“We are America!” — Poetic Voices of an Immigrant Nation

Illustration by Shepard Fairey from a photograph by Delphine Diallo.

Last night, at a campaign rally in Pennsyvlania, Donald Trump told the crowd that immigrants are “changing the character of small towns and villages all over our country and changing them forever. They will never be the same … And I’ll say it now: You have to get ’em the hell out! You have to get ’em out … Can’t have it! They’ve destroyed us.” The MAGA mob responded with a chant that would make Hitler smile: SEND THEM BACK! SEND THEM BACK!

At the beginning of this century, the Episcopal Diocese of Chicago asked me to compile texts of the immigrant experience for a public reading in celebration of America’s rich diversity. I first posted these here in 2018. May these eloquent American voices remind us of our common origins as strangers and sojourners. In a country beset with what Canadian scholar Henry A. Giroux has called the “violence of organized forgetting,” remembering is a crucial act of resistance.

Sing to me, call me home in languages I do not yet
understand, to childhoods I have not yet experienced,
to loves that have not yet touched me.
Fill me with the details of our lives.
Filling up, emptying out
and diving in.
It is the holy spirit of existence, the flesh, the blood,
the naked truth that will not be covered.
Tell me everything, all the details – flesh, blood, bone.

– Lisa Kahaleole Chang Hall

From Asia, you crossed a bridge of land,
now called the Bering Strait, now swallowed
in water. No human steps to follow,
you slowly found your way on pathless grounds…
Travelers lost in time – walking, chanting, dancing –
tracks on mapless earth, no man-made lines,
no borders. Arriving not in ships, with no supplies,
waving no flags, claiming nothing, naming
no piece of dirt for wealthy lords of earth.
You did not come to own; you came to live.

– Benjamin Alire Sáenz

America is also the nameless foreigner,
the homeless refugee,
the hungry boy begging for a job,
the illiterate immigrant…
All of us, from the first Adams
to the last Filipino,
native born or alien,
educated or illiterate –
We are America! 

– Carlos Bulosan

She is the woman hanging from the 13th floor window
in east Chicago…
She sees Lake Michigan lapping at the shores of
herself…She sees other
women hanging from many-floored windows
counting their lives in the palms of their hands
and in the palms of their children’s hands.

She is the woman hanging from the 13th floor window
on the Indian side of town…
crying for the lost beauty of her own life.

– Joy Harjo

I am not any of the faces
you have put on me america

every mask has slipped
i am not any of the names

or sounds you have called me
the tones have nearly

made me deaf
this dark skin, both of us have tried to bleach…

– Safiya Henderson-Holmes

I know now that I once longed to be white.
How? you ask.
Let me tell you the ways.

when I was growing up, people told me
I was dark and I believed my own darkness
in the mirror, in my soul, my own narrow vision.

when I was growing up, my sisters
with fair skin got praised
for their beauty and I fell
further, crushed between high walls.

when I was growing up, I read magazines
and saw blonde movie stars, white skin, sensuous lips,
and to be elevated, to become
a woman, a desirable woman, I began to wear
imaginary pale skin.

when I was growing up, I was proud
of my English, my grammar, my spelling,
fitting into the group of smart children,
smart Chinese children, fitting in,
belonging, getting in line.

– Nellie Wong

These men died with the wrong names,
Na’aim Jazeeny, from the beautiful valley
of Jezzine, died as Nephew Sam,
Sine Hussin died without relatives and
because they cut away his last name
at Ellis Island, there was no way to trace
him back even to Lebanon, and Im’a Brahim
had no other name than mother of Brahim
even my own father lost his, went from
Hussein Hamode Subh’ to Sam Hamod.
There is something lost in the blood,
something lost down to the bone
in these small changes. A man in a
dark blue suit at Ellis Island says, with
tiredness and authority, “You only need two
names in America” and suddenly – as cleanly
as the air, you’ve lost
your name. At first, it’s hardly
even noticeable – and it’s easier, you move
about as an American – but looking back
the loss of your name
cuts away some other part,
something unspeakable is lost.

– Sam Hamod

I am Marilyn Mei Ling Chin…
Of course, the name had been changed
somewhere between Angel Island and the sea,
when my father the paper son
in the late 1950’s
obsessed with some bombshell blonde
transliterated “Mei Ling” to Marilyn…
and there I was, a wayward pink baby,
named after some tragic
white woman, swollen with gin and Nembutal.

– Marilyn Chin

“This is my country,” we sang,
And a few years ago there would have been
A scent of figs in the air, mangoes,
And someone playing the oud along a clear stream.

But now it was “My country ’tis of thee”
And I sang it out with all my heart…
“Land where my fathers died,” I bellowed,
And it was not too hard to imagine
A host of my great uncles and -grandfathers
Stunned from their graves in the Turkish interior
And finding themselves suddenly
On a rock among maize and poultry
And Squanto shaking their hands.

