Fourth of July 2020: Last Rites for a Dying America?

The burning of Washington, 1814.

“The country is on fire. It is in flames. We cannot stomp it out.
And the rest of the world is looking on in horror.”

— Chris Hayes [i]

 

I was born between D-Day and the liberation of Paris, and for the first time in my life, the Fourth of July will not be a celebration. Even when our country had gone astray in Vietnam or Iraq, even in the shameful eras of segregation or government-sanctioned torture, it still seemed possible to make ritual remembrance of America’s ideals and renew our collective hope in the better angels of our nature. Not this year.

For 1260 miserable days, we have endured a relentless assault on Constitutional principles and democratic norms by an authoritarian president, with a Congress and political structure either too paralyzed or too corrupt to resist. An unending stream of atrocities has made us so numb that even Trump’s despicable (and treasonous?) betrayal of American soldiers in Afghanistan is not sufficient to force his resignation. But as it turns out, the erosion (and potential demise) of our democracy will be of no concern for hundreds of thousands—perhaps millions—of U. S. citizens. By the next Fourth of July, they will be dead.

It’s not entirely Trump’s fault. Our healthcare delivery system is not well-suited to the conditions of pandemic. Neither is an economy which forces many workers into close proximity. And then there are those lockdown rebels, defiant to the end: “Give me liberty AND give me death.”

But there’s no denying the conclusion that Trump’s well-documented incompetence, unpreparedness, and criminal neglect have already caused, by some estimates, 60% of the U.S. deaths from COVID-19. As of today, we count 78,000 Americans whose lives were lost because the White House was incapable of a timely and well-managed response.[ii] And it is only getting worse. As we surpassed 50,000 new cases per day on July 1, Trump was still preaching magical thinking: Pretend there’s no problem and it will soon go away.

“How long can we live with this President?” is no longer a figure of speech. For the most vulnerable among us, it has become existential. Is it hyperbole to call Trump a mass murderer? Do the math. Sixteen 9/11s in a single day. According to Dr. Anthony Fauci, that could soon double. Thank you, Mr. President.

In a sobering Atlantic article, “The 3 Weeks That Changed Everything,” James Fallows compares the United States to an airplane being flown into a mountain. “At least in an airplane cockpit, the first officer can grab the controls from a captain who is steering the aircraft toward doom.” But our politics don’t work that way. A veteran intelligence official quoted in the article sums up the problem exactly: “Our system has a single point-of-failure: an irrational president.” [iii]

In his classic study, The American Adam [iv], R. W. B. Lewis examines fresh starts and new possibilities as the dominant tropes of American myth-making: a new Eden, the land of the free. This has required the repression of certain facts. North America was not an uninhabited space for the taking. “All men are created equal” was written by a slaveholder. The degree to which these tragic ironies have been balanced by substantial instances of liberation, justice and human flourishing continues to be contested.

But in any case, America identity—e pluribus unum—is a construction of fact and myth, (selective) memory and metaphor, aspiration and ideal. As one scholar puts it, “America has to be thought in order to be lived, but for both to happen, it had to be written.… America was invented, not discovered.”[v] We trace our nation’s birth to a rhetorical scripture, “for the truth of which,” as Thomas Jefferson put it, “we pledge a faith as yet unsullied by falsehood.” [vi]

Independence Day celebrates a radical break from the past, a casting off of the old order for the new. In “Earth’s Holocaust,” Nathaniel Hawthorne’s fable of revolution written in 1844, a great crowd gathers on a vast prairie to make a bonfire of everything humanity needs to renounce: the trappings and symbols of repressive institutions and economic inequality—all the “outworn trumpery” (!) of the world. The unprecedented scale and duration of the Black Lives Matter protests is a vivid enactment of this trope, evoking America’s most radical premise: We are not bound to our past; we can reinvent the social order.

