused; the propriety of the nation must be startled; the hypocrisy of the nation must be exposed; and its crimes against God and man must be proclaimed and denounced.”

 

Detention Center, McAllen, Texas, June 10, 2019 (Office of Inspector General, Dept. of Homeland Security)

The Fourth of July should be a day of atonement not only for the cruel barbarity of the Trump administration––which would indeed “disgrace a nation of savages”––but also for our collective impotence to make it stop. Instead, the president is stealing millions of dollars from our National Parks to stage a military spectacle in his honor, and to desecrate the Lincoln Memorial with hate speech to his adoring mob (Trump opponents will be kept at a distance to silence the voice of protest). And to such shameless and pitiful parody of Independence Day, the words of Douglass make perfect reply:

“Oh! be warned! be warned! a horrible reptile is coiled up in your nation’s bosom; the venomous creature is nursing at the tender breast of your youthful republic; for the love of God, tear away, and fling from you the hideous monster, and let the weight of [the people] crush and destroy it forever!”

 

 

Related post: July 4th and the Pursuit of Happiness

[i] Benson Bobrick, Angel in the Whirlwind: The Triumph of the American Revolution (New York: Penguin Books, 1998), 203.

[ii] Phrases taken from the July 4, 1821 oration of John Quincy Adams in Washington, D.C., when he was Secretary of State. This and many other Independence Day orations may be found at https://classicapologetics.com/special/4th.html

[iii] https://classicapologetics.com/special/4th/Kellogg.Oration.1829.pdf

[iv] Frederick Douglass, “What to the Slave is the Fourth of July?” (July 5, 1852). https://www.thenation.com/article/what-slave-fourth-july-frederick-douglass/

[v] https://www.lexico.com/en/definition/concentration_camp Some might argue for the term “refugee detention center,” where people may indeed suffer from logistical overload. But the deliberate and intentional infliction of suffering by the Border Patrol and its white supremacist enablers in the Administration justifies, in my view, the more damning term.

[vi] Matt Stieb, “Everything We Know About the Inhumane Conditions at Migrant Detention Camps,”New York Magazine (July 2019). The physician quoted is Dolly Lucio Sevier: http://nymag.com/intelligencer/2019/07/the-inhumane-conditions-at-migrant-detention-camps.html

Trying to Get Home for Thanksgiving

Tom (Thomasin McKenzie) and Will (Ben Foster) searching for home in “Leave No Trace.”

There’s no place like home.

–– Dorothy in The Wizard of Oz

 And he never had the sense of home so much as when he felt that he was going there.
It was only when he got there that his homelessness began.

–– Thomas Wolfe, You Can Never Go Home Again

To be human means both to dwell and to wander.

–– Erazim Kohák

 

This is the week of the great American quest for a place of belonging where we will be welcomed and known and understood. Nearly 50 million of us will travel many a mile to find such a “home.” The rest will seek it closer at hand.  But every one of us will be looking for something that may be real or imagined or both, and often beyond our reach.

The painful irony of this particular Thanksgiving is that thousands of American men and women in uniform have been denied their own chance to make it home for the holiday. Instead, they’ve been ordered to our southern border as props for a shameful and heartless message: STRANGERS NOT WELCOME HERE!

The Pilgrim immigrants at the first Thanksgiving were lucky to have had more generous hosts. And whatever the balance of truth and myth in the famous story of Europeans and native Americans sharing a feast in 1621, many of us cherish the biblical hope that every one of the human family can one day come home to a table with room enough and food enough and love enough for everyone.

The Bible is one long story of exiles trying to find their way home: Adam and Eve expelled from the garden; Cain condemned to perpetual lostness; Abraham and Sarah commanded to leave everything behind “for a place I will show you”; Joseph exiled to Egypt; the people of the Exodus wandering the Sinai; the displaced Jews weeping by the rivers of Babylon. The New Testament tacks on a happy ending in its last book: a great city of welcome where we come home to God at last. But for the time being, that abiding city remains somewhere over the rainbow. Eve’s children still walk endless roads, dreaming of home.

In Debra Granik’s powerful film, Leave No Trace (2018), a father and his teenage daughter are living off the grid in a nature reserve near Portland, Oregon. Their secret encampment seems infinitely distant from the hectic complexities of contemporary America. When they are discovered by the authorities, they are dragged back into civilization as bewildered strangers in a strange land.

As we witness their distressing exile, we share their longing for what they’ve lost: an Edenic simplicity deeply connected with the natural world. But that longing is complicated by our awareness that Will, the father, is more Cain than Adam. As a veteran with PTSD, he was suffering the condition of exile long prior to his forest sojourn. Alienated from the world which had damaged him so deeply, he had retreated into nature, trying to exit history and “get back to the garden.” Trying to get home.

His daughter Tom seems to possess a purer innocence, like a prelapsarian Eve. When she is taken to a government agency and put in a room with a couple of runaway teens, they ask about her story.

–– Where were you?
–– With my dad. In the park.
–– So you were homeless, then?
–– No.
–– Why else would you be living in the woods? If you had a home, they wouldn’t have brought you here.
–– They just don’t understand that it was my home.