– Gregory Djanikian

If I am a newcomer to your country, why teach me about my ancestors? I need to know about seventeenth-century Puritans in order to make sense of the rebellion I notice everywhere in the American city. Teach me about mad British kings so I will understand the American penchant for iconoclasm. Teach me about cowboys and Indians; I should know that tragedies created the country that will create me.

– Richard Rodriguez

Names will change
faces will change
but not much else
the President will still be white
and male
and wasp
still speak with forked tongue…
still uphold the laws of dead white men
still dream about big white monuments
and big white memorials
ain’t nothin’ changed
ain’t nothin’ changed at all.

– Lamont B. Steptoe

My dream of America
is like dà bính lòuh
with people of all persuasions and tastes
sitting down around a common pot
chopsticks and basket scoops here and there
some cooking squid and others beef
some tofu and watercress
all in one broth
like a stew that really isn’t
as each one chooses what she wishes to eat
only that the pot and fire are shared
along with the good company
and the sweet soup
spooned out at the end of the meal.

– Wing Tek Lum

today
we will not be invisible nor silent
as the pilgrims of yesterday continue their war of attrition
forever trying, but never succeeding
in their battle to rid the americas of us
convincing others and ourselves
that we have been assimilated and eliminated,

but we remember who we are

we are the spirit of endurance that lives
in the cities and reservations of north america
and in the barrios and countryside of Nicaragua, Chile
Guatemala, El Salvador

and in all the earth and rivers of the americas.

– Victoria Lena Manyarrows

We are a beautiful people
with African imaginations
full of masks and dances and swelling chants
with African eyes, and noses, and arms,
though we sprawl in gray chains in a place
full of winters, when what we want is sun.

We have been captured,
brothers and sisters. And we labor
to make our getaway, into
the ancient image, into a new
correspondence with ourselves
and our black family.
We need magic
now we need the spells, to raise up
return, destroy, and create. What will be
the sacred words?

– Amiri Baraka

Living on borders, and in margins,
keeping intact one’s shifting and multiple identity and integrity,
is like trying to swim in a new element…
There is an exhilaration in being a participant
in the further evolution of humankind.

– Gloria E. Anzaldúa

We are connected to one another in time and by blood. Each of us is so related, we’re practically the same person living infinite versions of the great human adventure.

– Maxine Hong Kingston

When both of us look backward…we see and are devoted to telling about the lines of people that we see stretching back, breaking, surviving, somehow, somehow, and incredibly, culminating in someone who can tell a story.    

— Louise Erdrich

I am a woman who wants to go home but never figured out where it is or why to go there…I have lost the words to chant my bloodline.    

— Lisa Harris

We are the sum of all our ancestors. Some speak louder than others but they all remain present, alive in our very blood and bone.      

— Lisa Kahaleole Chang Hall

I have the same name as 1 grandfather, 3 cousins, 3 nephews, and 1 uncle. The uncle disappeared when he was 15, just took off and caught a freight (they say). He’s discussed each year when the family has a reunion, he causes uneasiness in the clan, he is an empty space. My father’s mother, who is 93, and who keeps the Family Bible with everybody’s birth dates (and death dates) in it, always mentions him. There is no place in her Bible for ‘wherabouts unknown.’    

— Etheridge Knight

When the census taker, a woman of African descent…came to my door, I looked into the face of my sister….She did not ask me my racial background but checked off the box next to Black American/African American/Afro-Cuban American/Black African….

I met her eyes and said, “I’m not Black; I’m Other, Mixed, Black and White.” …She did not smile, smirk, or frown, but checked the box marked “Other,” and lifted her eyes quickly to mine again. I wanted to see her erase “Black.” She did not do so in my presence….

I had been focused on my personal freedom, on my right to define who I am, on my responsibility to my sense of self. The dignity of the census taker was not a part of my mental equation…

She thanked me. But the price of my self-definition had been the wall I felt I’d built between us before I ever closed the door.        

— Sarah Willie

I am not African. Africa is in me, but I cannot return…I am not european. Europe lives in me,  but I have no home there. I am new. History made me….I was born at the crossroads and I am whole.  

— Sarah Willie

Auntie Raylene, an accomplished chanter and dancer, told us about the necessity of remembering and honoring where we come from….During the question-and-answer session, a worried West African immigrant brother asked her, “But…what if our parents and grandparents refuse to tell us anything? They don’t want to talk about the old days. They are afraid. Or they don’t remember.”

She looked at him with great love and said, “Then you go back further, to the source,” and her hand swept back with assurance to the beginning of time, to the birth of life.

– Lisa Kahaleole Chang Hall

Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.

Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth….

Remember that you are all people and that all people are you.
Remember that you are this universe
and that this universe is you.

