“Don’t mess with our myths!” — Thoughts on Thanksgiving Eve

Ron Cobb’s troubling cartoon in the Los Angeles Free Press has been in my Thanksgiving file for 50 years.

This new Israel the Lord brought by a mighty hand and an outstretched arm over a greater than the Red Sea, and gave them these ends of the earth for their habitation. In a day, with a wonderful alteration such as was never heard of in the world, the remote, rocky, bushy, wild-woody wilderness became for fertileness the wonder of the world, a second Eden, rejoicing and blossoming as a Rose, Beautiful as Tizrah, Comely as Jerusalem.   

— A New England sermon, 17th century

Adam saw it in a brighter sunshine, but never knew the shade of pensive beauty which Eden won from his expulsion. 

— Nathanael Hawthorne, The Marble Faun

Forty years ago, traveling in an old school bus with four other humans and two dogs, I visited New England communes to engage in dialogue about the nature of community. The project, funded by the Episcopal Church, was conceived by the Rev. Bill Teska, a fellow priest who thought the Church had something to learn from grassroots experiments in the nurturing of a common life. 

It was November. Snow was beginning to blanket the land. Whenever we had to sleep in our chilly bus, I regretted that we were one animal short of a three-dog night. New England freezes will test the soul. At a newly-formed commune in Maine, we wondered how their experiment was going. “Ask us in the spring,” they told us. “We haven’t gone through our first winter yet. A commune hasn’t proved it can survive until it’s been through a winter.”

The United States of America has survived some pretty severe winters of discontent, but the storms brewing now have us all on edge in a way that feels unprecedented. We have begun to doubt our survival. 

In reading Colm Toíbín’s The Magician, a novel about the life of Thomas Mann, I was struck by a couple of paragraphs describing Germany in 1934. With a few word changes, they could have been ripped from the headlines of America today:

“Each morning, as they read the newspapers over breakfast, one of them would share an item, a fresh outrage committed by the Nazis, an arrest or confiscation of property, a threat to the peace of Europe, an outlandish claim against the Jewish population or against writers and artists or against Communists, and they would sigh or grow silent. On some days, while reading out an item of news, Katia would say that this was the worst, only to be corrected by Erika, who would have found something even more outrageous.” 

“The Nazis … were street fighters who had taken power without losing their sway over the streets. They managed to be both government and opposition. They thrived on the idea of enemies, including enemies within. They did not fear bad publicity—rather, they actually wanted the worst of their actions to become widely known, all the better to make everyone, even those loyal to them, afraid.” [i]

Sound familiar? What decent soul has not been worn down by the relentless succession of lies, madness, and evil acts over the past five years?  And who does not now tremble at the increasingly overt embrace of violence, fear and hatred as acceptable political tools by a major political party? 

I was born 6 weeks after D-Day. Although I have lived through some troubled times in America, I have never doubted my country’s ability to survive its sins—until this year. Suddenly the American experiment seems shockingly fragile and strangely impermanent. While the majority of Americans may still desire the greater good, the proliferation of bad actors, along with their enablers and dupes, has metastasized into the tens of millions. Our democracy managed to survive January 6th, but not by what anyone could call a comfortable margin. The party that enabled and even fomented insurrection not only refuses to show a shred of shame or remorse, it is actively working to undermine whatever defenses—like voting rights, or an impartial judiciary—remain against future coup attempts.

There is not yet a majority in Congress willing to overturn an election. Nor is a military takeover currently in the cards. But such scenarios are no longer utterly inconceivable. The smell of burning books is already in the air. Where do we go from here?

When the demons run wild in our common life, we cry, “This is not who we are!” The myth of American innocence has been a prevalent theme since the first colonists arrived in the “New World.” Freed of the dead weight of the past, armed with a sense of limitless possibility and buoyant resilience, we (i.e., white Americans) have preferred to think of ourselves as forever young. 