Exile and the search for home are the central subjects of this unforgettable film. The meandering journey of father and daughter takes them through the kind of marginal social terrain which many of us dismissively stereotype or even fear. Granik’s compassionate eye provides a revelatory glimpse of community and kindness in places where our impoverished social maps say little more than “Here be dragons.” And while the heavenly city of an abiding home remains elusive for Will and Tom, Leave No Trace does not leave us comfortless. Even in exile, one may find divine traces of blessing and grace.

In his compelling essay, “Longing for Home,” Holocaust survivor Elie Wiesel reflects on the theme of exile and return. It is a subject that Jews know all too well. Painful memories and vanished dwelling places are deeply woven into their history. But out of loss comes longing, and out of longing, hope.

“Would the paradise be a paradise if it were not lost? But what about longing for the future? Moses did not long for his Egyptian past but for his Jewish future. Messianic redemption implies the distant kingdom of David transformed in hope for a better future, a future when every human being everywhere will feel at home––at last––at home in his or her faith, country, and socio-economic environment.” [i]

One of the greatest injunctions of the Torah was forged from the experience of exile and homelessness:

Never forget what it was like to be a homeless stranger,
grateful for whatever shelter or meal could be found.
Welcome the homeless, for you too were once homeless exiles.
Welcome the immigrant, for you too had no place of your own.[ii]

Jesus knew this law so very well,
and he practiced it every time he reached out to the lost
or dined with the outcast.

Yes, Dorothy, there is no place like home,
except where we ourselves become
both givers and receivers
of the divine hospitality:
where no one is a stranger,
and there is always room enough,
and food enough,
and love enough
for everyone at the table of welcome.

May this Thanksgiving feast be a time of welcome, blessing, and deep gratitude for you, dear reader. And until that day when everyone of God’s beloved family comes home to the welcome table, let us all remain hungry for the justice to make it so.

 

 

Related posts

No Place Like Home

Utopian Dreams and Cold Realities: A Thanksgiving Homily

We the People: Voices of the Immigrant Experience

 

[i]Elie Wiesel, “Longing for Home,” in Leroy S. Rouner, ed., The Longing for Home(Notre Dame, IN: Notre Dame University Press, 1996), 28.

[ii]Exodus 23:9, Leviticus 19:34, Deuteronomy 10:19. The injunction to welcome the stranger is invoked 36 times in the Torah, more than any other commandment.

“Let it not happen again.”

The Story Wall at the Bainbridge Island Japanese American Exclusion Memorial, where the Nikkei were forcibly removed from their island home in 1942. (Photo Illustration by Paul Dunn and Tracy Matsue Loeffelholz)

“Later on, they took my dad around five o’clock, and I think I remember my dad went to the corner and prayed. And they said, ‘What is he doing?’ I said, ‘He’s praying because he didn’t do anything wrong.’ But they took him anyway.”

–– Nobuko Sakai Omoto

 

Seventy-six years ago, people of a certain ethnicity were rounded up and transported to concentration camps. This happened not in some distant citadel of despotism, but in the “land of the free,” from the shining sea of the Pacific to the diamond desert of the western interior. It happened in the United States of America, and the island I call home is where it all began.

After Pearl Harbor, everyone of Japanese ancestry (the Nikkei), whether or not they were born in America, became objects of suspicion in the eyes of their government. On February 19, 1942, President Roosevelt signed Executive Order 9066 calling for the exclusion of “any or all persons” from areas deemed sensitive for national defense. Although around 14,000 people of German or Italian ancestry were interned for at least part of the war, those of Japanese descent were the prime targets, reflecting an anti-Asian bigotry with deep roots in American history.

On March 21, after only an hour’s discussion in the Senate and thirty minutes in the House, Congress passed a law authorizing the roundup of 120,000 men, women and children of Japanese ancestry. Of that great number, the first 227 would be residents of Bainbridge Island, six miles west of Seattle.

These evacuees comprised a significant portion of the island’s relatively small population. Boasting the world’s largest sawmill––a magnet for job-seekers––in the late nineteenth century, Bainbridge attracted immigrant workers and families, many of them from Japan, even after the mill shut down in the 1920s. By the 1940s, both the Issei (“first generation,” born in Japan) and the Nisei (“second generation,” born in the U.S. as American citizens) had become established members of the island community. But when Pearl Harbor stirred up primal fears of the “other,” 227 friends and neighbors were abruptly severed from their community and shipped off to distant internment camps.

