Changemaking Churches and the Transformation of Neighborhoods

From "This is not a gentle poem" by Arne Pihl, part of "All Rise," a Seattle art happening about neighborhood change and social struggle, 2014-15 (Photo by Jim Friedrich)

From “This is not a gentle poem” by Arne Pihl, part of “All Rise,” a Seattle art happening about neighborhood change and social struggle, 2014-15 (Photo by Jim Friedrich)

It is not so much the gift of tongues that we now need as the gift of ears, not so much the proclamation of our beliefs as the willingness to listen to the ways in which we ourselves are being addressed, not so much the assertion of our knowledge but the silent admission that we are ready to learn. — Alan Ecclestone[i]

 

Does institutional Christianity have a future? We have certainly heard the dismal narratives of decline. Churches and seminaries are closing, congregations are aging, and budgets are shrinking, while the unaffiliated— “Nones” and “Dones”— are on the rise. There are still many pockets of vitality— thriving, growing, committed churches— but their long-term sustainability remains a serious question in the unsupportive habitat of postmodernity.

How many Christian bodies, at either the local or the denominational level, have resigned themselves to a diminished role as complacent and compliant chaplains to the dominant culture, or as harmless historical societies dedicated to the preservation of endangered practices and memories? An English priest of the last century, Alan Ecclestone, warned that such abdication of its changemaking mission would produce a “miserly and unexpectant” church.

Thankfully, we have antidotes for such a fate: resurrection and the Holy Spirit. Resurrection transforms death into rebirth; the Holy Spirit makes all things new. The Book of Common Prayer describes this potency with elegant brevity: “things which were cast down are being raised up, and things which had grown old are being made new.”

Enough with the narratives of decline! It is time to tell Easter stories. And at the recent Inhabit Conference in Seattle, I was blessed to hear many encouraging accounts of new life and abundant Spirit. For two days, Christian changemakers shared stories about doing and being “church” in new ways and new places. Even though many of the speakers do ministry in the lusterless environs of makeshift buildings and impoverished neighborhoods, their stories glowed with resurrection light.

Strangers sharing nothing but a zip code become friends over soup suppers. A trashy vacant lot is transformed into a beautiful park or neighborhood garden. Economic wastelands bloom as social entrepreneurs are raised up locally. The hungry and homeless become neighbors-in-need rather than faceless problems. The powerless organize to make their voices heard in civic planning and development. Police and residents defuse tensions and break stereotypes by socializing together. “Low-status neighborhoods” are redeemed by the work of many hands, becoming places of human flourishing. Such things don’t always happen, but when they do, the Kingdom of God draws near, and the church of God rises from the dead.

The Inhabit conference presenters, many in their twenties and thirties, have committed themselves to simplified and generous lifestyles as residents of the struggling communities they serve. Their “churches” tend to be improvisational— living rooms, storefronts, neighborhood centers, local watering holes, and street corners. If any of their ministries employ a traditional church space, it is usually where the old congregation has been on the verge of extinction.

These youthful pastors understand “parish” in its original sense— designating a whole neighborhood rather than simply the church situated within it. Their ministry is dedicated not to their faith community alone, but to the flourishing of their whole geographical parish. Don’t just feed the hungry; get to know them by breaking bread together. Don’t just serve the poor; help them get the skills and opportunities they need. Don’t just care about people, but work with them to challenge and change the forces which impact their lives. Organize for parks and housing. Educate. Demand justice. Reclaim the commons. Foster hope. Develop local economies. Lift up social entrepreneurs. Build equity. Break barriers. Nurture relationships. Network solutions. Innovate. Improvise. Advocate, organize, include, connect, encourage and empower. Be Jesus for others. Imagine.[ii]

The mission statement of Parish Collective, one of the Inhabit conference sponsors, summarizes the vital work of fostering communities of belonging in the forgotten corners of an alienating and divisive society: “We seek to reconcile fractured relationships and celebrate differences by collaborating across cultural barriers and learning to live in solidarity with those in need.” Or put more simply, “Living local together” for “street-level renewal.”[iii]

All of the speakers were passionate about making a difference in the neighborhoods they inhabit. But they are careful to act “with” rather than act “for” the local community. They don’t arrive as colonists imposing their vision, or saviors with the big idea for everyone else to follow. They come as relentless listeners, with the gifts of ears and respectful attention. As one speaker said, “Love listens.” Another added, “Let the neighborhood speak to us, rebuke us, teach us.”

This is not easy work, nor is it quickly done. As one pastor told the conference, “Our church is in the oven, not the microwave. It starts slow and takes longer, but it tastes better.” Sometimes faith is a lot like patience. The Tree of Life doesn’t grow overnight. But still we believe in the promised fruit, as Shane Claiborne, a young Christian changemaker, reminds us:

“Faith is believing despite the evidence—
and then watching that evidence start to change.”