Meanwhile, the COVID-19 pandemic is forcing institutions, communities, and individuals to reimagine how we live and move and have our being. When the pandemic passes, will we resume the old ways, or insist on something better? In another of his stories, Hawthorne proposed a state of perpetual renewal:

I doubt whether even our public edifices—our capitols, statehouses, courthouses, city-halls and churches—ought to be built of such permanent materials as stone or brick. It were better that they should crumble to ruin once every twenty years or thereabouts, as a hint to people to examine and reform the institutions which they symbolize.[vii]

Whether collective and personal transformation will come through purifying fire or the gentler urgings of wisdom and spirit, it will unmask our illusions and disturb our slumber. As David R. Williams reminds us, the sin of “profound unknowing” cannot endure:

We imagine we are awake and aware of what we are doing, but in fact we are walking in our sleep. We live in a constructed illusion of sounds we call words, and ideas we think we believe, and sights that at least seem to have reality. Most of the time, the illusion holds. But, as Puritan theologian Jonathan Edwards warned …, “we walk over the pit of hell as on a rotten covering, and there are places in that covering so rotten that they will not bear our weight, and these places are unseen.” [viii]

So no, not a normal Fourth of July this year. In the worst case scenario, it could be our last, if our democracy continues to implode. As a member of what Emerson called the Party of Hope [ix], I do not foresee that happening. But I do worry that my country is ill-prepared—emotionally or spiritually—for apocalypse of any kind. Even should the sun go out and the moon turn to blood, some will still be shouting, “Fake news!”

In 1957, a ten-year-old Stephen King was watching a movie matinee of Earth vs. the Flying Saucers, a sci-fi film about alien invaders from outer space.

“[J]ust when it was reaching the good part, with Washington in flames and the final, cataclysmic interstellar battle about to be joined—the screen suddenly went dead. Well, kids started to clap and hoot, thinking the projectionist made a mistake or the reel had broken, but then, all of a sudden, the theater lights went on at full strength … then the theater manager came striding down the center aisle, looking pale, and he mounted the stage and said, in a trembling voice, ‘I want to tell you that the Russians have put a space satellite into orbit around Earth. They call it Sputnik. … ’ There was a long hushed pause as this crowd of fifties kids in cuffed jeans, with crewcuts or ducktails or ponytails, struggled to absorb all that; and then, suddenly, one voice, near tears but also charged with terrible anger, shrilled through the stunned silence: ‘Oh, go show the movie, you liar!” [x]

 

Related posts:

Fourth of July

July 4th and the Pursuit of Happiness

“Your celebration is a sham” — Independence Day in an Age of Cruelty

 

[i] Chris Hayes, from his MSNBC program, All In with Chris Hayes, July 2, 2020.

[ii] https://trumpdeathclock.com

[iii] https://www.theatlantic.com/politics/archive/2020/06/how-white-house-coronavirus-response-went-wrong/613591/?fbclid=IwAR34gDXbfiSeHF-WEnBx5mR-g-sJBkkgskC29rSIY2NH_UdZBBuwgf9RYC0

[iv] R. W. B. Lewis, The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century (Chicago: University of Chicago Press, 1955)

[v] Geoff Ward, The Writing of America: Literature and Cultural Identity from the Puritans to the Present (Cambridge, MA: Polity Press, 2002), 17.

[vi] This line from Jefferson’s original draft of the Declaration of Independence would be deleted by committee, but it expresses the document’s Edenic spirit (“as yet unsullied by falsehood”). Cited in Ward, 28.

[vii] Nathaniel Hawthorne, The House of the Seven Gables (1850), cited in Lewis, 19.

[viii] David R. Williams, Searching for God in the Sixties (Newark, DE: University of Delaware Press, 2010), 204.

[ix] Ralph Waldo Emerson described a duality in American culture as a schism between the Party of Memory (tradition, or reverence for a “sacred” past or origin) and the Party of Hope (dedicated to rebirth and new possibilities). These are not, of course, to be confused with specific political parties, and most of us belong to both (except, perhaps, for members of a third party, the Party of Irony). See the discussion in Lewis, 7.

[x] Tim Underwood and Chuck Miller (eds), Bare Bones: Conversations on Terror with Stephen King (New York: New English Library, 1990), p. 22, cited in Ward, 119.