Why was Bainbridge targeted first? The high percentage of Nikkei on the island, along with the proximity of military installations and the Boeing aircraft plant, have been cited as probable causes. The fake news of the day accused Japanese-American farmers of aligning their strawberry rows as pointers toward bombing targets. Frank Kitamoto, only two years old when his family was taken, thought the island’s isolation made it a perfect test case:

“We didn’t have the bridge in those days. So it became real easy for the army to isolate us and to kind of use us as a practice run to see how people would react to something like this––if they came in to force us off the island, whether we’d be violent or whether we would cause problems or protest or whatever. And since we went without any of that going on, then I think that kinda set the pace . . . for them to do things.”[1]

The idea of a practice run seems especially chilling to me after reading a recent op-ed piece by Fintan O’Toole, describing Trump’s corrosive attacks on democratic norms as a means of “test marketing” the spread of fascism. “Fascism,” he writes, “doesn’t arise suddenly in an existing democracy. It is not easy to get people to give up their ideas of freedom and civility. You have to do trial runs that, if they are done well, serve two purposes. They get people used to something they may initially recoil from; and they allow you to refine and calibrate. This is what is happening now and we would be fools not to see it.”[2]

Notice of forced evacuation, posted on March 24, 1942.

On March 24, the Nikkei of Bainbridge were given just 6 days to settle their affairs and pack their things before military trucks would come to take them away to the ferry dock. For those with property, it was especially complicated. Non-citizens couldn’t own property, and Japanese-born were forbidden citizenship by law[3], so titles had to be in the name of either U.S.-born children or supportive friends. In any case, what would happen to their houses and land while they were gone?

There was a limit of one suitcase per person, not only for clothes and personal items, but also to carry sheets, blanket, utensils and plates! If you had to pack one suitcase without knowing where you were going or how long you’d be away, what would you include? Practical things, or emotional treasures? Matsue Nishimori Watanabe, who was 15 at the time, remembers the pressures of packing so lightly:

“And, of course, in that suitcase you’re trying to put maybe a sheet or so, that you can have for sleeping. And the rest is your clothes and your shoes. And so you’re not taking any toys or anything like that. . . one suitcase for the rest of your life . . . isn’t a lot of space to put things. And that’s the way we traveled, and with a tag on the suitcase and a tag on our body. .  .  [O]ne of my girlfriends now, she sees the pictures of my sister and us walking down the dock and she could see that they’re dressed up and they have hats on and everything. And she says, ‘Why did you dress up to go to camp?’ And I said, ‘Well, we had no place else to put it except on our body, because you had one suitcase to carry.’”

But there were greater stresses. Many reported a sense of shame at being treated like criminals. What had they done to deserve this? What would their neighbors think of them?

Steven Gardner panel at the Exclusion Memorial.

 

“And for one thing, we were so busy destroying everything that was Japanese. We, my dad says, ‘Get rid of everything,’ so we just burned things, buried things, broke things up, did everything to get rid of all the things that Grandma sent from Hiroshima. . . I hated to get rid of all the stuff that Grandma sent me, but then again, it was too Japanese, and so we just had to destroy them.” (Kay Sakai Nakao, 22)

Perhaps the worst thing was having no idea of where they were being taken, or what would befall them in the days to come.

“They never told us where we were going, if it’s gonna be hot or if it’s gonna be cold or anything, which sort of — I don’t know how the others felt, but I felt like I was kind of up in the air and I couldn’t come down on earth to get my feet on earth, to really feel sort of secure. I don’t know if that’s the word, right word to use, but you’re just left kinda dangling, wondering.” (Kay Sakai Nakao)

 

Steven Gardner panel at the Exclusion Memorial.

The truckloads of evacuees were dropped at the end of the road I now live on, less than a mile from where I write these words. Escorted by soldiers with rifles and fixed bayonets, they lugged their bulging suitcases down to the dock at Eagle Harbor and boarded the ferry Kehloken to Seattle, where they would, under armed supervision, take train and bus to the concentration camps far inland[4]. Some 10,000 people would eventually be crammed into a primitive settlement of one square mile bounded by barbed wire. After the blue water and green forests of Bainbridge, the harsh landscape of the high desert came as a shock. A resident of California’s Manzanar camp summed it up tartly: “The main thing you remembered was the dust, always the dust.”

Steven Gardner panel at the Exclusion Memorial.

And how had the Nikkei’s neighbors on Bainbridge responded to “the exclusion”? While some residents shared the widespread racism and wartime belligerence of the country as a whole, a majority of Bainbridge Islanders resisted the anti-Japanese hysteria. The bonds of longtime community were stronger than the sirens of fear.

The day after Pearl Harbor, teachers were careful to remind their nervous classes that the students of Japanese ancestry were Americans too. Neighbors pitched in to help the Nikkei families with last-minute logistics. Generous souls took over management of abandoned farms and businesses until the day their rightful owners returned. And the editors of the local weekly newspaper, the Bainbridge Review, mounted an eloquent and courageous defense of the vulnerable.

Walt and Milly Woodward, a young couple from Seattle, had bought the paper when they moved to the island in 1940. Their first editorial made a powerful commitment: “Always strive to speak the truth, unafraid, whether it be on a national issue or something purely local.” And so they did.

On the day after Pearl Harbor, their front page counseled neighborliness over fear: “There is the danger of a blind, wild hysterical hatred of all persons who can trace ancestry to Japan. That some of those persons happen to be American citizens…easily could be swept aside by mob hysteria.”[5] Walt and Milly continued the fight for constitutional rights and mutual respect for the duration of the war. The Review was the only newspaper in the United States to do so! The Woodwards also hired evacuated high school students to send dispatches from the camps, so that absent neighbors would not become faceless or forgotten. Their stories of exile were read widely back home.