The American, according to the myth, is the new Adam (or Eve) in the new Eden, a “radically new personality, the hero of the new adventure: an individual emancipated from history, happily bereft of ancestry, untouched and undefiled by the usual inheritances of family and race; an individual standing alone, self-reliant and self-propelling, ready to confront whatever awaited him with the aid of his own unique and inherent resources.” [ii]   

However, the preservation of this myth requires an immense labor of forgetting. Slavery, racism, the Native American genocide, xenophobia, mob violence, misogyny, environmental destruction and countless other sins do not fit the narrative of innocence. If myth’s stabilizing power lies in both conscious and unconscious agreement about our collective memory (“This is who we are!”), stirring up the troubling ghosts of historical evidence poses a threat to our sense of cohesion and identity. Tradition loses its binding force if it is allowed to be put into question. 

“Don’t mess with our myths!” is the rallying cry of the far right, who have shown their willingness to destroy America in order to save their version of it. But the rest of us should not feel too secure within our own fictions of innocence. We have yet to resolve our legacy of racism. We seem incapable of addressing our propensity for violence. And our lifelong assumptions about American democracy have been plunged into doubt. When fascism infected Europe in the 1930s, Americans said, “It can’t happen here.” In these latter days, we know better. It can. 

Okay, this all seems a little grim for Thanksgiving Eve. But if our current crisis forces us to reexamine and reform the foundations of our common life, perhaps we can be thankful for that. For people of faith, the survival of life as we know it is never the highest good. As we reminded ourselves last Sunday on the Feast of Christ the King, we are not in charge of history, and don’t have to be in love with particular outcomes of transitory events. Empires rise, empires fall. The Kingdom of God—the reign of self-diffusive love—is the only thing that endures, because it knows the secret of dying and rising. Therefore, even at the grave we make our song: Alleluia, alleluia, alleluia! [iii]

Even as the mountains tumble into the sea, the holy Mystery whispers “Rise! Rise!” into every moment, even the most forlorn. For that, I give thanks.

God is our refuge and strength,
a very present help in trouble.
Therefore we will not fear, though the earth be moved, 
or the mountains tumble into the sea; 
though the waters of chaos rage and foam, 
though the mountains tremble at its tumult,
the Lord of hosts is with us; the God of Jacob is our stronghold. 

— Psalm 46: 1-4

Mount Rainier dawn (March 4, 2015)

Previous Thanksgiving posts:

Utopian Dreams and Cold Realities: A Thanksgiving Homily

Trying to Get Home for Thanksgiving



[i] Colm Toíbín, The Magician (New York: Scribner, 2021), 229 & 231.

[ii] R. W. B. Lewis, The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century (Chicago: University of Chicago Press, 1955), 5.

[iii] The Burial Office, Episcopal Book of Common Prayer, 499.

A Voice to Raise the Dead

Lucas Cranach the Younger, Raising of the Son of the Widow of Nain (detail, 1569)

Lucas Cranach the Younger, Raising of the Son of the Widow of Nain (detail, 1569)

I’m writing from Hattiesburg, Mississippi, where I’ve been among some amazing people to reflect together on the deep connections between art and spirituality. The fruit of those conversations will find their way into future posts, but meanwhile here is what I’m preaching this morning from the pulpit of Hattiesburg’s Trinity Episcopal Church, based on the gospel text from Luke 7:11-17. 

Watch out! There’s going to be a collision.

Here comes a funeral parade, with a dead young man, his grieving mother, and a whole crowd of mourners, weeping and wailing and gnashing their teeth.

And from the opposite direction, pretty as you please, here comes the Jesus parade: the holy man everybody’s talking about, along with his passel of disciples and a whole bunch of folks who’ve just seen Jesus cure the centurion’s slave in the blink of an eye and who want to see what in heaven’s name he’s going to do next.

The Jesus people are all laughing and talking and telling stories, but suddenly Jesus raises his hand and they all stop, because he’s seen the widow, he’s heard her crying—they can all hear her crying—and Jesus is so moved by her tears, his heart just fills up and overflows with compassion. and whatever he was on his way to do no longer seems all that important.