 

 

 

 

 

[i] Alan Ecclestone, q. in Gordon Mursell, English Spirituality: From 1700 to the Present Day (London: SPCK 2008), 472

[ii] Good recent resources on these themes are The New Parish: How Neighborhood Churches are Transforming Mission, Discipleship and Community (Paul Sparks, Tim Soerens, Dwight J. Friesen; Downers Grove, IL: InterVarsity Press, 2014) and Live Like You Give a Damn: Join the Changemaking Celebration (Tom Sine; Eugene, OR: Cascade Books, 2016)

[iii] http://parishcollective.org

 

Tending the lamps of holy imagination

Dreaming in Venice

Dreaming in Venice

We are in the fifth day of the Venice Colloquium, a small gathering of Christian creatives to “dream the Church that wants to be.” We will finish our work on Sunday in time to attend the mass for All Saints Day in the Byzantine splendor of St. Mark’s cathedral.

The conversations and presentations have been extremely rich, and I will be reporting on them in future posts, once I have begun to absorb and process what has happened here. In the meantime, while I have a rare free moment to attend to my blog, let me try to put into one simple statement the sense of need, perhaps even crisis, which has brought us together:

The practice of holy imagination is like a sanctuary lamp in the life of the Church. If not duly attended to, it is in danger of going out.

(In the very moment of writing that statement, the church bells of Venice began to ring all over the island where we are staying. I’ll take that as a “yes.”)

What would the Church be like if that lamp were to be extinguished? I had a vision of that dismal outcome yesterday, in a video by artist Theaster Gates at Biennale, the international art exposition being held in Venice.

Part of an installation called “Gone Are the Days of Shelter and Martyrs,” the video filled the entire wall of a dark room. Shot inside the dim space of a ruined church, it revealed few details of the interior. The two men who moved about inside were faceless shadows. It suggested to me a lower level of Dante’s Inferno, an impression reinforced by the repetitive violence of their actions.

Lying on the floor amid the rubble of a fallen ceiling, there were two heavy doors. They had become useless, meaningless, no longer attached to any place of entry or exit. The two men would circle the doors once or twice, raise one or the other to an upright position, and let it fall with a great echoing crash. They did this over and over, as if condemned to enact this enigmatic distillation of their wounded condition for all eternity. A wailing offstage blues singer was the only other sound, a cry from the depths of darkness.

The space between the image and the opposite wall was not wide, so that the viewer could not keep much distance from what was being projected. It was like sitting in the front row of an Imax theater. There was no escaping the image. I was immersed in it, and that added to its claustrophobic feel.

But after about ten minutes of this, the camera slowly panned away from the men and the doors, toward the end of the church where the altar had been. The apse wall was broken down, open to the sky. Being able finally to see light breaking into all that darkness seemed like the rolling away of Christ’s tombstone. And just below the roofline, one piece of unbroken wall remained, painted with a fresco of the Last Supper. The holy image was ancient and faded, like a memory not yet entirely lost.

Whatever the artist’s specific intentions, I came away from that screening room with an indelible image of a desolate church robbed of its light. Such a prospect is why we tend our lamps so religiously. It is why we have come to Venice.

But that ruined church is no place to leave you, dear reader. Instead, let me offer another image of the Church, in which “she” is depicted an old woman in her declining years. It is by Mark Harris, a member of our Colloquium, and he graciously permitted me to publish it here. I promise you, it ends well.

She is an Old Woman

She is an old woman,
Not well respected over the years.
Shuffling off to the bathroom
She looks in the mirror
And does not see the face of Christ.

Whatever happened to my body,
She wonders, whose parts all work
Together for good?

She has been ravaged
By some who claimed to be lovers,
And by others who had no such pretensions,
Only opportunistic rapine desire.

For the moment before the first service
She is quiet. She gathers the shambles
Of her dignity and rambles
Off to prayer and Thanksgiving.

“Who will come today, who will come.?
Will they remember me in my glory,
When I was all light and lovely?
Will they come in pity, shame and wonder
That I am still here?”

The word goes around that it was all a story,
That she was never beautiful and never lithe.
She hears them whispering. She feels
Their eyes as they wait to see her die.
They will scurry over her remains
Looking for something to take away:
A remembrance of glory past,
If glory was there at all.

She laughs softly,
And in a resurrection moment
Almost worthy of the second coming,
She is consumed in fire.

Renewed and beautiful,
She lifts the veil that hides her face.
“Behold,” she says,
“I make all things new.”