Steven Gardner panel at the Exclusion Memorial.

Because Bainbridge had resisted the extremes of racist hostility and fear infecting much of wartime America, it was easier for its exiles to return without incident when the global conflict drew to a close. As the Woodwards’ daughter Mary has written, “All up and down the Pacific Coast that spring and summer [1945], newly released families returned to vandalized houses and damaged or stolen personal property. Bainbridge families also saw damage, but to a lesser degree. There was vandalism––common whenever a house stands vacant––but it was a result more of petty crime and greed than viciousness.”[6]

Some couldn’t afford to return, and others chose not to, but more than half of the exiles did come back, compared to a much smaller return rate in other places. Bainbridge showed little sign of the nasty anti-Japanese sentiment seen elsewhere. Those who voiced their continuing hostility on Bainbridge found few followers, while there were countless expressions of kindness and goodwill to assist the Nikkei in their resumption of lives interrupted.

Steven Gardner panel at the Exclusion Memorial.

 

“And our neighbors were all willing, happy that we came back. That time we came home it was September . . . it was dry summer, they said, the strawberries are all wilted. The dirt, the soil was just like sand, just really, oh, it was sad. Everything was wilted, I remember. And we had to start all over again, and I still wonder how did we ever, you know, with Mom and Dad, how did we ever get going, I always wonder. But we did.” (Michiko Amatatsu Noritake, 22)

 

“I was about thirteen when I came back and I was really frightened, but I went up to school and I signed in as “Sally” because I had to be very American and I didn’t want to be known as Shimako anymore. Well then . . . so the first day of school, Shannon Stafford and Ray Lowry, my classmates from Kindergarten, they came up and said, ‘Welcome back.’” (Shimako “Sally” Nishimori Kitano)

 

Steven Gardner panels at the Exclusion Memorial.

On August 6, 2011, the anniversary of Hiroshima, nearly 600 people gathered to dedicate the Bainbridge Island Japanese American Exclusion Memorial at the exact place where the Nikkei had been removed from the island in 1942. The beautifully designed site is a moving tribute to the dear people of that troubled time, but it also provides a necessary reminder of our perpetual vocation to repair the world by nourishing community and resisting everything which diminishes the human family.

Paper cranes left by visitors at the Story Wall, where the names of all the evacuated Nikkei are inscribed.

In the Memorial’s peaceful setting beside Puget Sound, a cedar “Story Wall,” designed by local architect Johnpaul Jones, holds the names of all the exiles as well as a series of moving terra cotta panels by Seattle artist Steven Gardner, depicting people and incidents of the exclusion.[7]

It is a place to remember––and to hope. As Sada Omoto, one of the surviving exiles, has said, the Exclusion Memorial wants to “create in you a different sense of being.”[8]This should be a pilgrimage site for every American in this dispiriting time. You will take heart from it.

The Bainbridge Island Japanese American Community’s excellent website is also worth a visit for its wealth of fascinating photos, archival films and video oral histories. Most of the interviews quoted in this post may be found there.

Nidoto Nai Yoni: Let it not happen again.

Just before Independence Day, I interviewed Clarence Moriwaki, a local activist who has been a driving force behind the Memorial project. I looked him up after hearing his eloquent speech at the recent Bainbridge Island rally to “Keep families together.” Like so many of us, Clarence is troubled by the normalization of racism and hatred at the highest levels of our government as well as in the untamed id of cultural rage. From the stigmatization of Muslims to the unspeakable cruelty at our southern border, America’s shadow side is on full display, while the crazier voices on the right tout the 1940s internment as an applicable model for the war on terror. Singling out people based on race and ancestry remains an illness hard to cure.

“This is frightening to me,” Clarence said. “We spent months thinking about the motto for the Memorial. We went back and forth, and what we decided on was Nidoto Nai Yoni (‘Let it not happen again’). But it is happening again. It’s happening to those children being separated from their families. The motto is not being lived up to. They’re creating concentration camps, and it’s happening in the name of the United States of America.

“What’s different this time is that people are not remaining silent the way they did in 1942. And they’re making comparisons between what is happening to Muslims and immigrants and the incarceration of Japanese Americans. It has become part of the American narrative. Sites like ours keep it out there so it isn’t forgotten. And people have notforgotten. The story is timeless––and timely.”[9]

Steven Gardner panel at the Exclusion Memorial

Just days before the evacuation of 1942, the Bainbridge High School baseball team opened the season against its traditional rival. They wanted badly to win, of course, but instead of using only the best players, the coach, “Pop” Miller, made sure that all six Nikkei players not only took the field, but remained in the lineup for the entire game. They got trounced, 15-2, but no one seemed to care about all the errors and fruitless swings of the bat. All that mattered to the Nikkei––and to their teammates who cheered them on––was the joy of a love so much stronger than fear.