He knows that moments like this are why he came into the world. So he heads straight across the town square to meet that funeral procession, with all his folks trailing after him, wondering what’s going to happen.

What is going to happen, in the middle of that dusty little country town, is a great cosmic showdown: the parade of death running smack into the parade of life. And here’s how it goes.

Jesus reaches out to touch the coffin, and the pallbearers come to a dead stop. Everybody gets real quiet. Maybe the widow recognizes Jesus. Maybe she’s heard stories about his miracles. But she’s not asking for any help. Her son is dead. She knows his story is over. Nothing Jesus can do about that, she thinks. She’s long since resigned to her grief.

And the only thing Jesus has to say to her is, “Do not weep,” because it’s her son that he wants to talk to. Then Jesus speaks the words he has been given the power to say:

Young man, arise!

And the dead man sits up, opens his mouth, takes a breath, and words start to spill out, words of wonder and joy, and he is alive again. Then Jesus gives him back to his mother. And all the people standing round don’t know whether to be scared or whether to start shouting “Glory to God! Glory to God!”

And as for all of us who listen to this story today,what do we do with the strangeness of it in a world where too many young men and women die and parents weep and there is no resurrection parade that shows up to make everything all right again?

Can we still take hope from this story, or is being snatched from the jaws of death only for the lucky few, like winning the lottery, while the rest of us can only dream of such a happy fate?

This would be a cruel story if it were about a blessing which most of us will never know. But what Jesus did that day in the village of Nain wasn’t a promise that we all now get a free pass to escape the human condition. Jesus didn’t really go around raising up everybody who died. It only happens three times in the gospels. Jesus didn’t come to give everyone a few extra decades of earthly existence. That’s not why he was here.

He was here to show us God, and to show us how humanity is made to become like God—not by grasping power and glory, but by embodying compassion, which is one of the dearest of God’s names.

It wasn’t God’s plan that Jesus spend all his time putting funeral directors out of business. But on that particular day in Nain, Jesus couldn’t help himself. He felt compassion for the widow, and as the incarnate Author of Life, he returned the widow’s son to the sensory world of dust and sunshine just so death wouldn’t get too uppity. Sometimes death needs to be reminded that it never gets the last word.

But Jesus didn’t mean for us to place our own hope in such temporary reprieves. The resurrection of the dead is a mystery more ultimate and profound than what happened to the widow’s son. Dying and rising are inseparable partners in the same transformative dance. It’s the way the story goes, and we just have to live with it. That is why, even at the grave, we make our song: Alleluia, alleluia, alleluia.

So what does this gospel story want to tell us today, wherever you and I happen to find ourselves on life’s journey in the year of grace 2016? I’ll tell you what I hear.

The first thing is, our God is compassionate. Our God is moved by our tears. And in the end, as poet Jane Kenyon said before her own untimely death, God will prove to be “mercy clothed in light.”

Secondly, I am struck by the power of the voice of the Divine Beloved, the voice of Jesus, speaking to us the word of life: Arise. And I don’t think we have to wait for the Last Day to hear it, either.

We are being called back to life every day, every moment, if we only have ears to hear. On her wonderful website, The Painted Bird, Jan Richardson has posted her poem inspired by this gospel. “Blessing for the Raising of the Dead.” tells us that ‘while this blessing / does not have the power / to raise you, /  it knows how to reach you. / It will come to you, / sit down / beside you, / look you / in the eye / and ask / if you want / to live.’ You can read the whole poem here.

Finally, I hear this gospel telling me one more thing. It is not enough simply to hear the voice that blesses and revives. I believe, now that the tongues of Pentecostal fire have settled on our own heads, that you and I are called to speak that voice as well, to be ourselves the voice that blesses, the voice that calls the dead back to life—dead hopes, dead neighborhoods, dead dreams, dead souls.

The word of life is not something we ourselves possess, but God has empowered us to speak it nonetheless: to be Christ’s voice for those in need, to be Christ’s voice to a broken and longing world—

the voice which speaks the word
uttered for all eternity
in the heart of God:

Arise, it says. Arise.