Applauding the Saints

Jeremiah, portal of Moissac abbey on the Le Chemin de St. Jacques (Photo by Jim Friedrich)

At least once in our lives we have dreamed of becoming saints… Stumbling under the weight of the contradictions of our lives, for a fleeting moment we glimpsed the possibility of building within ourselves a place of simplicity and light.

–– Carlo Caretto[i]

Did I offer peace today? Did I bring a smile to someone’s face? Did I say words of healing? Did I let go of my anger and resentments? Did I forgive? Did I love?

–– Henri Nouwen[ii]

 

On the Feast of Pentecost in 2001, I attended the papal mass in the densely packed outdoor plaza of St. Peter’s Basilica. As the grand procession made its way toward the altar, the assembly began to applaud. While the sound of one hand clapping may induce a spiritual state, the sound of many hands can be jarring in a worship setting, at least for contemplatives. Pope Benedict XVI, never a happy-clappy man, called it “a sure sign that the essence of the liturgy has totally disappeared and been replaced by a kind of religious entertainment.”[iii]

But Rome has a long tradition of applauding the pope as he enters for mass, and this day was no exception. However, this papal entrance was unique, for there were not one but two popes coming up the aisle––the reigning pontiff, John Paul II, but also the mortal remains of the beloved John XXIII as well. On the anniversary of his death (June 3), John’s body was being transferred from an underground crypt to a more public location under the altar of St. Jerome in the basilca’s central nave. But for the duration of the mass, it rested by the outdoor altar in full view of the assembly.

John XXIII died in 1963. When his original coffin was opened after 38 years, his body was found to be remarkably intact. It was dressed in red and white pontifical robes and placed in a glass coffin designed to block UV rays from the Roman sun. His face was protected by a wax mask, displaying the smile which had once dissolved the gloomy severity of a fortress church.

The living pope got his share of the applause, but the most affectionate attention was directed toward the “Good Pope John,” who would be canonized as a saint by Pope Francis in 2014. John’s humility, humor, and love of the poor were striking qualities in a pontiff, but he was best known for initiating the landmark reforms of Vatican II.

John XXIII famously said he wanted to “open the windows” of the Church so that fresh air could blow through its stuffy rooms. So it seemed to me a clear act of divine whimsy when a sudden gust of wind swept through St. Peter’s Square at that Pentecost mass, blowing the caps off the heads of cardinals as we chanted the Creed.

Ironically, John himself discouraged the custom of applauding him or any other pope in church. In templum Dei, he said, the focus should be on God, not ourselves. While we may want to celebrate the saintliness of exemplary persons, the true saint always deflects such praise. Not I, but Christ in me, they tell us.

This deflection is not an act of false humility. Saints are too busy chasing God or serving others to check their spiritual Fitbit. Saints never know that they are saints. They only know that something absolutely essential is calling them, and their life becomes the record of their response.

The first officially recognized Christian saints were the ancient martyrs, who took Christ’s “lose your life to find it” in the most literal sense. As Thomas Becket says in T. S. Eliot’s Murder in the Cathedral, the martyr is one “who has become the instrument of God, who has lost his will in the will of God––not lost it, but found it. . . . The martry no longer desires anything for himself, not even the glory of martyrdom.”[iv]

Although physical martyrdom is still a widespread occurrence around the world, self-sacrifice need not be lethal. Most people engage in some sacrificial practices for God or neighbor, but few of us take it as far as the asceticism so vividly imagined in Don DeLillo’s novel, The Names:

“Go naked in a scatter of ashes, stand in the burning sun. If there is a God, how could we fail to submit completely? Existence would be decrease, going clean. And adding beauty to the world, Kathryn might say. To her the spectacle had merit even if the source was obscure. They would be beautiful to see, leaning on staffs, mind-scorched, empty-eyed, men in the dust of India, moving to the endless name of God.”[v]

The late medieval mysticism of Marguerite of Porete was steeped in this kind of radical self-emptying. What she called the “annihilated soul” (âme aniente) has “neither what nor why”–– it wills nothing, knows nothing, possesses nothing. Such utter evacuation of ego makes space for the Divine to dwell. The Soul, she said, “was created for nothing other than to have within the being of pure charity without end.”[vi] This was a forbidding, perhaps impossible spirituality.

Ecclesiastical authorities repeatedly warned Marguerite to stop circulating her troublesome ideas and writings. Nevertheless, she persisted. Certainly the outspokennes of a free-spirited woman was enough in itself to disconcert the male hierarchy. But the radical nature of her mystical spirituality seemed a very real threat to the stability of Christian community. Imagine a congregation of annihilated souls trying to manage the mundane duties of parish life. What happens when the church needs a new roof? What do they teach in Sunday School? Would a visitor feel welcome––or terror––at the liturgy?

Marguerite was burned at the stake in Paris on June 1, 1310, “the earliest recorded death sentence for mystical heresy in Western Christianity.”[vii] While we abhor such an outcome, we may share the underlying concern about a spirituality of utter self-negation. Few of us are called to “go naked in a scatter of ashes.” If this life is a gift and not a prison, shouldn’t our spiritual practice affirm and embrace the blessings and epiphanies of embodied existence?