Steven Gardner panel at the Exclusion Memorial

Among the many fascinating exclusion artifacts in the Bainbridge Island Historical Museum, none is more telling than side by side posters of the high school classes of 1942 and 1943. They make an indelible image of a community bereft by a terrible sense of absence. In the class of 1943, the faces of the Nikkei have all disappeared.

Bainbridge High School Class of 1942.

Bainbridge High School Class of 1943.

But the students stranded in Manzanar would not miss their graduation. The principal sent copies of all the graduation speeches to the camp, along with diplomas for every exiled senior. Meanwhile, during the commencement ceremony back on the island, in the middle of the stage, there were thirteen empty chairs.

Steven Gardner panel at the Exclusion Memorial

Let it not happen again.

 

 

I am very grateful to Clarence Moriwaki and the Bainbridge Island Japanese American Community for their generous assistance in the making of this post. It was a privilege to engage with this unforgettable and challenging story and the enduring legacy of the people who lived it.

[1]Unless otherwise noted, all quotations are from the video oral histories on the Bainbridge Island Japanese American Community (BIJAC) website: (http://www.bijac.org/index.php?p=WELCOME)  The ages given are of the interviewees at the time of their evacuation. Thanks to Clarence Moriwaki for his generous assistance with these sources.

[2]Fintan O’Toole, “Trial runs for fascism are in full flow,” The Irish Timesonline, June 26, 2018.

[3]Incredibly, Japanese legal resident aliens were not allowed to seek U.S. citizenship until the passage of the McCarren-Walter Act in 1952.

[4]Not all spent the war in the camps. Some joined the military and fought in Europe. Some were jailed. Some would be allowed to move outside the exclusion zone for work or school. But no one could return home until war’s end.

[5]Bainbridge Review, December 8, 1941. Cited on the BIJAC website.

[6]Mary Woodward, In Defense of Our Neighbors: The Walt and Milly Woodward Story(Bainbridge Island, WA: Bainbridge Island Japanese American Community / Fenwick Publishing, 2008), 118. This is a beautifully produced and moving account with many striking photographs and illustrations.

[7]My photos of the story wall are used throughout this post. Thanks to Steven Gardner and Johnpaul Jones for their exquisite artistry, and to Paul Dunn and Tracy Matsue Loeffelholz for their composite image of the wall and the historic photo of the evacuees walking toward the ferry.

[8]From a display panel at the Bainbridge Island Historical Society.

[9]Jim Friedrich interview with Clarence Moriwaki, July 2, 2018.

 

 

 

We the People: Voices of the Immigrant Experience

Artist: Shepard Fairey / Photographer: Ridwan Adhami

Artist: Shepard Fairey / Photographer: Ridwan Adhami

At the beginning of this century, the Episcopal Diocese of Chicago asked me to compile texts of the immigrant experience for a public reading in celebration of America’s rich diversity. In this shameful time of immigration bans and brutal deportations, may these voices remind us of our common origins as strangers and sojourners. In a country beset with what Canadian scholar Henry A. Giroux has called the “violence of organized forgetting,” remembering is a crucial act of resistance.

 

Sing to me, call me home in languages I do not yet
understand, to childhoods I have not yet experienced,
to loves that have not yet touched me.
Fill me with the details of our lives.
Filling up, emptying out
and diving in.
It is the holy spirit of existence, the flesh, the blood,
the naked truth that will not be covered.
Tell me everything, all the details – flesh, blood, bone.

– Lisa Kahaleole Chang Hall

 

From Asia, you crossed a bridge of land,
now called the Bering Strait, now swallowed
in water. No human steps to follow,
you slowly found your way on pathless grounds…
Travelers lost in time – walking, chanting, dancing –
tracks on mapless earth, no man-made lines,
no borders. Arriving not in ships, with no supplies,
waving no flags, claiming nothing, naming
no piece of dirt for wealthy lords of earth.
You did not come to own; you came to live.

– Benjamin Alire Sáenz

 

America is also the nameless foreigner,
the homeless refugee,
the hungry boy begging for a job,
the illiterate immigrant…
All of us, from the first Adams
to the last Filipino,
native born or alien,
educated or illiterate –
We are America!

– Carlos Bulosan

 

She is the woman hanging from the 13th floor window
in east Chicago…
She sees Lake Michigan lapping at the shores of
herself…She sees other
women hanging from many-floored windows
counting their lives in the palms of their hands
and in the palms of their children’s hands.

She is the woman hanging from the 13th floor window
on the Indian side of town…
crying for the lost beauty of her own life.

– Joy Harjo

 

I am not any of the faces
you have put on me america

every mask has slipped
i am not any of the names

or sounds you have called me
the tones have nearly

made me deaf
this dark skin, both of us have tried to bleach…

– Safiya Henderson-Holmes

 

I know now that I once longed to be white.
How? you ask.
Let me tell you the ways.

when I was growing up, people told me
I was dark and I believed my own darkness
in the mirror, in my soul, my own narrow vision.

when I was growing up, my sisters
with fair skin got praised
for their beauty and I fell
further, crushed between high walls.

when I was growing up, I read magazines
and saw blonde movie stars, white skin, sensuous lips,
and to be elevated, to become
a woman, a desirable woman, I began to wear
imaginary pale skin.

when I was growing up, I was proud
of my English, my grammar, my spelling,
fitting into the group of smart children,
smart Chinese children, fitting in,
belonging, getting in line.