Remember that all is in motion, is growing, is you.
Remember that language comes from this.
Remember the dance that language is, that life is.
Remember.

– Joy Harjo


We the People art images are available here as free downloads. Shepard Fairey’s image of 12-year-old Menelik is from a photograph by French and Senegalese artist Delphine Diallo. The texts are drawn from several wonderful collections: UA:Unsettling America: An Anthology of Contemporary Multicultural Poetry , ed. Maria Mazziotti Gillan & Jennifer Gillan (Penguin,1994)… N: Names We Call Home: Autobiography on Racial Identity, eds. Becky Thompson, Sangeeta Tyagi (Routledge, 1995) … and another anthology which has vanished from my library and my memory, though I have traced original sources for most of its selections. In order: Hall (N 241), Sáenz (Calendar of Dust), Bulosan (http://bulosan.org/in-his-words), Harjo (UA 29-30), Henderson-Holmes (UA 60), Wong (UA 55), Hamod (UA130), Chin (UA 134), Djanikian (UA 215), Rodriguez (source unknown), Steptoe (UA 250), Lum (UA 322-23), Manyarrows (UA 330), Baraka (UA 155), Anzaldúa (Borderlands/La Frontera: The New Mestiza), Kingston & Erdrich (third anthology), Harris (N xv), Hall (N 241ff.), Knight (The Essential Etheridge Knight), Willie (N 276, 278), Hall (241ff.), Harjo (She Had Some Horses)

“No faith, no truth, no trust”—The Cost of Lies in American Politics

Magnus Zeller, The Orator (c. 1920). The German painter foresaw the danger of authoritarians who prey on the emotions of the mindless mob.

The problem is, when you marry intelligence
To ill will and brute force,
People are helpless against it.

— Dante, Inferno xxxi [1]

On November 5th, Guy Fawkes Day, the citizens of Great Britain will celebrate the defeat of a conspiracy to overthrow the political order in 1605. Thirty-six barrels of gunpowder hidden beneath the House of Lords were discovered before they could blow King and Parliament to kingdom come, and the plotters were brought to justice.

Also on November 5th, the citizens of the United States will vote whether to thwart or assist the overthrow of their own political order. Democracy itself is on the ballot, and the party of insurrection is determined to blow it up. If the latest polls are accurate, they have a fair chance of success.

Seventeenth-century England and twenty-first century America are dissimilar in countless ways, but the Gunpowder Plot of 1605 and the Presidential election of 2024 have one crucial thing in common: the toxic social effect of equivocation.

When the seventeenth century began, “equivocation” was a neutral, rarely used term for statements deemed ambiguous. But in the aftermath of the Gunpowder Plot, it became a widespread byword for deceitful speech. The term’s sudden prominence was triggered by the discovery of the plotters’ handbook, A Treatise of Equivocation, which detailed various ways for persecuted Roman Catholics to lie under oath without endangering their conscience.

When Catholic worship and practice were being suppressed after the English Reformation, the Roman faithful needed to conceal from the authorities the presence of priests and the saying of masses in their private homes. If asked, they could equivocate: give ambiguous or incomplete answers, or practice “mental reservation”—speaking aloud partial truths, while retaining in their minds any bits which might get them into trouble. As long as you speak the whole truth in your mind, where God can hear it, leaving your inquisitor in the dark is not a sin. In other words, the Treatise argued, it is possible to lie without guilt.

In a time when Roman priests were being hunted down and threatened with prison or the gallows, such equivocation was understandable. We do not fault the Dutch family who lied about Anne Frank hiding in their secret annex. But as the Gunpowder Plot made clear, social stability was not a given in the early days of King James’s reign. However, neither factions, plots, religious difference or the clash of ideas seemed the greatest threat to common life in Britain.  The greatest threat was thought to be equivocation, the solvent of bad faith which dissolves communal trust. As an English court put it a few years after the insurrection was foiled:

“The commonwealth cannot possibly stand if this wicked doctrine be not beaten down and suppressed, for if it once take root in the hearts of people, in a short time there will be no faith, no truth, no trust … and all civil societies will break and be dissolved.” [2]

The Earl of Salisbury, responding to A Treatise of Equivocation with a book of his own, An Answer to Certain Scandalous Papers, warned against “that most strange and gross doctrine of equivocation,” which would “tear in sunder all the bonds of human conversation.” [3]

A similar anathema was issued from a London pulpit:

“He that lyeth doth deprive himself of all credit among men (for they will also suspect him to be a liar), so that he that once deceiveth his neighbor by equivocation, shall always be suspected to equivocate … If deceit by equivocation be used, then all covenants and contracts between man and man must cease, and have an end, because all men will be suspicious of one another … So, no commonwealth can stand, no civil society can be maintained.” [4] 