“I wanted heaven now” – Remembering the Summer of Love in America’s Time of Trial

How do we celebrate our national origins at one of the lowest points in American history? The cruel and rapacious ruling party betrays the Founders daily, while America’s worst impulses––racism, militarism, nativism, greed and know-nothingness––are not just tolerated by the White House. They are encouraged and inflamed. The shining city on a hill is mudsliding downward into a nightmarish abyss.

Thank God for the many resisters who incarnate the better angels of our nature in the continuing struggle for justice, equality and the common good. They are, in the words of an 1850 Fourth of July oration, “the only visible source of light and heat and repose to the dark and discordant and troubled world.”

Tomorrow I will refresh my own love of country by silencing the news to spend a morning with American writers like Thoreau, Dickinson, Whitman, Muir, and Didion. And maybe it’s a good time to reread Nathaniel Hawthorne’s apocalyptic parable, “Earth’s Holocaust.” A vast crowd gathers on a broad western prairie to build a huge bonfire, into which they begin to throw all the “outworn trumpery” of the Old World. The heraldry of ancient aristocratic families feed the flames, followed by the robes and scepters of royalty. Scaffolds and other symbols of government oppression are tossed in as well. And finally, as the flames rise ever higher, the total body of European literature and philosophy is consumed. “Now,” said the chief celebrant, “we shall get rid of the dead weight of men’s thoughts.”

There are times when the idea of a radical makeover in politics and culture strikes a chord of repressed desire among the children of Adam and Eve––refugees as we are from a lost Eden. Such youthful optimism, such buoyant faith in the new, permeates the political rhetoric of our republic’s first century. “The American Revolution is the wonder and the blessing of the world,” said Daniel Webster. “Its inherent unconquerable force will heave both the ocean and the land, and flame up to heaven…In our day there has been as it were a new creation… The last hopes of mankind…rest with us.”

Fifty years ago, Hawthorne’s bonfire burned anew in the Summer of Love. In the largest mass migration of young people in American history, tens of thousands made their way to San Francisco in search of a new way of being. Some were just running away from home, some were just looking for a party. But many felt a deeper longing.

In a 2007 PBS documentary on the Summer of Love, Claudia King Yunker reflects on her reasons for joining the 1967 westward pilgrimage. As a 23-year-old civil rights worker in Chicago, she had been frustrated by the slow pace of social change. Rumors of a utopia happening now felt like a summons. “I was young,” she says. “I wanted heaven now.” So off she went to seek it in Haight-Ashbury.

Whatever was beautiful, true and good about the dreams of the “Love Generation” did not find an abiding home on this earth. It didn’t even last the summer. But as Yunker remembers fondly forty years later, things like racism, war, and greed “were not acceptable for a few minutes. [This lasted] for just a little short time. But it was really like something that shimmered.”[i]

During the months leading up to the Summer of Love, the mayor of San Francisco, the local police, and Governor Ronald Reagan did their best to put out the shimmer. In October of 1966, Allen Cohen and Michael Bowen, editors of the Oracle newspaper, organized a people’s response to official repression: not a confrontational protest against the powers-that-be, but a celebration manifesting an alternative social vision. The “Love-Pageant Rally,” they said, would “affirm our identity, community and innocence from influence of the fear addiction of the general public.”

Promotional leaflets for the rally featured a “Prophecy of a Declaration of Independence,” and on the eve of Independence Day, 2017, fifty years after the Summer of Love, it makes interesting reading:

When in the flow of human events it becomes necessary for the people to cease to recognize the obsolete social patterns which had isolated man from his consciousness and to create with the youthful energies of the world revolutionary communities to which the two-billion-year-old life process entitles them, a decent respect to the opinions of mankind should declare the causes which impel them to this creation.

We hold these experiences to be self-evident, that all is equal, that the creation endows us with certain inalienable rights, that among these are: the freedom of the body, the pursuit of joy, and the expansion of consciousness, and that to secure those rights, we the citizens of the earth declare our love and compassion for all conflicting hate-carrying men and women of the world.[ii]

Related post: July 4th and the Pursuit of Happiness

 

[i] Summer of Love (PBS American Experience DVD: 2007), written, produced and directed by Gail Dolgin and Vicente Franco.

[ii] In Charles Perry, The Haight-Ashbury (New York: Wenner Books, 2005), 92-3.