– Nellie Wong

 

These men died with the wrong names,
Na’aim Jazeeny, from the beautiful valley
of Jezzine, died as Nephew Sam,
Sine Hussin died without relatives and
because they cut away his last name
at Ellis Island, there was no way to trace
him back even to Lebanon, and Im’a Brahim
had no other name than mother of Brahim
even my own father lost his, went from
Hussein Hamode Subh’ to Sam Hamod.
There is something lost in the blood,
something lost down to the bone
in these small changes. A man in a
dark blue suit at Ellis Island says, with
tiredness and authority, “You only need two
names in America” and suddenly – as cleanly
as the air, you’ve lost
your name. At first, it’s hardly
even noticeable – and it’s easier, you move
about as an American – but looking back
the loss of your name
cuts away some other part,
something unspeakable is lost.

– Sam Hamod

 

I am Marilyn Mei Ling Chin…
Of course, the name had been changed
somewhere between Angel Island and the sea,
when my father the paper son
in the late 1950’s
obsessed with some bombshell blonde
transliterated “Mei Ling” to Marilyn…
and there I was, a wayward pink baby,
named after some tragic
white woman, swollen with gin and Nembutal.

– Marilyn Chin

 

“This is my country,” we sang,
And a few years ago there would have been
A scent of figs in the air, mangoes,
And someone playing the oud along a clear stream.

But now it was “My country ’tis of thee”
And I sang it out with all my heart…
“Land where my fathers died,” I bellowed,
And it was not too hard to imagine
A host of my great uncles and -grandfathers
Stunned from their graves in the Turkish interior
And finding themselves suddenly
On a rock among maize and poultry
And Squanto shaking their hands.

– Gregory Djanikian

 

If I am a newcomer to your country, why teach me about my ancestors? I need to know about seventeenth-century Puritans in order to make sense of the rebellion I notice everywhere in the American city. Teach me about mad British kings so I will understand the American penchant for iconoclasm. Teach me about cowboys and Indians; I should know that tragedies created the country that will create me.

– Richard Rodriguez

 

Names will change
faces will change
but not much else
the President will still be white
and male
and wasp
still speak with forked tongue…
still uphold the laws of dead white men
still dream about big white monuments
and big white memorials
ain’t nothin’ changed
ain’t nothin’ changed at all.

– Lamont B. Steptoe

 

My dream of America
is like dà bính lòuh
with people of all persuasions and tastes
sitting down around a common pot
chopsticks and basket scoops here and there
some cooking squid and others beef
some tofu and watercress
all in one broth
like a stew that really isn’t
as each one chooses what she wishes to eat
only that the pot and fire are shared
along with the good company
and the sweet soup
spooned out at the end of the meal.

– Wing Tek Lum

 

today
we will not be invisible nor silent
as the pilgrims of yesterday continue their war of attrition
forever trying, but never succeeding
in their battle to rid the americas of us
convincing others and ourselves
that we have been assimilated and eliminated,

but we remember who we are

we are the spirit of endurance that lives
in the cities and reservations of north america
and in the barrios and countryside of Nicaragua, Chile
Guatemala, El Salvador

and in all the earth and rivers of the americas.

– Victoria Lena Manyarrows

 

We are a beautiful people
with African imaginations
full of masks and dances and swelling chants
with African eyes, and noses, and arms,
though we sprawl in gray chains in a place
full of winters, when what we want is sun.

We have been captured,
brothers and sisters. And we labor
to make our getaway, into
the ancient image, into a new
correspondence with ourselves
and our black family.
We need magic
now we need the spells, to raise up
return, destroy, and create. What will be
the sacred words?

– Amiri Baraka

 

Living on borders, and in margins,
keeping intact one’s shifting and multiple identity and integrity,
is like trying to swim in a new element…
There is an exhilaration in being a participant
in the further evolution of humankind.

– Gloria E. Anzaldúa

 

We are connected to one another in time and by blood. Each of us is so related, we’re practically the same person living infinite versions of the great human adventure.

– Maxine Hong Kingston

 

When both of us look backward…we see and are devoted to telling about the lines of people that we see stretching back, breaking, surviving, somehow, somehow, and incredibly, culminating in someone who can tell a story.    (Louise Erdrich)

I am a woman who wants to go home but never figured out where it is or why to go there…I have lost the words to chant my bloodline.    (Lisa Harris)

We are the sum of all our ancestors. Some speak louder than others but they all remain present, alive in our very blood and bone.      (Lisa Kahaleole Chang Hall)

I have the same name as 1 grandfather, 3 cousins, 3 nephews, and 1 uncle. The uncle disappeared when he was 15, just took off and caught a freight (they say). He’s discussed each year when the family has a reunion, he causes uneasiness in the clan, he is an empty space. My father’s mother, who is 93, and who keeps the Family Bible with everybody’s birth dates (and death dates) in it, always mentions him. There is no place in her Bible for ‘wherabouts unknown.’         (Etheridge Knight)

 

When the census taker, a woman of African descent…came to my door, I looked into the face of my sister….She did not ask me my racial background but checked off the box next to Black American/African American/Afro-Cuban American/Black African….