 The nightmarish world of Shakespeare’s Macbeth, written just after the Gunpowder Plot, dramatizes the dread of social disintegration, as even the more admirable characters find themselves “unspeaking” truth. “Fair is foul and foul is fair,” cry the weird sisters at their cauldron of deconstruction. Once language begins to mean anything and nothing, civil discourse is mortally wounded, and it is not just Macbeth who begins “to doubt th’ equivocation of the fiend / That lies like truth.” [5]

Shakespearean scholar James Shapiro notes that the moral chaos of the play is draining not just for the characters but for the audience as well:

“Equivocation makes following Macbeth’s dialogue a mentally exhausting experience, for playgoers—much like those conversing with equivocators—must decide whether a claim should be accepted at face value, and, if not, must struggle to construct what may be suppressed through mental reservation. But with equivocators, one never knows what, if anything, is left unspoken.” [6] 

In the American election of 2024, we are well acquainted with the fiend that lies like truth. “Fair is foul, and foul is fair,” cry the weird brothers Trump and Vance, poisoning our national speech and our common life like there’s no tomorrow. The lying is in their natures—it’s who they are: hollow men without principles, shapeless hulks of impulse and ambition. But their lying, a weapon as destructive as gunpowder, is also an instrument of power. If truth and trust can be blown to bits, the weird brothers will be free to soar beyond accountability into a realm of naked, unfettered tyranny.

It will not go well for them. As Dante assures us, the lowest place in Hell is reserved for the fraudulent, because fraud is the polar opposite of love. Love nurtures community. Fraud disintegrates it. Dorothy Sayers’ eloquent notes on Dante’s Inferno describe the bleak endgame for the ones who are only in it for themselves:

“Beneath the clamor, beneath the monotonous circlings, beneath the fires of Hell, here at the center of the lost soul and the lost city, lie the silence and the rigidity and the eternal frozen cold. It is perhaps the greatest image in the whole Inferno … A cold and cruel egotism, gradually striking inward till even the lingering passion of hatred and destruction are frozen into immobility—that is the final state of sin.” [7]

Gustave Doré, Dis frozen in the lake of ice (1861). Immobilized in the pit of hell, the prince of lies is trapped in wordless solitude, dis-connected from every form of relation.

The evils of Trumpworld have multiplied ceaselessly over the years: tens of thousands of unnecessary Covid deaths, families torn apart at the border, political violence, the abuse of immigrants and women, the corruption of the Supreme Court, the stoking of anger, racism and hate, the relentless erosion of social bonds, the corrosive degradation of the rule of law, et cetera, et cetera. And so much lying. J. D. Vance’s gleeful admission that he invented the terrible stories about immigrants eating pets is just the latest example of a shamelessly destructive addiction to untruth. These people don’t care how many people they hurt.

It’s exhausting. That too is part of the Trump/Vance strategy. We’re supposed to grow weary and discouraged in the face of their unrelenting and senseless chaos. I find an apt metaphor for this moment of American politics in Washington Irving’s account of a transatlantic voyage in the early nineteenth century. Traveling by land, he said, keeps us connected with a sense of where we are and where we’ve come from.

“But a wide sea voyage severs us at once. It makes us conscious of being cast loose from the secure anchorage of settled life, and sent adrift upon a doubtful world. It interposes a gulf not entirely imaginary, but real, between us and our homes—a gulf subjected to tempest and fear and uncertainty, rendering distance palpable, and return precarious.” [8]

Winslow Homer, The Gulf Stream (1899/1906).

Irving’s harrowing journey took about as many weeks as we have left until the election. Sail on, friends, sail on. It is my hope that come November 5th, we will anchor once again in safe harbor, put the chaos behind us, and begin to mend the torn fabric of our common life.

In the meantime, citizens, we all have some serious work to do.


[1] Dante Alighieri, Inferno xxxi, 55-57, translated by Mary Jo Bang. Dante is explaining why the Creator made large creatures like elephants and whales, but abandoned the making of giants. Intelligence, granted too much size and power, could do great damage if corrupted.

[2] James Shapiro, The Year of Lear: Shakespeare in 1606 (New York: Simon & Schuster, 2015), 158.

[3] Ibid., 173.

[4] Ibid., 177-178. John Dove, sermon at St. Paul’s Cathedral, June 1, 1606.

[5] William Shakespeare, Macbeth 5.5, 41-42.

[6] Shapiro, 185-186.

[7] Dorothy Sayers, commentary on her translation of Inferno, quoted in Helen Luke, Dark Wood to White Rose: Journey and Transformation in Dante’s Divine Comedy (New York, Parabola Books, 1989), 41.

[8] Washington Irving, The Sketch Book of Geoffrey Crayon (1819-1820), quoted in David McCullough, The Greater Journey: Americans in Paris (New York: Simon & Schuster, 2011), 12.