“Your Enjoyment of the World is never right,” wrote 17th-century Anglican Thomas Traherne, “till evry Morning you awake in Heaven: see your self in your fathers Palace: and look upon the Skies and the Earth and the Air, as Celestial Joys.”[viii] Traherne is miles from Marguerite of Porete, yet they both share the one thing common to all the saints. They turn their faces Godward.

“I ought therefore evermore . . . . to remember God, and aim at His Glory as my Supreme End. When I forget Him I walk in Darkness, when I aim at myself it is in vain Glory.”[ix]

Tomorrow is All Saints Day. We will remember and celebrate the great company of our ancestors and mentors in the blessing way. We will praise their godly qualities, be inspired by their examples, and take heart from the fact that they were and are “just folk like me”[x]––forgiven sinners, “stumbling under the weight of their contradictions” yet keeping their eyes on the prize.

Yes, we applaud their sanctity, but listen! Our applause is being drowned out by a mightier sound. The company of heaven returns the compliment. While we make our own stumbling way deeper and deeper into the Mystery, the saints are now applauding us.

 

 

Related post: For All the Saints

 

[i] Robert Ellsberg, The Saints’ Guide to Happiness: Practical Lessons in the Life of the Spirit (New York: Doubleday, 2003), 29.

[ii] Ibid., 146-7.

[iii] Joseph Ratziner, The Spirit of the Liturgy (San Francisco: Ignatius Press, 2000), 198.

[iv] Quoted in Martyrs: Contemporary Martyrs on Modern Lives of Faith (San Francisco: Harper San Francisco, 1996), 4-5.

[v] Don DeLillo, The Names (New York: Vintage, 1989), 92.

[vi] Joanne Maguire Robinson, Nobility and Annihilation in Marguerite Porete’s Mirror of Simple Souls (Albany, NY: State University of New York Press, 2001), 78, 83.

[vii] Ibid., 27.

[viii] Thomas Traherne, Centuries of Meditations I.28-29, q. in Denise Inge, ed., Happiness and Holiness: Thomas Traherne and His Writings (Norwich, UK: Canterbury Press, 2008), 125.

[ix] Ibid., Select Meditations III.75, in Inge, 262.

[x] Lesbia Scott, “I Sing a Song of the Saints of God.”

The questions that matter

Figures in open space have always been what film is all about. American film. This is the situation. People in a wilderness, a wild and barren space. The space is the desert, the movie screen, the strip of film, however you see it. What are the people doing here? This is their existence. They’re here to work out their existence. This space, this emptiness is what they have to confront. I’ve always loved American spaces. People at the end of a long lens. Swimming in space.

– Don DeLillo, The Names[i]

I just returned home from a road trip through the “American space” of four western states – Washington, Idaho, Montana and Wyoming – to find that an old post of mine, “You can never go fast enough,” had been selected for “Freshly Picked,” the WordPress showcase for editors’ picks and community favorites. It is a lovely honor, and the theme of that post – the endless road trip of American culture – coincided nicely with my own wanderings.

The video was shot on a lonely Montana highway as the sun sank into a forest fire sky. For a sixty mile stretch, I didn’t see another car. To be the subject of that view, “swimming in space,” was exhilarating.[ii] As I wrote in that featured post:

We are a people enamored of open highways, limitless horizons and liberating journeys to the distant places where we can reinvent ourselves.

Since being “freshly picked” has brought an infusion of new readers and followers, it seems a good time not only to say welcome, and thank you for visiting, but also to indicate what goes on in this space. A lot of you are here because of a post built around a classic car show. But next time the subject will be completely different. Nature, culture, religion, spirituality, liturgy, the arts, cinema, and politics have all made an appearance here.

But while the topics are diverse (see sample links below), they are all grounded in a theological practice of sifting through the substance of this given world – nature, culture, self and spirit – to consider the questions that matter. And what are those questions? The list from Blade Runner comes to mind: “He wanted to know what everybody wants to know. Where do I come from? Where am I going? How long have I got?”

Jill Stoner, in her provocative and thoughtful book on rethinking architecture, gives a wonderful description of her method: “I take enormous pleasure in orchestrating dialogues among writers who may never before have occupied the same page.”[iii] The Religious Imagineer takes similar delight in curating unusual, even unlikely combinations of writings, themes, thoughts and stories which might otherwise not take place.

If there is one underlying subject of this blog, it is imagination. How do we say the unsayable, see the invisible, dance the impossible in our images, rituals and stories? How do we attend to the traces of God amid the chronic unknowing of secular modernity? How do we imagine the really Real and the not-yet?

So to new and old readers alike, thanks for coming along. Who knows what lies around the next bend? As one reader commented about my classic car post, “I don’t know what you said but I enjoyed the ride.”

Selected past posts by theme:

Walking the Camino de Santiago: April and May archives, 2014

Nature

Seasons

Art

Architecture

Music

Cinema: 10 best religious films, 10 best Jesus films, Around a Small Mountain

Spirituality

Solitude: Part 1, Part 2

Alternative worship: Part 1 (multimedia), Part 2 (installation)

Theology

Politics and culture: Immigration, Keystone pipeline

[i] Don DeLillo, The Names (New York: Vintage), 198

[ii] The song on the car stereo is “East of Woodstock, West of Vietnam,” on Tom Russell’s Blood and Candle Smoke.

[iii] Jill Stoner, Toward a Minor Architecture (Cambridge, MA: MIT Press, 2012), x