I met her eyes and said, “I’m not Black; I’m Other, Mixed, Black and White.” …She did not smile, smirk, or frown, but checked the box marked “Other,” and lifted her eyes quickly to mine again. I wanted to see her erase “Black.” She did not do so in my presence….

I had been focused on my personal freedom, on my right to define who I am, on my responsibility to my sense of self. The dignity of the census taker was not a part of my mental equation…

She thanked me. But the price of my self-definition had been the wall I felt I’d built between us before I ever closed the door.         (Sarah Willie)

 

I am not African. Africa is in me, but I cannot return…I am not european. Europe lives in me,  but I have no home there. I am new. History made me….I was born at the crossroads and I am whole.       (Sarah Willie)

 

Auntie Raylene, an accomplished chanter and dancer, told us about the necessity of remembering and honoring where we come from….During the question-and-answer session, a worried West African immigrant brother asked her, “But…what if our parents and grandparents refuse to tell us anything? They don’t want to talk about the old days. They are afraid. Or they don’t remember.”

She looked at him with great love and said, “Then you go back further, to the source,” and her hand swept back with assurance to the beginning of time, to the birth of life.

– Lisa Kahaleole Chang Hall

 

Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.

Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth….

Remember that you are all people and that all people are you.
Remember that you are this universe
and that this universe is you.

Remember that all is in motion, is growing, is you.
Remember that language comes from this.
Remember the dance that language is, that life is.
Remember.

– Joy Harjo

 

Related post:   Remember

We the People art images are available here as free downloads. The texts are drawn from several wonderful collections: UA:Unsettling America: An Anthology of Contemporary Multicultural Poetry , ed. Maria Mazziotti Gillan & Jennifer Gillan (Penguin,1994)… N: Names We Call Home: Autobiography on Racial Identity, eds. Becky Thompson, Sangeeta Tyagi (Routledge, 1995) … and another anthology which has vanished from my library and my memory, though I have traced original sources for most of its selections. In order: Hall (N 241), Sáenz (Calendar of Dust), Bulosan (http://bulosan.org/in-his-words), Harjo (UA 29-30), Henderson-Holmes (UA 60), Wong (UA 55), Hamod (UA130), Chin (UA 134), Djanikian (UA 215), Rodriguez (source unknown), Steptoe (UA 250), Lum (UA 322-23), Manyarrows (UA 330), Baraka (UA 155), Anzaldúa (Borderlands/La Frontera: The New Mestiza), Kingston & Erdrich (third anthology), Harris (N xv), Hall (N 241ff.), Knight (The Essential Etheridge Knight), Willie (N 276, 278), Hall (241ff.), Harjo (She Had Some Horses)

We are the singers of life, not of death

A Choir of Angels (detail), Simon Marmion, 1459

A Choir of Angels (detail), Simon Marmion, 1459

“The great truth that is too often forgotten is that it is in the nature of people to do good to one another.”

– Marilynne Robinson[i]

Gonna rise up, burning black holes in dark memories,
Gonna rise up, turning mistakes into gold.

– Eddie Vedder[ii]

One of my favorite stories by the naturalist Loren Eiseley recalls a moment of awakening. He was napping in a forest glade when a sudden commotion of birds roused him from sleep. They were circling a raven which clutched their small nestling in its beak. It was not only the nestling’s parents crying in protest. Birds of half a dozen other species also began to join in. “No one dared attack the raven. But they cried there in some instinctive common misery, the bereaved and the unbereaved. The glade filled with their soft rustling and their cries.” The raven sat unperturbed on its perch, a perfect symbol of pitiless mortality – “the bird of death,” Eiseley called it.

It was then I saw the judgment. It was the judgment of life against death … For in the midst of protest, [the birds] forgot the violence. There, in that clearing, the crystal note of a song sparrow lifted hesitantly in the hush. And finally, after painful fluttering, another took the song, and then another, the song passing from one bird to another, doubtfully at first, as though some evil thing were being slowly forgotten. Till suddenly they took heart and sang from many throats joyously together as birds are known to sing. They sang because life is sweet and sunlight beautiful. They sang under the brooding shadow of the raven. In simple truth they had forgotten the raven, for they were the singers of life, and not of death.[iii]

On Sunday night I experienced a similar miracle of transcendent exultation in a new musical at the Seattle Repertory Theater, Come From Away. A musical about 9/11 might sound like a dubious idea, but it succeeds brilliantly in turning the darkness into a song of unconquerable life and resilient spirit.

Like the birds in the glade, Come From Away shifts its focus away from the familiar 9/11 narrative of horror and death to tell a powerful counter-story in which the bonds of community and kindness prove stronger than the forces that divide and destroy. Like the utopian “no-places” of Renaissance romance – say the forest of Arden or Prospero’s island – the small town of Gander in New-Found-Land is on “the edge of the world,” a liminal space where both individuals and social groups, free from conventional and habitual constraints, can explore alternative ways of being and being-together.

An island town of 9000 people, Gander had once been a key refueling station for transatlantic flights, and its remote airport is still relied on for emergency situations. When all North American airspace was closed on 9/11, 38 planes were rerouted there, bringing nearly 7000 people who needed to be housed and fed for six days. The logistical challenges were enormous, but the emotional ones were even greater – so many people from different cultures, stranded far from home in those surreal days of uncertainty, shock and anxiety. Their planes had found a place to land, but what about their hearts?

Over those six days, remarkable bonds formed among both Newfoundlanders and passengers. It was an experience of love and goodness which none of them would ever forget. Ten years later, many of the “plane people” returned to Gander for an anniversary reunion to re-collect that extraordinary experiment in community. Two Canadian playwrights, Irene Sankoff and David Hein, went there as well, spending a month listening to thousands of stories. In four-hour interviews with hundreds of people, Sankoff and Hein compiled a remarkable record of the human spirit.

The play’s title is a Newfoundland colloquialism for “immigrant.” In a time when many are bashing immigrants as “them,” such a powerful reminder that we have all “come from away” feels like a well-timed gift of grace. As the Bible puts it, we are all strangers and pilgrims on this earth[iv], and the essential human project is the overcoming of fear and division to make connections and create community.

Sankoff and Hein were fascinated to learn that Newfoundland is where all the continents crashed together eons ago. “So, geologically,” they said, “there are pieces of Africa, Europe and America all right there. It’s this wonderful metaphor for the world coming together.”[v] The theologians say that we are made in the image of a God whose essence is relationality, and that human nature is most fully realized in communion. What happened in Gander was a test of that thesis.

The stories collected in 2011 were gradually consolidated into a coherent musical drama, with 12 actors representing nearly a hundred characters. There are no flawless heroes, exempt from the fears, frailties and foolishness common to all of us. There are no villains either. They are just people making their way through an unknown land without a map, exhibiting an innate desire to do good to one another. Both recognizable and sympathetic, these characters stood in for all of us, and what we might become.

And how brilliant to make it a musical. The driving Celtic rock score by a nine-piece onstage band was irresistible, and the songs made you want to shout and dance, even as tears streamed down your face. Beautifully crafted by Sankoff and Hein, the infectious music made us all believe in our common vocation as the singers of life against all odds.

In her book on the musical genre, Jane Feuer observes that “musicals are unparalleled in presenting a vision of human liberation … Part of the reason some of us love musicals so passionately is that they give us a glimpse of what it would be like to be free.” But she cautions that the genre can also fall into the trap of being about nothing more than its own energy. “In its endless reflexivity the musical can offer only itself, only entertainment, as its picture of utopia.” In such a case, the musical remains self-enclosed fantasy, untranslatable into daily reality.[vi]

But Come From Away, grounded in remembered stories of real goodness, offers something more than a temporary escape into fantasy. It proposes the richness of human community as an authentic prospect, however imperfectly realized in actual practice. The merging of Christian, Jewish and Muslim prayers into a single song was but one of many scenes in which the characters discovered that their best selves were grounded in the interrelatedness of mutual belonging.

And to the extent that this play manifested an ideal by which our failures to love one another might be measured and found wanting, it was not unlike liturgy. Neither theater nor liturgy are “real” life, but they can still exert a transformative power. Through symbol and metaphor, song and story, they can suggest a hypothetical alternative to our tired old stories of decline and fall, luring us toward a higher vision of human becoming. When we rose to our feet at play’s end for a prolonged ovation, we were not just thanking the company for a good time. We were, at least for the moment, subscribing to its vision. Whatever it was they showed us, we wanted to be part of it. As Marilynne Robinson puts it, human community is “a work of the imagination”[vii] – a life-giving story we tell as we strive to make it real, in ourselves and in our world.

When the house lights come up, we all go our separate ways, and the vision weakens in the glare of ordinary time. The same thing happens after a liturgy. Yet something of the dream remains. The intuition of a better way of being lodges deep within us, and over time, if properly nourished, it may produce real outcomes.

 

 

Related posts

 

Remember

No Place like Home

After Paris and Beirut, what kind of story shall we tell?

 

 

[i] Marilynne Robinson, “Imagination and Community,” in When I Was a Child I Read Books (New York: Farrar, Straus and Giroux, 2012), 33

[ii] Eddie Vedder, “Rise”, from the film, Into the Wild (2007)

[iii] Loren Eiseley, The Immense Journey (New York: Random House, 1957), 174-5

[iv] I Peter 2:11

[v] Interview with Shirley Fishman, Come From Away program notes (Seattle: Encore Arts Programs, Seattle Repertory Theater, Nov. 2015), 15

[vi] Jane Feuer, The Hollywood Musical (Bloomington, IN: Indiana University Press, 1982), 84

[vii] Robinson, 29